An Exceptional Bohemian Hand Enamel Opaline Glass Fluted Vase, Islamic Market

An antique Japanese Meiji period cloisonne enamel porcelain vase, characterized by its exquisite multi colored floral and foliage motifs on a green ground. The use of a vibrant color...

A large antique Japanese early Meiji period vase attributed to Namikawa Yasuyuki, a prominent cloisonne artist of the time. Showcases the highly regarded craftsmanship and intricate ...

An early 20th century Chinese copper vase with cloisonne enamel decor. Bottle shape. Swirl ornamental design in beige color palette. Gilt rims and ...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Vase, C. 1870 In the Islamic / Alhambra taste. The two handled vase in Alhambra form, enameled in rich yellow throughout ...

An Iznik-style vase made by Edmé Samson et Cie after a 16th-century Turkish bottle vase in the collection of the Musée d'Ecouen. The vase’s bulbous body is decorated in a red, cobalt blue, turquoise, and green floral design of saz leaves, roses, and tulips. The neck is decorated with delicate floral sprays. The design is highlighted with gilding throughout, and is intentionally sparse around the turquoise area of the neck to mimic the wear of the 16th-century vase after which it was modelled. As with many other Samson Iznik...

A stunning Belgian hand painted art pottery vase decorated with Islamic style floral designs attributed to Charles Catteau and dating from around 1920. The vase of rounded bulbous shape stands on a narrow round foot with a narrow funnel shaped top and is hand painted with Islamic inspired floral designs repeated to both sides of the body with painted patterning around the top and lower rims. The vase is painted in tones of blue, red and green on a white ground with black printed makers...

Bulb-bottomed vase with long neck decorated with multicolored enamel and gold. It is embellished with arabesques, flowers and latticework patterns in orientalist taste on a marbled Bordeaux background. Remnants of a mark underneath. The fascination with the orient and its exotic decoration dominated the 18th-19th centuries. It was China that started the enthusiasm for the costumes and artistic shapes that came from faraway lands. However, as a result of conquests and colonial Expansion, this fascination saw the displacement of its origins. During the 18th century, Chinese and Turkish styles invaded the salons and gardens of royalty as well as affluent esthetes who prided themselves on their taste for The Orient. From then on, baths were Turkish, furniture was lacquered, Persian tapestries...

Another handsome example of Imari from the late 19th/early 20th century.