Bitossi for Raymor Fish Bowl and Cups

Wonderful rich blue base and grayish white top glazed ceramic ashtray. So many beautiful details to this large round bowl.

Versatile catch-it-all ceramic bowl made in Italy, circa 1980's black glossy finish with green decorative lines, great condition no chips or cracks signed Italy at the bottom.

Outstanding 1960s Aldo Londi for Bitossi ceramic catchall or cigar ashtray. Imported and distributed in the United States by Raymor of New York. Featuring a large-scale low centerpiece bowl...

Beautifully composed and gorgeously glazed in jet black and sky blue tones, this rare serving bowl was created by one of the artists producing high quality ceramic ware in the potter...

Maiolica puerperal cup Antonio Ferretti Manufacture Lodi, Circa 1770 - 1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures: 4.3 x 6.8 x 5.3 in (11 x 17,5 x 13,5 cm) Weight: 0.78 lb (358 g) State of conservation: some closed pass-through fêlures on the cup, barely visible on the outside. Some use chips on the edge of the lid, two of which are more marked. From about the mid-sixteenth century, the puerperal soup tureen or puerperal cup became one of the most popular wedding gifts in central Italy. As an auspicious symbol, it replaced the birth table (“desco da parto”) which, on the occasion of high-ranking marriages, from the thirteenth century, had been painted by famous artists, especially in Tuscany. In France this same tureen is called "écuelle de mariée", as it is given to spouses as a sign of fertility. During the eighteenth century this custom spread even outside Italy to all social levels. Depending on availability and rank, it was made of different materials: precious metals, maiolica, porcelain, glass, pewter, etc. Beginning in the mid-twentieth century, the custom of this symbolic homage gradually disappeared, although famous designers such as Gio Ponti and Giuseppe Gariboldi, even as recently as the 1940s, revisited a model of a small puerperal soup bowl for the Ginori and, also in Italy in 1940, in a national competition for young potters, one of the themes of the test was indeed a modern model of a puerperal cup as an auspicious gift. This particular cup was also called a "service cup" or "puerperal vase" or "stuffed cup" - the windows were sealed with straw to prevent drafts of air for women in labor. In the eighteenth century the line of the puerpera cup was simplified, so much so that it took the form of a small tureen with two handles - the typical broth cup...

Jenny, 1882 Ltd. with Deborah M Allen. Californian-based artist Deborah M Allen’s love of the water has always influenced her work, which often includes references to carved landscapes and the unexpected organic shapes and colors we prize in nature. The result? Gorgeous contemplations of space, fluidity and light. This collection of fine bone china showcases...

Jenny Green, 1882 Ltd. with Deborah M Allen. Californian-based artist Deborah M Allen’s love of the water has always influenced her work, which often includes references to carved landscapes and the unexpected organic shapes and colours we prize in nature. The result? Gorgeous contemplations of space, fluidity and light. This collection of fine bone china showcases...

Jenny Green, 1882 Ltd. with Deborah M Allen. Californian-based artist Deborah M Allen’s love of the water has always influenced her work, which often includes references to carved landscapes and the unexpected organic shapes and colours we prize in nature. The result? Gorgeous contemplations of space, fluidity and light. This collection of fine bone china showcases...

Exceptionally large and thick-walled Bitossi “fritte” bowl, the bottom filled with gem-like fused glass.

Antique quality Japanese Imari bowl having a quality scalloped shaped Japanese Imari bowl with wonderful hand painted decoration in red, blue, oran...