Medieval Barware

An exceptional, fine and impressive antique George V English sterling silver goblet made by C F Hancock & Co in the Arts & Crafts style; an addition to our wine and drinks related si...

Introducing the Alchemica Martini Glass, a breathtaking hand-blown creation by the talented Simone Crestani. This stunning glass is a standout piece from the imaginative Alchemica Collection...

Minimalistic Auböck white or rosé wine bottle holder in solid brass with leather handle, made by Werkstätten Carl Auböck in 1950s. This pourer was designe...

Show you pay attention to every detail with this fine, mid-century bottle holder.

An exceptional, fine and impressive pair of antique Georgian English sterling silver goblets; an addition to our range of wine and drink related silverware. These exceptional antique George III English sterling silver goblets have a plain circular bell shaped form to a waisted pedestal onto a circular foot and square foot. The upper rim of each body is embellished with a bright cut engraved band of floral and foliate ornamentation. The circular feet are ornamented with bands of tooled decoration. Each square foot is accented with a simplified pin struck border. Condition These antique goblets...

This antique tea strainer is hallmarked by an unknown maker, but originated from France and dates to approximately 1890 and done in a period Victo...

A magnificent, fine and impressive pair of antique Georgian English sterling silver wine coolers made by Paul Storr; an addition to our antique wine and drink related silverware collection These magnificent antique George III sterling silver wine coolers have a classic campania shaped form onto a plain knopped pedestal and domed circular spreading foot. The surface of the upper portion of each body is plain and embellished with two large applied tied oak leaf wreath cartouches, one side bears the contemporary bright cut engraved coat of arms* depicting a pile engrailed with three cross-crosslet fitchy, all surmounted with the crest displaying a cock's head. The second cartouche on each holder bears the contemporary bright cut engraved presentation inscription 'Given to William Rigden, In Remembrance of William Galdork, by W.H.B'. These silver wine bottle holders each have an applied moulded decorated border to the flared rim. The lower bulbous portion of each wine cooler is encompassed with exceptional chased fluted decoration below an applied ribbed border. Each wine cooler is supported by a domed circular spreading foot embellished with a chased egg decorated border and a plain collet style rim. This exceptional pair of Georgian wine coolers were crafted by the renowned and important London silversmith Paul Storr. * This coat of arms pertains to the Rigden/Rigdon family. Condition These antique silver wine bottle holders...

Unique midcentury cubic dry bar in lacquered ash wood, mirrored steel and glass dry bar with hidden wheels. This gorgeous Willy Rizzo style dry bar was produced in Italy during the 1970s. The wheeled bar cart's four sides are in mirrored chromed steel, while the top is in dark smoked glass. It moves thanks to four hidden wheels, and the structure is veneered black lacquered oak. A design masterpiece that will become a cult furniture element in a midcentury bar or living room. Italian designer and photographer Willy Rizzo (1928-2013) first came to prominence in the 1960s as both a chronicler of and participant in La Dolce Vita, the glamorous, jet set lifestyle enjoyed by many international celebrities and socialites in the postwar era. While photography was Rizzo's first love, in the 1970s he developed a passion for interiors and launched a second successful career as a luxury furniture designer. Rizzo was born in Naples in 1928 but moved to France early. After expressing an interest in photography at the age of 12, Rizzo's mother gifted him an Agfa Box camera; soon he was shooting portraits of his classmates at Paris's Istituto Statale Italiano Leonardo Da Vinci. In the 1940s, Rizzo began his career as a photojournalist, working for several French publications, including Ciné Mondial, Point de Vue, and Image du Monde. In the aftermath of the Second World War, Rizzo notably covered the Nuremberg Trials and travelled to Tunisia for Point de Vue to photograph the conflict in North Africa, later published in Life Magazine. As his reputation grew, he was hired by France Dimanche to take portraits of the rich and famous at flashy events like the Cannes Film Festival. Rizzo's charm won the trust of royalty, dignitaries, and movie stars, allowing him to capture these public figures in unusually candid moments. Hoping to advance his career further, Rizzo travelled to New York with Black Star Agency in 1947 to photograph American starlets. When he returned to Paris two years later, he was invited to join Jean Prouvost’s newest publication in colour, Paris Match, as head photographer—a position that he held for 20 years and, along the way, sparked a new culture of celebrity photographers who were as intriguing and fashionable as their subjects. In 1959, he became the artistic director of Marie Claire and collaborated with other fashion magazines, such as Vogue. Throughout his career, Rizzo photographed dozens of stars, including Brigitte Bardot, Maria Callas, Salvador Dalí, Marlene Dietrich, Jane Fonda, Gene Kelly, and Gregory Peck, as well as striking up close friendships with famous personalities like Coco Chanel, Christian Dior, and Jack Nicholson. In 1962, Rizzo famously captured some of the last moments of Marilyn Monroe’s life on film before tragically committing suicide a few weeks later. In 1968, Rizzo married Italian actress Elsa Martinelli, and the pair relocated to Rome. It was here that Rizzo began his work in furniture design, starting with his newly-leased, run-down Roman apartment. Just for personal use (at first), Rizzo created a series one-of-a-kind pieces inspired by modernist icons, such as Mies van der Rohe and Le Corbusier. But as his glitterati friends—Rodolfo Parisi, Gigli Rizzi, Franco Rapetti, Salvador Dalí, Brigitte Bardot, and the like—became admirers of his work, Rizzo was flooded with design commissions. Rizzo went on to furnish apartments for Italian aristocracy in the Palazzo Borghese and Palazzo Ruspoli that same year and quickly earned an international reputation as a designer to the rich and famous. In response to ever-growing demand, he launched his own Tivoli-based company dedicated to contemporary furniture design handmade in lux materials such as wood, marble, stainless steel, brass, and wild boar. Over time, his team of eight grew to 150, and he was able to open shops in France and throughout Europe, as well as in New York, Miami, and Los Angeles. With an emphasis on clean lines and geometric forms, Rizzo's tables, chairs, and accessories combined contemporary shapes with traditional materials—in contrast to many of his contemporaries, like Ettore Sottsass and Vico Magistretti, who were popularizing plastic, foam, and other synthetics in furniture production. Rizzo's most successful designs are many low, box-like tables in granite, metal, glass, or burled wood, often embellished with brass or chrome accents or built-in liquor cabinets or trays. Two examples of his most celebrated designs include the Alveo Coffee Table (1970s) for Mario Sabot and the circular Yin Yang Coffee Table...

Italian bar globe made by Zoffoli in Rimini, Italy with 18th century style Old-World mapping. The globe opens to reveal bottle and glass storage. The...

For your consideration is this beautifully sculpted wine rack by Master Craftsman Dean Santner. Santner designs are part of the American Modern Craft movement along side Wendell Cast...

Two small brass wine racks suitable for counter top made for six bottles. Italy, 1970s. Measures: Height 41 cm, width 27 cm, depth 21 cm. Height 31 cm, width 37 cm, depth 21 cm.   

One of a kind gorgeous designer's Champagne and wine bucket cooler, in About the artist: Polished brass. About the artist: E.H. Graduate in ceramic design and metal sculpture (2...