Aldo Londi for Bitossi Large Rimini Blu Cigar Ashtray or Catchall Tray

Master Italian ceramist Aldo Londi created a range of decorative objects in the latter half of the 20th century for the manufacturer Bitossi. In addition to the small-scale animal sculptures for which he is best known, Londi designed a variety of ceramics for the famed company that includes vases, bowls and desk accessories. Collectors know that vintage Aldo Londi pottery is marked by deep attention to detail and an integration of rich, alluring hues typically associated with the Mediterranean.

Londi was born in Montelupo Fiorentino, just outside of Florence, an area that has been known for its pottery since the Renaissance. Londi showed an early interest in the craft, apprenticing at the Fratelli Fanciullacci ceramic workshop when he was only 11 years old. He worked at the company until he left to fight in World War II. After returning to Montelupo Fiorentino in 1946, Londi became the creative director at Bitossi — a position he held for more than 50 years.

Londi's fresh and unique style breathed new life into Bitossi. He prioritized the production of high-quality and handmade decorative objects and created many of Bitossi's pottery lines himself. The most famous of Londi's Bitossi collections is the Rimini Blu line of animals and vases, which debuted in 1955. The collection is characterized by geometric and whimsical patterns and is recognizable for its marvelous blue color.

Londi's fame and popularity extended outside of Italy with the help of Raymor. The American import and distribution company introduced many esteemed Italian manufacturers such as Bitossi to boutiques and department stores in the United States. After Raymor founder Irving Richards hired Ettore Sottsass to design ceramics, Richards connected his new recruit to Londi. Decades before he founded a legendary postmodern design collective in Milan called the Memphis Group, Sottsass used the Bitossi kilns to create timeless works that manifest both primitive forms and modern geometries.

In 2021, Bitossi opened the Bitossi Archive Museum at its Montelupo Fiorentino headquarters. Many of the works designed by the company's most esteemed contributor and artistic director, Aldo Londi, are proudly displayed.

On 1stDibs, find vintage Aldo Londi serveware, lighting, decorative objects and more.

Few had their finger on the pulse of American furniture like importer and distributor Raymor. Founder Irving Richards first had his eyes opened to the world of furniture while attending the 1928 Salon d’Automne art and design fair in Paris. He joined Lightolier two years later and developed its business relationships, including with designer Russel Wright.

Wright and Richards met in 1935 and Russel Wright, Inc. was formed in 1936. Its American Modern ceramic tableware, produced under the name Wright Accessories in 1938, was a notably lucrative collaboration. Following the early success of American Modern, Richards obtained the majority share of Wright Accessories and changed its name to Raymor Mfg Division Inc. in 1941.

By 1952, the exclusivity over American Modern had ended (the line was initially produced by Wright Associates and later manufactured by Steubenville for two decades). To keep up with American markets, Raymor worked with prominent designers such as George Nelson, Arthur Umanoff, Ray and Charles Eames, and Hans J. Wegner.

The company’s imports expanded to Denmark, which contributed to the rise of Scandinavian modern designs in the American market. Throughout the 1950s, Richards established relationships with factories in Scandinavia, Italy and Germany, as well as with the influential tastemaker and importer Charles Stendig.

The furniture company Simmons bought Raymor in 1963 and changed its name to Raymor Richards, Morgenthau Inc. in 1969. During that time, Raymor’s Omnibus range of Scandinavian-style wall units became widely popular, along with Italian glass and pottery like Bitossi ceramics designed by Aldo Londi and Bagni ceramics by Alvino Bagni. 

Shifting styles coupled with rising competition, and the departure of Richards from the company, ended Raymor. By the late 1970s, Raymor faced a wave of international factories able to produce similar products of lesser quality for a lower cost. Buyers were eager to frequently change their interior styles, limiting the need for high-end, durable furniture, which Raymor had been importing. 

On 1stDibs, find a collection of vintage Raymor ceramics, lamps, decorative objects and more.