Heintz Arts Crafts Sterling Silver on Bronze Vase

Signed & dated 1912 Heintz Metal Co sterling cattails on bronze vase. On base: "#3608A", "Sterling on Bronze", "Pat. Aug.27, 12", with company insignia. Although it has had a bit of ...

A beautiful Early 20thC Arts Crafts tall sterling silver on bronze baluster vase with flowering branch overlay decoration by Otto Heintz, Buffalo, N.Y. The back of the vase ha...

Late 19th / early 20th century Lebkuecher with French art glass vase in Galle style with natural green and gilt motifs standing on a square, pierced sterling silver base with decorat...

Hallmarked in Sheffield in 1928 by Mappin & Webb, this striking, Sterling Silver Jardiniere, is in the Arts & Crafts taste, and features an applied enamelled plaque detailed with the...

Vintage "arts & crafts" style pottery vase, circa 1950s. Wonderful bluish green colors and a great vintage patina make this a wonderful decor piece! It is in very good vintage condit...

Arts & Crafts large vaseline glass vase with opaline iris pattern Fan shaped with fluted top and circular base John Walsh Walsh Circa 1900 Height 15cm. Width 21cm. Depth 10cm Jo...

Belgian Arts & Crafts glazed beige porcelain vase with cover having an open black finial and trimmed with black decoration and various heads (signed: S HUBLET, marked 213D)

An Arts and Crafts glass and wrought iron floor vase on stand, the green tinted Vaseline trumpet with a waved rim, attributed to James Powell of Wh...

English Arts & Crafts blue glass trumpet shaped vase with fluted design and scalloped top (James Powell & Son/Whitefriars Glassworks)

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. “A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...