Roberto Rigon for Giovanni Bertoncello Italian Modernist Art Pottery Vase

A very stylish mid-century Italian attributed art pottery vase of bucket form with a shaped top. The ceramic vase stands on a rounded unglazed foot the base decorated in grey glazes....

A very unusual and stylish vintage Italian art pottery vase attributed to Alvino Bagni and probably made by Raymor. The waisted rounded bulbou...

A hand-built squat studio pottery vase of slight tapering rhombic form in matte pink glazes by Katerina Evangelidou (Greek, c.1960). The four sided vase has two erupting vertical sea...

An unusual and striking mid-century Dutch Brutalist orange glazed art pottery vase possibly by Jaap Ravelli (1916-2011) and dating from around 1960. T...

Sculptural Mid Century Modern chimney style ceramic vase by Roberto Rigon for Bertoncello Ceramiche. Featuring the Tobacco classic mottled tan color, this beautifully designed piece ...

Mid-Century Italian Pottery Vase attributed to Bertoncello, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece is attributed to the mentioned designer/maker. It has no ...

1960s Gorgeous vase by Bertoncello, in ceramic. This vase is in excellent condition. Made in Italy. Dimension: 9,84 x 3,93 x 8,26 H inches 25 cm x cm 10 x 21 H cm

Italian Mid-Century Ceramic Vase in Etruscan Style in by Mariano Pieroni 1950s Conical ceramic vessel with a pronounced, straight rim. The color is dark brown-red and the graphic decoration around the rim is worked in a rich sand tone. The surface is rough and textured, but glazed, which gives the object a special appeal. This decorative object has an Etruscan character and was crafted by M. Pieroniin 1955-56 in Faenza at the Istituto d'arte Faenza. Mariano Pieroni was born in Barga (Lucca) on June 17, 1937. He lives and works in Solbiate Arno (Varese). An ideologist of the "Dimensionismo" movement, he was a member of historic groups in the Lombardy area: "LIBERI ARTISTI DEL VARESOTTO" (LADPDV), i Besnatesi, Porta Ticinese, Centro documentazione Arte Varese, "Tectores Errantes," and "Dimensionismo." From 1952 to 1966, he lived in Florence and attended the studios of Rosai, Grazzini, and Conti, and the free school of nude art at the Academy of Fine Arts directed by Giorgio Settala. He became a student of Silvio Polloni and, in 1953-54, of Pietro Annigoni. His mentors also included Ugo Seravalle (his first teacher) and Emanuele Zambini (a renowned sculptor). He met the great Italian-American artist Agostino Nivola during the summer of 1950 and studied under him at Villa Pozzolini in Quercianella. Early training in figurative art, he moved on to informal art, adopting various techniques such as collage and frottage, after studying nude painting...