Italian Mid-Century Ceramic Vase in Guido Gambone Style, 1950s

Gorgeous and rare, unique ceramic vase hand painted and signed with G.R. by artist from Italian ceramic studio Orobico Arte Artigianato (ART RUMI) in the 1950s. The vase is made of ...

Marcello Fantoni Italian Midcentury Ceramic Vase, 1960s Gorgeous large ceramic vase in beautiful colors and glaze made by Italian Marcello Fantoni, Florence, Italy, during the 1960...

Gorgeous and rare, unique ceramic vase hand painted and signed with N.D.R. by artist from Italian ceramic studio Orobico Arte Artigianato (ART RUMI) in the 1950s. The vase is made of...

Beautiful unique ceramic vase made by Bottega Gatti in Faenza, most probably during the 1950s or earlier. The vase is hand painted, hand carved and glaz...

Large 1960s San Marino Italian Art Pottery Raymor Vase 18 1/2" High, Vintage, Hand thrown Italian San Marino pottery vase, circa 1960's. San Marino is a tiny independent republic within Italy similar to the Vatican. This is a piece with many of the hallmarks of great 60's Italian pottery: squeeze...

Biomorphic vase with scarified patterns of 2 female silhouettes on shiny milky white enamel. Accolay designates both the place (South Burgundy) and the name of a community of ceram...

Beautiful geometric ceramic vases by Bay Keramik made in West Germany in the 1960s. The ceramic vase is in very good vintage condition, with no damage. Dimensions: Width: 10 cm / 3...

Italian Mid-Century Ceramic Vase in Etruscan Style in by Mariano Pieroni 1950s Conical ceramic vessel with a pronounced, straight rim. The color is dark brown-red and the graphic decoration around the rim is worked in a rich sand tone. The surface is rough and textured, but glazed, which gives the object a special appeal. This decorative object has an Etruscan character and was crafted by M. Pieroniin 1955-56 in Faenza at the Istituto d'arte Faenza. Mariano Pieroni was born in Barga (Lucca) on June 17, 1937. He lives and works in Solbiate Arno (Varese). An ideologist of the "Dimensionismo" movement, he was a member of historic groups in the Lombardy area: "LIBERI ARTISTI DEL VARESOTTO" (LADPDV), i Besnatesi, Porta Ticinese, Centro documentazione Arte Varese, "Tectores Errantes," and "Dimensionismo." From 1952 to 1966, he lived in Florence and attended the studios of Rosai, Grazzini, and Conti, and the free school of nude art at the Academy of Fine Arts directed by Giorgio Settala. He became a student of Silvio Polloni and, in 1953-54, of Pietro Annigoni. His mentors also included Ugo Seravalle (his first teacher) and Emanuele Zambini (a renowned sculptor). He met the great Italian-American artist Agostino Nivola during the summer of 1950 and studied under him at Villa Pozzolini in Quercianella. Early training in figurative art, he moved on to informal art, adopting various techniques such as collage and frottage, after studying nude painting...