Pair of Bronze Vases after Claude Michel, Said Clodion 1738-1814

A PLASTER BUST OF INFANT BACCHUS AFTER CLAUDE MICHEL CLODION (1738-1814) First half of 20th century Depicted with ringletted hair adorned with vine leaves and grapes on a circular f...

Marble and bronze clock Garniture after Jean-Michel Clodion French 1738-1814.

Patinated bronze "Bacchanalia" after the celebrated 1762 model by Claude Michel Clodion (French, 1738-1814), circa late 19th century. #1555 The figural group of two female figures...

An Exceptional and Handsome French really heavy gauge chisel cast Ewer Pitcher of Jug in the manner of Claude Michel Clodion 1738-1814. Third quarter of the Nineteenth Century. Th...

A delightful pair of patinated bronze statuettes, originally candelabra, after Clodion (Claude Michel Clodion 1738 – 1814), depicting a young satyr and satyress. Mounted on truncated columns of fluted white marble, and marked with the Clodion signature (of questionable authenticity) these figurines now show no trace of the original candelabra screw fixtures. The original models for these figurines are attributed to Clodion (for the young satyr) and to Louis Felix de la Rue...

This grand bronze sculpture, inspired by the works of Michel C. Clodion, depicts the mythological figure of Atlas bearing the weight of the world on his shoulders. The intricate deta...

A pair of late 19th century patinated bronze vases after Claude-Michel Clodion. After Claude-Michel Clodion Each vase of tapering form applied with two grotesque masks hung with la...

A pair of late 19th century French vases or urns, in the style of C.M.Clodion, in patinated bronze with a Belgian black marble base. The vases...

A Pair of Late 19th Century Gilt and Patinated Bronze Six Light Candelabra After Claude-Michel Clodion Each vase of tapering form applied with two grotesque masks hung with laurel garlands above a frieze cast in relief with depictions of putti pulling the drunken infant Silenus, surmounted by a waisted neck with central square candelabrum issuing six acanthus scrolled branches. Claude Michael Clodion, [1738-1814], was the son-in-law of sculptor Augustin Pajou; he trained in Paris in the workshops of Lambert Sigisbert Adam, his maternal uncle and Jean-Baptiste Pigalle, the most successful sculptor of the time. After winning the Prix de Rome, he moved to Italy, sharing a studio with Jean-Antoine Houdon and studying antique, Renaissance, and Baroque sculpture. In 1771 Clodion returned to Paris, where he continued to produce mostly in terracotta. He also worked with his brothers in other media, decorating objects...

Very fine and large bronze of a reclining lion. Many details, such as the treatment of the lion’s mane demonstrate the sculptor’s mastery skill, as well as an understanding of the an...