Large Italian 1960s Murano Sommerso Glass Vase

A large Chinese Ming Dynasty polychrome porcelain dish, circa 1620. Late Ming Dynasty. Painted in turquoise, black and red enamels with a central 'Split Pagoda' pattern scene, the cavetto with four landscape vignettes alternating with stylised seals. Many Mid-Century studio potters were inspired by the shapes and designs of ancient Chinese and Ming pottery. We believe this dish is a good example of this, which is why it will fit with both antique and modern interiors, making it the perfect cross-collecting piece. See Bonhams Lot 168 from Asian Art sale...

A finely thin potted white glazed bowl, with incised lotus blossom pattern decoration from the Joseon period, Korea, circa 1400. It has an old colle...

Number 180 from an edition of 200 plus one prototype. Essays by Carlos Fuentes and John Berger; translations by Professor Alfred MacAdam and photographs by Ferdinando Scianna...

This is a great example of a Lucie Rie iconic hand-thrown, footed bowl with manganese glaze. It is thinly potted and slightly pulled into an ovoid shape with an undulating rim. The running glaze is subtle whilst adding an individual element to the decoration of the bowl. The bowl bears the artist's monogram seal mark under. Lucie Rie was an Austrian-born British ceramics artist. Rie’s works, usually consisting of hand-thrown pots, bottles, and bowl forms, are noteworthy for their Modernist forms. Born in 1902 in Vienna, Austria, she studied pottery at the Vienna Kunstgewerbeschule, a school of arts and crafts. In 1937, she won a silver medal at the Paris International Exhibition and by the following year, Rie moved to London to flee Nazi Austria. Once settled in the British capital, she maintained a small studio and continued to produce pottery and small clay objects, including ceramic buttons and jewellery which she sold to support herself. She was later joined by Hans Coper, a young artist who soon became a partner in her studio. She taught at the Camberwell School of Art from 1960...