Crystal Vases

The Non Stop vase has a wrap-around black pattern that results in a graphic, vibrant finish. Let’s not ever stop loving great design. Either leave it be or fi...

Vibrant, meadow-green cased-crystal glass vase in the Bohemian style with cut-to-clear decoration of palms and trellis. This design for vases is often called 'Pique fleurs' or 'rose-...

21st Century hand carved clear crystal and golden bronze vase. This vase is finely chiseled lost wax castings and hand-grounded crystal. On request to customer can modificate the col...

A technique called underlay is used to create multiple layers of glass in Pagod from Kosta Boda. The clear glass forms a shell over the colored glass, allowing its inner beauty to sh...

The low Limelight vase has a collar that perfectly frames and highlights any bouquet, and the shape of the vase makes it ideal for top-heavy flowers. Like all the items in the Limeli...

Baccarat Style Hand Cut Crystal Flower Vase This exquisite crystal flower vase showcases exceptional craftsmanship, made from high-quality cry...

This vase is a showstopper- rich, hand blown cobalt blue crystal is embellished with wheel cut engraving and highlighted in gold. The fanciful decoration circles the circumference of...

Val Saint Lambert, Signed Sculpted Crystal core Vase , Belgium. Heavy Val Saint Lambert crystal vase catalogued in the 1950s. The central amethyst color (a traditional favorite for...

Beautiful Pinja vase designed by Tapio Wirkkala and made in Finland by Iittala. This heavy and high quality crystal vase is hand blown with a flat and polished asymmetrical rim and ...

A technique called underlay is used to create multiple layers of glass in Pagod from Kosta Boda. The clear glass forms a shell over the colored glass, allowing its inner beauty to sh...

Stunning cobalt blue hand cut lead crystal vase created as a work of art by the hands of the finest Czech glass workers. The Caesar Crystal Company in the Czech Republic has been sel...

By putting three layers of glass on one another in three distinct moments colored opaque glass, clear crystal and colored crystal one achieves the amazing effect of a material that plays with the light and changes thickness, consistency and chromatic effect. Two-colored objects...

Vintage handcrafted oval shaped aqua blue crystal vase by Strombergshyttan. Signed on bottom. Artist: Asta Stromberg Manufacturer: Strombergshyttan Origin: Sweden Year: ...

Crackle and thunder – a magical wonder! At Kosta Boda, we marvel at beautifully preserved cracks in glass. The clear glass vase from the Crackle collection has an expressive, sculptu...

A crystal masterpiece of beautiful proportions by Thomas Bastide, this vase crystallize the extraordinary know-how of the Baccarat craftsmen. The geometric cuts and vibrant blue colo...

Kappa Circular from Kosta Boda is made of 100 percent circular glass from Kosta Glassworks in Sweden. Small bubbles and color variations often appear in the process of transforming c...

Decorate a console or buffet with this elegant crystal trumpet vase with scalloped rim. Crafted in France, circa 1960 and round in shape, the larg...

Baccarat Decanter, With 8 shot glasses 1950s. Beautiful circular crystal decanter Silver Mount and Faceted, deeply and evenly cut, Origin: France in excellent condition. There was...

In his close relationship with nature, the legendary glass artist Göran Wärff was inspired to create a distinctively shaped art object in vibrant colors, which resulted in Orchid. Th...

A hard-to-find Baccarat two-handled Art Deco vase. Of slender form with hollow integral handles to each side. The base bears acid-etched Baccarat factory mark. Measures: He...

Crackle and thunder – a magical wonder! At Kosta Boda, we marvel at beautifully preserved cracks in glass. The vase in circular glass from the Crackle collection has an expressive, s...

In classical mythology, Cupid is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the war god...

Val Saint Lambert crystal vase cut to clear, Beautiful Val Saint Lambert circular crystal vase, hand-cut-to-clear, the glass is thick, deeply and evenly cut, Origin: Belgium in exc...

Stunning hand cut lead crystal vase created as a work of art by the hands of the finest Czech glass workers. The Caesar Crystal Company in the Czech Republic has been selling hand cu...

Created as the evolution of the Ogiva vase, Ellisse is an object that, thanks to its complex working while hot, achieves the perfect balance between its chromatic components, arousin...

A tall rare double holed clear crystal glass vase designed by Vicke Lindstrand for Kosta Glasbruk (which eventually became Kosta Boda), Sweden, circa 1959. Vicke Lindstrand is consid...

Before describing the object under consideration we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born of the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent. Finally, polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two craftsmen, inventiveness that transforms crystal into a material reality of the highest aesthetic value and inestimable value. All objects in the entire collection have never been used; they were part of the exhibition. Large oval crystal vase...

Stunning ruby red hand cut lead crystal vase created as a work of art by the hands of the finest Czech glass workers. The Caesar Crystal Company in the Czech Republic has been sellin...

This tall cut crystal antique vase has no maker's marks but presumed to have been made in England in circa 1900 in the period Art Nouveau style. The vase stands over a foot tall and ...

Antique cut crystal vase. Irish cut crystal footed vase with diapered cut rolled lip and faceted body, Ireland, mid-19th century. Dimension: ...

This very nice and decorative pair of Medicis style vases is made of crystal. This is a French work. Circa 1900

This is an unusual pair of Fry handblown vases in the opalescent glass that was described as "translucent pearl". Fry Glass Company gave the name "FOVAL" to their line of art glass, ...

French Crystal vase by Anatole Riecke – 1944, La Coupole Restaurant, Paris. This vase is a creation of the artist Anatole Riecke, of Russian origin, who lived in Paris at the beginn...

Stunning black hand cut lead crystal vase created as a work of art by the hands of the finest Czech glass workers. The Caesar Crystal Company in the Czech Republic has been selling h...

Val Saint Lambert, Label sculpted crystal vase with amethyst core, Belgium. Heavy Val Saint Lambert crystal vase catalogued in the 1950s. The central amethyst color (a traditional f...

Val Saint Lambert crystal vase cut to clear, 1950s Beautiful Val Saint Lambert circular crystal vase, hand-cut-to-clear, the glass is thick, deeply and evenly cut, Origin: Belg...

A wonderful Val Saint Lambert amethyst diamond overlay art glass / crystal Kipling large vase unsigned. Measures: 11 1/2" high x 8" wide.  

The Following Item we are offering is a Rare Antique Early 1900s Lovely HEAVY HANDCUT Cranberry Hand Cut Large Bohemian Crystal Vase. Vase is Finely Detailed Throughout in a Magnific...

Nice Crystal vase showing a young woman watching stars Circa 1970's By Orrefors Sweden

This Val Saint Lambert vase is a rare example of a pattern that was only used for goblets and most likely a custom order. It is hand blown crystal with cobalt blue overlay cut to cle...

Since 1958, Mario Cioni has been well known in Italy for creating crystal with skilled experience. This art glass vase is a true eye-catcher. The vase is signed in the glass on the f...

1960s. This high-quality pitcher / vase is made in transparent crystal. It is a vintage piece, therefore it might show slight traces of use, but it can be considered as in perfect o...

Hand blown crystal vase in yellow glass with a antique country style Easter design. Hand carved by Bavarian glass artists . A rich garland of trees and ...

Organic shaped clear crystal vase by Goran Warff for Kosta Boda, Finland, signed.

Handblown crystal vase in green glass with hand-edged hunting scene in the style of black forest. The decor is an antique decor with deers, trees and bambis all around. Completely ha...

Stunning hand cut amethyst, purple lead crystal vase created as a work of art by the hands of the finest Czech glass workers. The Caesar Crystal Company in the Czech Republic has bee...

Made in Czechoslovakia Made of crystal glass Re-polished Original condition.

Crystal vase decorated with a gilded bronze dragon from the Maison de Cristal, Napoleon III period, 1880. H: 17cm, D: 5.75cm

This is a Lalique Crystal Champs- Elysses medium size oval bowl vase. It depicts multiple horse chestnut leaves arranged around a circular center base. Below the base, it is the acid...

A PAIR OF RUSSIAN BRONZE CUT CRYSTAL VASES. 19TH C A PAIR OF 19th C. RUSSIAN ORMOLU-MOUNTED (Bronze) CUT CRYSTAL VASES. H 33 cm

Vintage Orrefors Sweden Crystal Girl Wishing on the Moon Hand Etched Vase Signed Special Vase-very small chip on top edge, other than that excellent condition.  One side has an etch...

Article: Glass vase Producer: Joska Waldglashütte Bodenmais, Germany Decade: 1970s Description: Original super rare vintage vase set produced by Joska Wal...

Article: Set of three crystal vases Producer: Alfred Taube Kristallglasfabrik, Germany Decade: 1960s   These original vintage vases was produced in the 1960s in Germany. It is made of hand blown crystal glass...

Vintage Swedish Blue Crystal Vase by Asta Strömberg for Strömbergshyttan, 1950. Large and heavy glass art in thick silver-blue tinted glass with etched motif of a tree with birds. E...

The Following Item we are offering is a Rare Antique Lovely HEAVY HANDCUT Amethyst Hand Cut Crystal Glass Basket. Basket is Finely Detailed Thro...

French cut crystal tall covered decorative piece / urn. The piece features and exterior cut crystal design details resting on a round form pedestal base. The piece is in great condit...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Huge and monumental Florentine Renaissance-style vase...

The Following Item we are offering is a Rare Antique Early 1900s Lovely HEAVY HANDCUT Amethyst Hand Cut Large Bohemian Crystal Vase. Vase is Finely Detailed Throughout in a Magnifice...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Large crystal vase with base; the decorations, graceful and delicate, are in Neoclassical style. The object is "one-of-a-kind" signed by the Master; it was created in Marcello Galgani's workshop in 1981 and made with the techniques (grinding, engraving, and polishing) we explained in the description; for the shape, the Master was inspired by a vase found in a painting, preserved in the Uffizi Gallery in Florence by the 16th-century painter Jacopo Ligozzi...

Before describing the object under consideration, we must make an important clarification; the artifact, one of many that we will publish over time, is part of the museum collection of a historic Florentine crystal grinder that unfortunately closed recently. It is the Marcello Galgani & Son company, whose completely manual and artisanal work has not withstood the disproportionate advance of mass-produced mechanical processes! Marcello Galgani began his craft as a grinder and restorer in 1960; as the years went by, Marcello mastered and became familiar with particular techniques and shapes, resulting in the production of objects that manage to retain the freshness of grinding and engraving, the warmth and softness of light, and the inimitable flavor of unique artifacts. After several years, his son Lorenzo, who grew up among crystals, also entered the business and immediately became passionate about this ancient craft with skill and ability. Stimulated by the aesthetic sense of the past, father and son, set up a workshop in which the shapes they researched and created themselves are mouth-blown by traditional Tuscan glassmakers in Empoli, then ground and engraved using ancient sixteenth-century techniques, with motifs born from the Galgani's inexhaustible imagination or culturally inspired by designs of objects seen and studied in Florentine museums (Uffizi, Galleria Palatina, Museo degli Argenti, etc.). Marcello and Lorenzo Galgani were also Masters in the difficult art of restoration, bringing rare and precious objects back to life. As mentioned the company recently closed and disposed of all its last production, and only Marcello's old private museum collection remained, which includes unique and special objects created over time, a collection that the craftsman made available to us for a planned sale. All of the objects were made entirely by hand with old grinding wheels, but there were mainly two tools that allowed the creation of masterpieces: the right hand and the left hand of the master craftsman. Ancient glassmaking techniques were used for all the ground and engraved products: first, the object was ground with an emery wheel fed continuously by a jet of abrasive sand and water, then re-polished with a very fine-grained sandstone wheel also fed with water; the engravings were done freehand using as many as 10-15 small stone wheels for each design (flowers, branches, animals, etc. ); then the object was polished and shined; we must make, at this point, an important clarification on these last two operations: towards the end of the 1960s acid crystal polishing was devised, the object was immersed and rotated in a solution of sulfuric acid, fluoridic acid and water and in a short time all the defects left by the previous processes were eliminated, it was a fast, industrial operation that allowed to lower costs considerably, with discrete but not excellent results. But for Galgani's products polishing is done with a cork bark wheel wet with water and pumice, to make the surfaces more transparent, and finally polishing was achieved with a felt wheel wet with a paste of water, iron oxide, and cerium oxide. This series of processes takes an average of two days of work( sometimes much longer) for each object, each engraving or grinding is the result of the creative inventiveness of the two artisans, inventiveness that transforms crystal into reality material of the highest aesthetic value and inestimable value. All the items in the entire collection have never been used; they were part of the exhibition. Large crystal vase; the decorations, in baroque style represent a series of "grotesques" The object is "a unique piece" signed by the Master, it was created in Marcello Galgani's workshop in 1983 and made with the techniques (grinding, engraving and polishing) that we explained in the description; for the shape, the Master was inspired by a vase present in a painting, preserved in the Uffizi Gallery in Florence by the sixteenth-century painter Jacopo Ligozzi...