Sandstone Vase by Alfred Renoleau

Ceramic vase produced by Bay Keramik, West Germany, in the 1960s. With its shape and modern pattern, this ceramic does not lack character and elegance. Vintage decorative object for...

Stoneware vase dating from 1969. With its modern shape and pretty color, this vase will be perfect in a natural, refined and delicate decoration. We simply imagine it placed on a sh...

Large ceramic vase produced by West Germany in the 1960s. With its modern shape and its mineral, natural and sober color, this ceramic does not lack character and elegance. Vintage ...

Sandstone vase from the 70s. With its modern shape and mineral hue, this ceramic will be perfect in a natural, refined and delicate decoration. We simply imagine it placed on a shel...

A stoneware vase by Leon Pointu (1879-1942) Perfect original conditions. Each vase is signed under the base, circa 1930.    

A stoneware vase by Lucien Talbot, to La Borne. Perfect original conditions. Signed under the base. Unique piece, circa 1950.

Auguste Delaherche ( French. 1857 - 1940 ) four handled stoneware vase with flambe crystalline glaze. France with makers Stamped. Circa 1898. Auguste Delaherche - Historic - Jason Jacques Gallery...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the default quote does not include packing and insurance. 1stDibs shipping provides a level of value, protection, and care that aligns with our commitment to safeguarding historic artworks and providing excellent client service. “A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...