Pair of Wood Vessels with Fossil Stone Finials by Steven Potts

Fossil Vessel 06 by Joana Kieppe Unique Piece. Dimensions: D 15 x W 9 x H 14 cm. Materials: Lotus high-temperature clay with white glaze sprayed. Reprodu...

Fossil Vessel 04 by Joana Kieppe Unique Piece. Dimensions: D 15 x W 30 x H 45 cm. Materials: Lotus high-temperature clay with white glaze sprayed. Reproduction is entirely manual, t...

Fossil Vessel 03 by Joana Kieppe Unique Piece. Dimensions: D 24 x W 29 x H 70 cm. Materials: Lotus high-temperature clay with white glaze sprayed. Reproduction is entirely manual, t...

Fossil Vessel 02 by Joana Kieppe Unique Piece. Dimensions: D 8 x W 19 x H 23 cm. Materials: Lotus high-temperature clay with white glaze. Reproduction is entirely manual, therefore ...

Fossil Vessel 05 by Joana Kieppe Unique Piece. Dimensions: D 3 x W 13 x H 15 cm. Materials: Ivory high temperature clay. Reproduction is entirely manual, therefore it will be a very...

Fossil Vessel 01 by Joana Kieppe Unique Piece. Dimensions: D 8 x W 23 x H 16 cm. Materials: Lotus high-temperature clay with white glaze. Reproduction is entirely manual, therefore ...

Selamawi wall vessel, fin by TheUrbanative Dimensions: W16 x D7.5 x H28 cm Material: Wall hung ceramic with glazed fin details. Vessel comes with steel plate wall hanging bracket. ...

Bernson was a renowned self-taught artist from Santa Barbara. Celebrated for his burled and gnarled wood decorative pieces, one of his ornaments hung from the White House Christmas t...

Striped fold with inclusions I is a unique sculpture by the British artist Steven Edwards, created from colored parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

This piece is a part of an ongoing series of ceramic sculptures that explore the boundaries of material, the language of making and the characteristics of form. It has been developed...