Large Japanese Red Green Hand Painted Porcelain Vase by Master Artist Duo

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

Early 20th Century Chinese porcelain blue and white vases. Colors of each vase are not exactly the same and denote the age and hand painted technique.

Hand painted Japanese porcelain miniature ginger jar with handled top. Old Japan motifs of a peacock with chrysanthemum flower, dogwood trees, clouds and and butterfly. Stamped with signature on bottom, T & T Made in Japan Hand paint.

Fine Japanese porcelain pumpkin 'Gourd' shape painted and lacquered large vase. The white porcelain vase is decorated with black lacca panels, fine...

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

A remarkable hand painted Japanese porcelain Imari vase. Classic iron red and cobalt blue on a white porcelain background. Elegant Japanese figures painted all around the center port...

Made by the studio of the legendary Japanese imperial potter Makuzu Kozan (1842-1916), this is a large porcelain vase glazed in a soft yellow color with a subtle gradient, on top of ...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. With an impressively large size, this vase was likely made and reserved as a presentation piece for one of the many expositions the studio participated in the early 20th century. It was decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking dimensional literary landscape known as "Mountain and Water". Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...

Beautiful Japanese Moriage vase, late 19th century-early 20th century. Free shipping within the United States and Canada.

With lovely magnolia tree in bloom and finch on blue background. Signed: Fukugawa.