North Carolina Folk Art Pottery JB Cole Southern Vase Double Dipped Gloppy Glaze

Early Rye Pottery individual brown glazed studio pottery vase by John Cole (British, 1908-88) and made around 1947. The heavily made stoneware vase is of w...

Beautiful rounded vase is decorated with light to dark oxblood red ombre craquelure glaze; the glaze is in high gloss finish and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The vase is in good vintage condition; it is marked and dated on the bottom. Inspired by the Arts Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...

An unusual and stylish Burmantofts Faience art pottery double gourd vase decorated with sun burst patterning and decorated in red glazes and dating from around 1890. This stunning li...

Vintage Large Folk Art Tonala Sandstone Pottery Vase, 1960s. Vintage Large Folk Art Tonala sandstone pottery vase with bird and flowers signed. Vintage large sandstone vase textured and hand-painted with an abstract bird and floral raised glazed decoration. Beautiful Vintage Mexican Ceramic Vase in the style of Ken Edwards. Hand-crafted vintage Tonala...

Rare and probably unique Art Nouveau lustre glazed art pottery vase by Cranston Pottery and made around 1900. Probably an exhibition piece this lightl...

Lustrous, iridescent glazed art pottery vase. Indistinct marking on bottom. Small impressed rectangular and illegible artist's cartouche on side.

This mid-century studio pottery vase from Belgium is masterfully crafted with textured, stripe detailing in soothing cream and earth tones. The glazed finish enhances its visual dept...

This mid-century Belgian studio pottery bottle is beautifully crafted with a glazed brown finish and intricate carved textures. Its design is both rustic and refined, making it a ver...

Beautiful rounded ginger jar with lid features complex green craquelure glaze; the glaze is fluctuating between forest green and deep celadon green hues, is in high gloss finish, and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The jar is in good vintage condition; it is marked and dated on the bottom with one of the earlier, round marks, "N.C. Pisgah Forest West Ashville, Route 19" with the date and potter at the wheel logo (see Kovel's American Art Pottery Marks, p. 149). Inspired by the Arts Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...

This one of a kind Mexican antique is one of few pieces Dolores had at her home at the time she passed away. Dolores portrays the flora from her garden...