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Ditmar Urbach Drip Glaze Brussels Style Vase, Czechoslovakia 1960s
$280
$35020% Off
£213.56
£266.9620% Off
€243.20
€30420% Off
CA$393.49
CA$491.8620% Off
A$429.15
A$536.4420% Off
CHF 227.34
CHF 284.1720% Off
MX$5,144.91
MX$6,431.1420% Off
NOK 2,895.24
NOK 3,619.0520% Off
SEK 2,647.48
SEK 3,309.3520% Off
DKK 1,816.93
DKK 2,271.1620% Off
About the Item
Graphic ceramic vase with glazed finish was produced by Ditmar Urbach in 1960s. It is decorated with a combination of light beige and clear glossy drip glazes on semi-matte deep brown background glaze, in what is known as 'Brussels Style', a term for anything influenced by works from the Czechoslovak pavilion at the Brussels World Fair 1958; the Czechoslovak pavilion won the first prize at the fair, achieving fame and national recognition for the designs exhibited.
The vase is signed with design/mold numbers stamped underglaze and factory mark printed overglaze.
Urbach pottery was founded in 1882 in Turn-Teplitz, Bohemia (now Trnovany, Czech Republic) in 1882. It merged with Rudolf Ditmar’s factory in Znaim, Czechoslovakia, in 1919 and became Ditmar-Urbach. The factory was confiscated by the Austrian Government in 1938, at which time it became Ostmark-Ceramics A.G., and was nationalized in 1945. In 1947 Kurt Lichtenstern, the heir to Ditmar Urbach's previous owner Richard Lichtenstern, who had emigrated to the U.S. and changed his name to Conrad H. Lester, took back the company. The company was taken over in 1967 by the Keramik Holding Laufen, which is now part of the ROCA group.
- Creator:Ditmar Urbach (Manufacturer)
- Dimensions:Height: 7 in (17.78 cm)Diameter: 5.13 in (13.04 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421140889512
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
About the Seller
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