Porcelain Vase Green Gold by Contemporary Japanese Master Artist

Contemporary Japanese decorative porcelain vase, hand painted in green and blue, in a round shape porcelain body in a stunning "karakusa" or "arabesque" pattern in green and blue, to...

Extraordinary large signed Japanese contemporary museum-quality gilded porcelain decorative vase, extremely intricately hand-painted in a breathtaking Kutani Mokubei style set against striking high purity gold background. The artist has used yellow, green, purple and blue in this stunning vase. These are the traditional colors that have adorned Kutani porcelain for centuries. This vase is the last in a series of Mokubei-inspired pieces carrying the “Kutani Tousui” imprint, produced in the In the early 21st century. Aoki Mokubei...

Exceptional Japanese contemporary Museum quality porcelain decorative vase, intricately hand-painted, gilded and dimpled to showcase cherry blossoms in iron red on a uniquely shaped...

Japanese contemporary decorative porcelain vase, intricately hand painted in green on a beautiful bottle shape body, a signed work by highly acclaimed master porcelain artist of the ...

With organic abstract design. Artist signature on the bottom and on original storage box: Hasegawa Isamu. This vase exhibited at the 2nd Nitten in 1970. Hasegawa Isamu was born in 1925 in Kyoto, son of famed porcelain artist Hasegawa Hakuho...

With lovely magnolia tree in bloom and finch on blue background. Signed: Fukugawa.   

Pair of antique Japanese porcelain vases Japanese, early 20th Century Height 86.5cm, diameter 36cm The beautiful Imari porcelain vases...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...