Pair hand-painted exotics birds vase Creil Montereau circa 1876-1884

Large pair of Turquoise-glazed earthenware vases designed by Christopher Dresser for the Minton manufactory, dated 1879. Each vase is shaped as a stylised turquoise bamboo, with rais...

This Faïence fine service "Fontainebleau", inspired by the atmosphere of the Fontainebleau castle, was manufactured by the French firm Creil & Montereau in the late 19th century. Fin...

Discover the elegance of this 72-piece tableware set, each piece featuring a refined brown edge. Presented at the 1878 Exposition Universelle, this collection highlights the beauty o...

A table set for 12 or 18 people, "Marine," signed by Ludovic Napoléon Lepic, was crafted in earthenware by the prestigious Creil and Montereau manufactory in 1889. This unique set fe...

A Rare Pair of Late 19th Century French Enamel Vases The front with a maiden in the woods, the sides and back with flowers and landscape scenes. ...

A pair of antique hand-painted porcelain vases from the Nippon era of Japanese porcelain production. The term "Nippon" refers to porcelain objects stamped with the word "Nippon" on t...

Immerse your surroundings in the charm of the mid-20th century with our Hand-Painted Pair of Decorative Pottery Vases. Crafted with artistic finesse, each vase boasts a distinctive b...

Decorate a mantel or a console with this elegant pair of antique enamel vases. Created in southern France, the colorful vessel have a long neck on a circular base; each vase features a typical coastal scene on the French Riviera with sailboats at large and rocky cliffs in the foreground. Each vase is signed by the artist Narbon d'Honore. The vases are in excellent condition commensurate with age and use, and adorn soft colors in the beige palette. The vessels are further signed underfoot "Delphin Massier, Vallauris" for additional authentication. The Massier family of Vallauris is recognized for three members producing Majolica in the second half of the 19th century. In 1860, brothers Delphin (1836-1907) and Clement (1844-1917) Massier were joined by cousin Jerome Massier (1850-1916) and began producing a style of ceramic bridging between traditional Victorian Majolica and Art Nouveau pottery. The Massier’s mastered the copper oxide flambé technique for glazing, thereby introducing an intensely vibrant color palette including red, green and blue hues not previously seen with English Majolica. Important in the Massier production were a series of large naturalistic modeled figural roosters, hens and other birds. Vases and wall pockets styled as orchids, intensely colored irises and sunflowers are among the most common Massier styles. A variety of humorous pieces bearing frogs and songbirds are popular among collectors. Most Massier Majolica bears...