Serveware, Ceramics, Silver and Glass

Modern clean lines in a Classic column motif makes this pattern, Triade, forever timeless. Monumental Triade Gold Accent by Christofle France Silverplated Flatware set - 132 pieces....

A 20th Century Meissen Blanc de Chine Porcelain Figural Couple, Lady and Man. A finely dressed couple engages in flirtatious courtship in this ...

A 20th century Meissen porcelain set, Germany A porcelain set, manufactured by Meissen in Germany. The set painted with bright colors, red, blue, yellow and green in floral pattern....

With a dedication to perfection and quality, Christofle flatware creations unite craftsmanship and modern technique, resulting in flatware to be ha...

A rare Meissen Marcolini Porcelain Chinoiserie incense burner vase and cover, made for the Chinese market, circa 1800, blue cross swords and star mark, Pressnummer 58 A Museum Quality Piece. Painted in the sought after famille rose palette with sprigs of indianische Blumen and enriched in gilding, the simulated pierced body supported by four feet painted with stylized dragons, the pierced cover with a Buddhist lion finial. 10" high x 6" wide x 6" deep The shape of this piece, which appears to be unrecorded in the literature, is inspired by similar Chinese porcelain censers from the Qing Dynasty, Kangxi Period (1654-1722). An example in the Palace Museum, Beijing, is illustrated by Li Yi-hua in Qing Porcelain of Kangxi, Yongzheng and Qianlong Periods from the Palace Museum Collection, Hong Kong, 1989, pl. 65. Another in the British Museum, London (museum no. PDF, A.812) is catalogued as a perfume-holder. These porcelain examples are in turn inspired by ancient Chinese bronzes from both the Shang (1600-1046 BC) and the Zhou (1046-246 BCE) dynasties, an example of which was sold anonymously by Christie's New York, 22 March 2019, lot 1601. This chain of inspiration tracking backwards from the 19th century to antiquity provides a clear example of how ceramics, and indeed other mediums, are able to influence and motivate the works of later generations. For a Meissen porcelain snuff...

ANTIQUE JUG/PITCHER Designed in 1926 by Danish silversmith and sculptor Christian Fjerdingstad (1891-1968) for high-quality French goldsmiths and silversmiths Christofle, forming pa...

Art Deco jug by Louis Süe(1875-1968) & André Mare (1887-1932) for Gallia - Christofle. Silverplated with plant motifs in low-relief. Stamped underneath "...

A large rare pair of 19th century Meissen Chinoiserie style Nodding Pagoda Figures with Movable Head, Hand and Tongue, known as a "Nodder'. This Unusual...

With a dedication to perfection and quality, Christofle flatware creations unite craftsmanship and modern technique, resulting in flatware to be handed down through generations. Crea...

A Pair of 19th Century Meissen Porcelain Figures of a Man and Woman in 18th C. Attire. This pair of figures depicts a man and woman in 18th-century pastoral attire, each standing on a gilt-accented rocaille base. The woman wears a cream-colored tricorn hat with a floral accent, a fitted blue bodice with detailed buttons and ruffled cuffs, and a flowing skirt with a delicate purple floral pattern. She holds a white cloth in one hand while raising the other in an expressive gesture. Her finely painted features, softly curled hair, and light blue shoes...

Christofle 'Collection Gallia' - design by artist Eugène Volynkine (often attributed to Edouard Marcel Sandoz). A set of four French Art Deco silvered figural salt & pepper shakers. ...

Set of twelve plated silver animalier knife rests by Christofle French, c. 1930 Bird: height 2cm, width 8cm, depth 2cm Case: height 4.5cm, width...

An absolutely stunning large silver plated tray with a striking border and two grand shaped palm leaf handles by Maison Christofle of Paris. Just back from our silversmiths workshop where it has been overhauled, professionally deep cleaned and polished, restoring it to it's former glory. The underside is signed with various Orfèvrerie Christofle...

1950s Gorgeous ice bucket by Christofle "Ormesson" model in silver plated. It's part of the Gallia collection. Made in France. The item is in excellent condition. Dimension: diamete...

An elegant individual asparagus tongs crafted by the prestigious Christofle, a true emblem of French refinement. This piece perfectly combines beauty and functionality, made of silve...

A box that recalls a work by René Magritte, an apple and a bowler hat come together in this silver plated box from the 1970s produced by Fleuron Christofle. A butter dish or a caviar...

Set of 4 cups and saucers in the beloved strawflower or Strohblumenmuster. Reliefdecor "Gebrochener Stab" hemispherical cup with standring, handle and fine cobalt blue underglaze pa...

A fine, exceptionally detailed large Meissen model of a swan, modelled by J. J. Kändler, with incised plumage, the feathers of the wings picked out in soft grey and beige, with russe...

A 19th century Meissen porcelain 'Elements' ewer emblematic of water. Blue crossed swords mark. The present ewer, representing water,...

With a dedication to perfection and quality, Christofle flatware creations unite craftsmanship and modern technique, resulting in flatware to be handed down through generations. The ...

A Monumental Meissen Porcelain Figural Group of Apollo and the Nine Muses on Mount Parnassus. Comprised of sixteen interlocking parts. Apollo standing holding a lyre and with Pegasus besides a tree, atop a rocky outcrop detailed with foliage and waterfalls above nine goddesses: Calliope, seated and shown writing, representing eloquence and epic poetry. Clio, seated with an open book and blowing a trumpet, representing history. Erato, seated and holding a kithara, representing science and the arts Euterpe, seated and holding a flute, representing music. Melpomene, seated holding a knife and with one hand to her head, representing tragedy. Thalia, seated and holding aloft mask, representing comedy and idyllic poetry. Urania, seated with telescope and globe, representing astronomy and astrology, Polyhymnia, standing with one hand raised and holding a book, representing sacred poetry. Terpsichore, standing, representing dance. Each piece exceptionally finely detailed and painted. The base portions with rocaille edges. On a later black polished wooden base. Multiple blue crossed swords marks. Each piece titled to underside. German, Circa 1880. Mount Parnassus, is a spur of the Pindus Mountains in central Greece and was sacred to the ancient Greeks and in mythology to Apollo, the god of music and poetry and of the Sun and light. Mount Parnassus the mythical centre of poetry, music, and learning in ancient Greece was a popular theme in Barqoue and Rococo art, often substitutable with Athena’s arrival at Mount Helicon from the fifth book of Ovid’s “Metamorphoses”, where she asks the Muses to show her the new spring which gushed forth from the spot where Pegasus “with his hoof of horn opened the earth” (V, 250-260). Here, the mountain, formed from rugged rock cliffs, culminates in a plateau on which the youthful Apollo stands and plays the lyre. The Castalian spring flows from beneath Pegasus’ hoof, representing the source of inspiration and attracting the nine muses, who embody the arts and inspire creation through song, music, and dance. Mount Parnassus was created at the Meissen porcelain manufactory as a table centrepiece and an earlier version, apparently with only five muses, is listed in the inventory of the pastry shop of the Meissen manufactory manager and cabinet minister Heinrich Graf Brühl in 1753. The storage in the pastry shop of approximately 3,000 objects and dishes, including many individual parts for centrepieces, is related to their function as table decorations, replacing decorations previously made by the confectioner from perishable materials such as sugar or wax. The purpose of this table decoration was as a feast for the eyes to accompany the feast of the banquet. The sculptural figurines often depicted a particular theme, with characters drawn from theatre and opera, from classical mythology or pastoral idylls. Allegories and mythological themes, such as the glorification of fine arts, were also popular. Stylistically, Mount Parnassus fits Kändler’s style of the 1740s, and was sold by Brühl in 1762 to Frederick the Great of Prussia who used mythology as a means of self-expression and had already ordered individual figures of Apollo and the Muses as table decorations in 1744. Today it is in the Museum of Applied Arts, Frankfurt (inv. no. M.L. 41). There is another version of Mount Parnassus, from the collection of Prince Alexander Dolgorukoff, in the Hermitage in Saint Petersburg. The present version dates to the second half of the nineteenth century when there was a great revival of Kändler rococo figurines which were reissued and a “Second Rococo”. Another nineteenth century example is in the collection of the Museo Francesco Borgogna, Italy (inv. 1906, XIII, 19-20). These nineteenth century versions were made by the Meissen factory using Kändler's period models. It is recorded that a new version of Mount Parnassus, dating to the 1880s, was part of the Royal Porcelain collection in Dresden: 'In the porcelain collection there is a new version from the 1880s based on the old models, the largest group of this genre, the Parnassus, which shows the named muses all around on the lower part of the rock, each practising their own art, while on the top there is Apollo with the lyre and next to it the Castalian spring rises from the hoofbeat of Pegasus. Each figure is executed individually with its rocky background, and all the pieces are then fitted together, as we have already seen in his earlier, larger compositions. The rock pieces are finished off like a pedestal at the bottom with Rococo ornaments.' (Jean Louis Sponsel, Kabinettstücke der Meissner Porzellan-manufaktur von Johann Joachim Kändler, Leipzig, 1900, pp. 203-204). Kunst und kunsthandwerk; monatsschrift herausgegeben vom Österreichischen museum fuer kunst und industrie, Vienna, 1894, v.7 pt.1, p.133. Kari Berling, Das Meißner Porzellan und seine Geschichte. Leipzig 1900, S. 99, 187-200. Helmuth Gröger, Johann Joachim Kaendler. Dresden, 1956. Peter W Meister, Franz Adrian Dreier, Figürliche Keramik aus zwei Jahrtausenden. Kat Museum für Kunsthandwerk, Frankfurt. Frankfurt 1964, Nr. 90. Rainer Rückert, Meißener Porzellan, 1710-1810. Kat. Ausst. Bayerisches Nationalmuseum München. München 1966. Stefan Bursche, Tafelzier des Barock. München 1974, Abb. 300. "Tafelaufsatz, Der Parnass", Auswahlkatalog, Museum für Kunsthandwerk (Frankfurt am Main, Germany), 1987, pp. 86-87. Alfred Ziffer, ‘Meissener Porzellanplastik für fürstliches Interieur und Zeremoniell’, Keramos, Issue 241/242, pp. 29–52. MEISSEN The production of Meissen porcelain began in 1710 at the manufactory at Meissen...

Rectangular porcelain box with rounded shoulders, small round, slightly domed lid with bud handle, colourful painted merchant scenes on the four sides and on the top of the lid, gold...

With a dedication to perfection and quality, Christofle flatware creations unite craftsmanship and modern technique, resulting in flatware to be ha...

Wonderdful Christofle Vintage Silvered Biarritz Champagne Ice Bucket GALLIA With Ring Handel's. This "Biarritz" champagne bucket was proposed by the Parisian goldsmith in the 1950s a...

A Charming Mid-Century Five-Piece Christofle Electroplated Silver Tea and Coffee Set. The elegant set comprising of a coffee pot, a hot water pot, a sugar-bowl and a milk jug. Stampe...

A fine Meissen gravy or sauce boat. By the Meissen Porcelain Manufactory. Having tin handles, two spouts, and an integral undertray. In the Neu Brandenstein...

Christofle French silver flatware has been crafted by master artisans since 1830. The revolutionary style and character of Christofle dinnerware comes from collaborations with ground...

A Rare 19th Century Meissen Porcelain ‘Schneeballen’ (Snowball) Covered Bowl and Underplate with Encrusted Flowers, Vines, Leaves, and Birds. This piece is very rare and extremely hi...

A handsome and highly sought-after Champagne bucket designed by Luc Lanel for Chrsitofle, Paris. This "Vulcan" design was created by Luc Lanel for the transatlantic liner "Ile-de-...

Set of 2 pcs. of German Meissen porcelain cream and milk pitchers / jugs. Porcelain is white, glazes and hand painted with rich gold decor. The logo marked on the bottoms. Dimensions...

A fantastic pair of 19/20th century Louis XVI Style Meissen Models of Golden Oriole birds. Each bird is naturalistically modeled and perched on white birc...

A charming German 19th century Meissen Porcelain lidded tureen. The oblong shaped tureen displays beautiful finely detailed hand painted blooming flower...

This extremely important set of Meissen ewers represents the Four Elements: Earth, Air, Water and Fire. Impressive in both size and artistry, they are among the most famous and spectacular examples of Meissen porcelain ever made. Each vase is an incredible piece of artwork, interpreting one of the four elements into a stunning vase form of unsurpassed quality and execution. First introduced by Meissen artist Johann Joachim Kändler around 1735 the Four Elements represent that height of his achievements with fine porcelain creations. Water with a relief naval scene flanked by the figures of a galloping horses, mermaid and the god Neptune. The circular flaring base has decorations of spouting dolphins among bulrushes. Air is portrayed with flying birds and billowing clouds, all under the reign of Juno, the goddess who personifies air, and her peacock. Earth is represented by a detailed hunt scene and presided over by Pan, the Greek god of woods and fields. Fire is represented by a dragon-shaped handle, animals fleeing the burning forest and Vulcan, the god of fire. Each ewer is marked to the underside with Meissen blue crossed swords. They are first quality with no cancelation marks. Johann Joachim Kändler was a German sculptor who became the most important modeller of the Meissen porcelain manufactory, and arguably of all European porcelain. He worked at Meissen...

A Highly Important pair of Museum Quality Louis XV Period 18th century Meissen Porcelain filigree openwork vases with a medially of flowers and vined leaves. This is truly an excepti...

An antique Meissen porcelain urn with snake handles amphora, circa early-20th century, Germany. This Meissen urn is hard-paste porcelain, hand painted, fea...

An exceptionally rare and large Meissen porcelain mythological figure centerpiece titled *Neptune and Thetis*, produced in the late 19th century by the renowned Meissen porcelain man...

Early 20th century Meissen porcelain dish. Oval form with pierced basket weave sides, scalloped edge, hand painted with gilded details and multicolored sprays of flowers and insects....

Late 19th century Christofle Rococo Revival silvered metal large decorative epergne centerpiece of reclining child with Baccarat cut crystal compote bowls...

Napoleon III silverplate bronze centerpiece, 1856 by Charles CHRISTOFLE, France, 1856. Silverplate bronze and frosted crystal. Height: 7.7"(19.5cm), Width: 18.1"(46cm), Depth: 11"(28...

A Very Large 19th century Meissen porcelain Group of Russian Calvary General, believed to be Mikhail Kutuzov, the hero of Borodino, with aide de camp, marked with the Meissen underglaze blue crossed swords, and incised and impressed with numbers. While Russia endured great hardships during Napoleon's invasion, it was the skill of her general's and a terrible Russian winter...

A Unique and Monumental Late 19th Century German Meissen Porcelain Mirror This palatial mirror is made up of around 12 wonderful individually hand c...

With a dedication to perfection and quality, Christofle flatware creations unite craftsmanship and modern technique, resulting in flatware to be handed down through generations. Th...

A magnificent pair of very large Meissen putti representing Day & Night by Heinrich Schwabe. Each figure wrapped in a cloth, float above the earth's atmo...

Meissen porcelain Rich Court Dragon cups and saucers, Germany 1960s Meissen porcelain cups and saucers in box with the Rich Court Dragon pattern. The six p...

A highly sought-after silver plated jug designed by the famous French designers (see below) Louis Süe and André Mare for the Orfèvrerie Gallia / Maison Christofle c.1925. Just back from our silversmith's workshop, it has been professionally cleaned and polished, restoring it to it's former glory; any shading are reflections; minor wear to the interior commensurate with age and use. A magnificent piece of history and as relevant for today's interiors as it was nearly 100 years ago. Excellent condition spanning 7 1/2" handle to spout x 4" x 7" tall. Any black marks seen on the body of the jug / pitcher are shadows not marks. Item: 44016 FREE Worldwide Registered Airmail Directly From the UK Sue et Mare The spirit of collaboration was alive in the age of Art Deco. No duo quite exemplified this ideal more than the one known as Süe et Mare. Taking their knowledge of fine art and their shared experiences in the war with them, Louis Süe and André Mare were able to shape trends in the shift from Art Nouveau to Art Deco and beyond. Their designs, inspired by Cubism, excited the Paris Salon of the time and remain relevant even today. Louis Süe was born in Bordeaux in 1875 to a wine merchant and his wife. Drawn to the arts, Süe abandoned a path which would have led him into the École Polytechnique to attend the École des Beaux-Arts in 1893. There he studied painting as well as architecture design, and in 1902 was able to exhibit with a number of his contemporaries in the Salon des Indépendants and the Salon d’Automne. After working in various Parisian artists’ workshops and spending time in Vienna (where he was introduced to Cubism), Süe joined L’Atelier Français, an interior design firm made up of a number of his contemporaries, and where he first met André Mare. André Mare was born in the Norman town of Argentan in 1885. Feeling stifled by his conventional upbringing, he left in 1904 to enroll in the École des Arts Decoratifs. In 1906, Mare also exhibited at the Salon des Indépendants and the Salon d’Automne, showing his furniture design and setting himself apart as a leader among his cohort. In 1912, along with Marcel Duchamp and others (and concurrent to his involvement with L’Atelier Français) Mare created La Maison Cubiste, a section at that year’s Salon d’Automne dedicated to radical interior design. The outbreak of the First World War briefly interrupted the two men’s collaboration. Süe was drafted into the French Army and served in the Greek campaign. Mare, meanwhile, developed new camouflage techniques for the French, British, and Italian armies using his knowledge of Cubism. But this function did not keep him from the front. In 1916, he was wounded by shrapnel in Picardy while helping establish a lookout post, and in the same year was awarded the Military Cross by George V of England. In 1919, Süe and Mare resumed their professional relationship by cooperating with Gustave Jaulmes on designing the victory celebrations in Paris for the war’s end. The next year the pair founded the Compagnie des arts français, focusing on creating designs for furnishings and interior accessories. While adhering to the Art Deco style, their designs were more conventional, harking back to the Louis XIV and earlier periods, and less focused on geometric intricacy. Highly decorative, their pieces featured flair such as sculpted floral and fruit motifs, scalloped edges, and inlays of ivory and mother of pearl. Working primarily as decorators and furniture designers, Süe and Mare did find time to continue participating in exhibitions, particularly the 1925 Exposition internationale des arts décoratifs et industriels modernes, where they constructed an actual museum of contemporary art. Other projects included the booth for the Ambassade de France and the interiors of the steamship SS Île de France.

From a collection of white and blanc de chine figures we are pleased to offer this fine German porcelain figure of a garden bird by renowned maker Meissen ...

Delafosse by Christofle silver plated flatware set of 137 pieces. This set includes: 12 dinner size knives, 9 3/4", 12 dinner size forks, 8 5/8", 12 luncheon knives (some blade we...

19th Century Meissen Birdcage Grouping Germany Circa 1880 This enchanting 19th-century Meissen birdcage grouping, made in Germany circa 1880, is a re...

Antique Oval Deep Dish from Meissen Meissen creates simple but impeccably elegant collections that fit perfectly into absolutely any interior, whether it is a strict classic or eleg...

The clock was modeled by Johann-Joachim Kaendler, the Meissen Manufacturer’s most important modeler and designer. Its rocaille style demonstrates the influence of the Rococo trend p...

A spectacular 19th century silver plated centerpiece by Christofle. Signed and numbered. France c. 1860. The centerpiece is varnished, so no polishing required. Dimensions: H68.5...

With Finely Painted Cattle Scenes From our Ceramics collection, we are delighted to offer this very unusual Meissen Reticulated Porcelain Plate. The Meissen Plate is beautifully po...

This extremely rare and important set of four Meissen ewers represents the Four Elements: Earth, Air, Water and Fire. Impressive in both size and artistry, they are among the most fa...

An important, extremely rare, and rather large 18th century Meissen Porcelain Group of a Thalia with a Harlequin Child, By Johann Joachim (J.J.) Kändler, Circa: 1744. This is an incredible and extremely rare 18th century Meissen Porcelain piece modeled by the greatest Meissen modeler ever in the Company, Johann Joachim (J.J.) Kändler. Thalia can be seen seated on a gorgeous hand-carved and hand-painted flowered and vined porcelain pedestal. Her right arm is raised holding a Phantom of the Opera Black and White Mask, while in her other arm is a young Harlequin dancing and singing holding a hat. Thalia is wearing a gilt-edged dark blue bodice with white floral decorations over a black corset draped in a red-over-yellow robe...

This delicately detailed set of four allegorical porcelain plaques portrays family scenes within the theme of the four seasons: Spring, Summer, Autumn and Winter. Spring can be ide...

A Beautiful Pair of very Meissen Porcelain Figures of Hoopoe Birds Perched on White Tree Branches, with Insects and Flowers. This finely detailed naturalistic pair of exotic Hoopoe...

A beautiful silver-plated ice cube bucket, made by the French brand Christofle. The model's name is Sully. The ice cube bucket is in very good condition. Beautiful color and brilli...

A very unusual and rare pair of Meissen Schneeballen and intricately ormolu mounted potpourri vases with covers. The vases are supported by finely...

This beautiful and rare item is made from Silver-Plated metal and composed by 2 parts: the upper perforated plate and the lower bowl. Very good condition: silver oxidation can be pol...

With a dedication to perfection and quality, Christofle flatware creations unite craftsmanship and modern technique, resulting in flatware to be handed down through generations. Din...