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Stoin for Burley Winter Pair of Vases, American Art Deco Pottery 1930s
$520per set
$650per set20% Off
£396.25per set
£495.31per set20% Off
€456.99per set
€571.23per set20% Off
CA$738.56per set
CA$923.19per set20% Off
A$793.54per set
A$991.92per set20% Off
CHF 425.73per set
CHF 532.16per set20% Off
MX$9,348.78per set
MX$11,685.97per set20% Off
About the Item
Vintage pair of Art Deco ceramic vases feature matte mottled and splash glaze in green and pastel pink palette. The minimal, but elegant shape of the vases, created in contemporary Art Deco style with strong Arts and Crafts influence, was used as a canvas to explore the effects that can be achieved with different applications of the tints and shades of green colored glaze on the pale pink background. The vases form the cohesive pair that offers an additional visual interest in glaze variations on surface decoration.
The vases are marked with the identical model numbers on the bottoms; the definitive attribution can be made by various printed and online resources.
The Burley Winter Pottery Company was founded in 1872 in Crooksville, Ohio. The owners, William Newton Burley and Wilson Winter, hired the popular designer Stoin M. Stoin in 1932, who created some of the best art pottery for the company in 1930s. His work for Burley Winter was characterized by the matte glazes, without even a hint of a sheen; the urns, jardinieres, and jars appeared as if they had been found lying in a field with centuries of age from an ancient civilization, with the thick, heavy shapes of the vases that were implying some archaic design. Mottling blues, greens, and reds palette, the renowned matte finish, and the shapes designed to look older than they were in attempt to replicate the aged surface of more dated pottery created a characteristic look for Stoin work of that period. The 1930s Stoin lines were either signed an incised “Burley Winter” mark, or not marked at all. The Burley Winter Pottery Company achieved its greatest commercial success in the 1930's, but in early 1940s all art pottery production ceased in favor of industrial products for the war effort.
Stoin M. Stoin (1895-1988) was well known during his lifetime, but biographical details of his life and his body of work, usually not signed, were not well documented. A Bulgarian émigré, Stoin settled in East Liverpool, Ohio, around 1922, but his skills and compelling aesthetic vision didn’t gain recognition until 1926 when he was hired by Eugene Houghton to develop a line of decorative wares for the Houghton Pottery in Dalton. His early work was concentrated on the asymmetrical application of glazes over minimalistic jars and vases. His fascination with the use of variations of sponged, wiped, or sprayed glazes over white or colored underglazes continued for almost 50 years; his work was characterized by simple forms, unconventional glazes, and the natural qualities of clay. After his initial two-year experience in Dalton, Stoin worked as a manager, potter, or glaze technician at 14 other large and small potteries, including three that he established, in Ohio, Illinois, Arkansas, and West Virginia, creating pottery that often was glazed with original, sometimes secret, recipes from his personal collection of nearly 150 glazes. He created successful lines for Houghton, Dalton, Burley Winter, Weller (specifically, the Juneau and the Barcelona lines, with total of 7 named lines of wheel-thrown vases and containers for the Weller Pottery designed in 1928, with specific color themes and glaze applications for each line that were also designed by him), Niloak (at least 62 numbered shapes for Hywood Art Pottery line in 1931), and Monmouth Stoneware before founding the Stoin-Lee Pottery in 1942, which was within a few months re-named APCO and operated until 1955. Stoin’s retirement years were spent with a son and his family in Farmington, Arkansas, where he threw pottery on an electric wheel for personal pleasure. Stoin pottery represents a significant aspect of early 20th-century vernacular modernism from the Mississippi River Basin; his work is in collection of several museums, including Museum of Art in Zanesville, OH.
- Creator:Burley Winter (Manufacturer)
- Dimensions:Height: 7 in (17.78 cm)Diameter: 5.25 in (13.34 cm)
- Sold As:Set of 2
- Style:Arts and Crafts (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1930s
- Condition:Wear consistent with age and use.
- Seller Location:Clifton Springs, NY
- Reference Number:1stDibs: LU4421143188742
Roman Erlikh
Roman Erlikh is a professional woodworker with over 20 years’ experience. Roman Erlikh Studio creates bespoke and limited edition contemporary furniture and art objects. His first furniture collections were inspired by traditional Art Deco and Biedermeier styles interpreted through a modern lifestyle demands. Stepping away from merely utilitarian view of everyday objects, his recent collections are filled with meaningful textual context while incorporating traditional and modern woodworking techniques. Roman is using practical function as a common denominator to create emotionally charged art objects, blurring the boundary between art and function. While appreciating possibilities of ordinary materials, Roman is developing new mixed media multilayered composite varnishes and utilizes decorative gilding and mica veneer to actively engage ambient light, giving an additional aspect to relation of his objects to their environment. The decision to work in custom format was based on environmental concerns and opposition to culture of mass production and pure consumerism. The choice of materials was heavily influenced by sustainability and environmental concerns. All objects are made locally in the Brooklyn Navy Yard workshop. Elimination of storage and transportation needs for mass-produced furniture in lieu of creating a custom made objects on demand allows us to reduce waste of materials and energy.
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