Space Age Pottery Ball Ashtray or Bowl by Cari Zalloni for Steuler, 1960s

Mid-Century Brutalist German Studio Pottery Ashtray or Bowl by Gerhard Liebenthron, 1960s, 1968, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. A...

Mid-Century Modern German Studio Pottery Bowl by Monika Maetzel, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional information: Ma...

Mid-Century Danish Studio Pottery Bowl by Jytte Trebbien and Harry Nielsen for Tusbo, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece ha...

Mid-Century Danish Studio Pottery Bowl from Axella, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark. Additional information: Materials: Cera...

A potter and painter, Albert Green (1914 - 1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the University of Pennsylvania, he studie...

Fun and rare midcentury ceramic ashtray in brown, ivory and gold glaze by Ellen Malmer for Royal Copenhagen, circa 1960s. The piece is in ex...

Mid Century Ceramic Ashtray / Bowl Signed Betor, c.1970.

Sculptural, heavy Mid Century Modern dark green glass decorative bowl or ashtray was created by Carl Erickson for Erickson Glass Works. The bowl is decorated with controlled bubbles that are radiating from its center; four symmetrically placed indentations can serve as cigarette rests. The pontil is ground. The bowl is in good vintage condition with some age-appropriate signs of wear on the bottom. It is unsigned, as vast majority of Ericson piece were, and is missing its sticker, but can be clearly identified by multiple printed and online catalogues and other resources. Carl Erickson (1899-1966) worked at Pairpoint Manufacturing Company, joining his father as an apprentice and spending the next 20 years developing a high level of craftsmanship, including precision use of controlled bubbles, a technique often associated with Pairpoint, that was widely used by Erickson in his own glass designs. In the early 1930s he was employed by Libbey Glass and from 1937 - by the Blenko Glass Company. After leaving Blenko, Carl founded his own art glass studio in Bremen, Ohio in 1943. Erickson glass was hand blown, so no two pieces could be identical. Erickson made reproductions for a number of museums, including the Smithsonian Institution of Washington, D.C., Old Sturbridge Museum, Metropolitan Museum of Art, Corning Museum of Glass, and the Ohio State Historical Society Museum. Many of his glass creations have been selected for display at several distinguished museums, and in 1953 a traveling display...