Faience Ashtrays

For your consideration, a vintage modern handcrafted ashtray made of wood with a central enamel insert.. The insert features a speckled, textured red circle on a dark green backgroun...

Ashtray Pintray "Statuette Source de la Fontaine" made in molded glass with grey patina by Rene Lalique in 1925. . Stamped signature on bottom. Perfect condition. height : 11,5 c...

Carl Auböck Ashtray, Austria 1960s.

Thick and heavy cigar ashtray. It is made from polished lead crystal. Signed and numbered beneath its base. The signature looks like EH so it was probably designed by Erik Hoglund.

Authentic heavy alabaster ashtray made in Italy in the 1960s. Vintage glass ashtray is in very good vintage condition. Dimensions: Wid...

Oskar J. W. Hansen (1892–1971) Designed "Tobacco Leaf" Ashtray for Hauni Richmond Inc. An extraordinary example of functional art, this large ashtray was designed by renowned sculp...

Substantial glass catchall / ashtray with a leather lid in the style of French designer Jacques Adnet. Thick frosted glass body with a lid made of black leather with contrast stitch...

Brass ashtray vienna 1960s Brass polished and stove enameled

In the style of Michel Jaubert. Unique piece.

Ashtray produced by Cini and Nils in the 1970s based on a design by Studio OPI (Franco Bettonica and Mario Malocchi). Hemispherical ashtray in steel, polished on the inside and brush...

Large mid-century Murano glass ashtray, 1960s Italian design Intact and in good condition. Small scratches on the bottom.

A highly sought-after silver plated jug designed by the famous French designers (see below) Louis Süe and André Mare for the Orfèvrerie Gallia / Maison Christofle c.1925. Just back from our silversmith's workshop, it has been professionally cleaned and polished, restoring it to it's former glory; any shading are reflections; minor wear to the interior commensurate with age and use. A magnificent piece of history and as relevant for today's interiors as it was nearly 100 years ago. Excellent condition spanning 7 1/2" handle to spout x 4" x 7" tall. Any black marks seen on the body of the jug / pitcher are shadows not marks. Item: 44016 FREE Worldwide Registered Airmail Directly From the UK Sue et Mare The spirit of collaboration was alive in the age of Art Deco. No duo quite exemplified this ideal more than the one known as Süe et Mare. Taking their knowledge of fine art and their shared experiences in the war with them, Louis Süe and André Mare were able to shape trends in the shift from Art Nouveau to Art Deco and beyond. Their designs, inspired by Cubism, excited the Paris Salon of the time and remain relevant even today. Louis Süe was born in Bordeaux in 1875 to a wine merchant and his wife. Drawn to the arts, Süe abandoned a path which would have led him into the École Polytechnique to attend the École des Beaux-Arts in 1893. There he studied painting as well as architecture design, and in 1902 was able to exhibit with a number of his contemporaries in the Salon des Indépendants and the Salon d’Automne. After working in various Parisian artists’ workshops and spending time in Vienna (where he was introduced to Cubism), Süe joined L’Atelier Français, an interior design firm made up of a number of his contemporaries, and where he first met André Mare. André Mare was born in the Norman town of Argentan in 1885. Feeling stifled by his conventional upbringing, he left in 1904 to enroll in the École des Arts Decoratifs. In 1906, Mare also exhibited at the Salon des Indépendants and the Salon d’Automne, showing his furniture design and setting himself apart as a leader among his cohort. In 1912, along with Marcel Duchamp and others (and concurrent to his involvement with L’Atelier Français) Mare created La Maison Cubiste, a section at that year’s Salon d’Automne dedicated to radical interior design. The outbreak of the First World War briefly interrupted the two men’s collaboration. Süe was drafted into the French Army and served in the Greek campaign. Mare, meanwhile, developed new camouflage techniques for the French, British, and Italian armies using his knowledge of Cubism. But this function did not keep him from the front. In 1916, he was wounded by shrapnel in Picardy while helping establish a lookout post, and in the same year was awarded the Military Cross by George V of England. In 1919, Süe and Mare resumed their professional relationship by cooperating with Gustave Jaulmes on designing the victory celebrations in Paris for the war’s end. The next year the pair founded the Compagnie des arts français, focusing on creating designs for furnishings and interior accessories. While adhering to the Art Deco style, their designs were more conventional, harking back to the Louis XIV and earlier periods, and less focused on geometric intricacy. Highly decorative, their pieces featured flair such as sculpted floral and fruit motifs, scalloped edges, and inlays of ivory and mother of pearl. Working primarily as decorators and furniture designers, Süe and Mare did find time to continue participating in exhibitions, particularly the 1925 Exposition internationale des arts décoratifs et industriels modernes, where they constructed an actual museum of contemporary art. Other projects included the booth for the Ambassade de France and the interiors of the steamship SS Île de France.