Incredible Victorian Three Graces centrepiece made by John Edward Terrey 1847

Hallmarked in London in 1793 by Henry Green, this handsome, George III, Antique, sterling silver epergne, is in the neoclassical style, and has four removable round bowls, 2 smaller ...

Hallmarked in Birmingham in 1890 and 1895 by Elkington & Co., this stunning, Victorian, Antique Sterling Silver Centrepiece Suite, comprises an oval central silver and glass dish, an...

Hallmarked in Birmingham between 1873 and 1885 by Elkington & Co., this incredible, Victorian, Antique Sterling Silver Suite of Dessert Stands, is in the Egyptian Revival style, and ...

Hallmarked in London in 1892 by D. & J. Wellby, this impressive, nine basket, Edwardian, Antique Sterling Silver Epergne, is a fine example of Adam style design, featuring pierced work throughout, neoclassical decoration, four round baskets, four oval baskets and a larger oval basket...

The centerpiece is modeled entirely in creamy Parian with a soft, satin sheen that reads like finely waxed marble. Three full-length maidens stand shoulder to shoulder on a trefoil p...

A Rare and Historic 1859 Elkington Silvered Bronze Victorian Centerpiece with Cut-Glass Bowl. Presenting a magnificent Victorian silvered bronze centerpiece of unmatched rarity and importance, crafted by the renowned Elkington Mason Co., Birmingham, in 1859. This exceptional work, complete with its original cut-glass bowl, epitomizes 19th-century British craftsmanship and artistry. Hallmarked to the base, this centerpiece showcases intricate sculptural details, embodying a high level of technical prowess and aesthetic refinement characteristic of Elkington's celebrated works. The centerpiece's striking design features three meticulously rendered figures—a young hunter, a friar, and a fishmonger—each embodying elements of Victorian life and industry. At their feet, a loyal spaniel and various game highlight the naturalistic approach to the composition, enhanced by the masterful chasing and dynamic form. This sculptural ensemble rests on an elaborately decorated base, exuding both grandeur and narrative depth. Adding profound historical value are two engraved plaques. The first, dated “January 28, 1859,” reads: “Presented to William Johnson Esq. as a token of respect esteem by the workpeople in the employ of Messrs Richard Johnson Brother, Manchester.” The second, an inscription from 1941, states: “Worshipful Company of Tin Plate Workers, Alias Wire Workers of the City of London, Presented by Arthur Laurence Johnson M.A., Grandson of William Johnson, both Wire Workers, with his Daughter Eleanor Morton Johnson, a Freeman of the Company, to commemorate his Mastership 1941-42.” These inscriptions chart a rich lineage, connecting the Johnson family to pivotal moments in industrial history. William Johnson, alongside his brother Richard, assumed leadership of a wire-drawing firm in 1838, which would later become Richard Johnson Nephew Ltd. Their contributions included providing galvanized armored wire for the historic 1857 transatlantic telegraph cable...

A beautiful 19th century French patinated bronze of the three graces with a cut crystal antique top on a marble base signed Thiebault Freres.

A very fine and rare 19th century French gilt bronze centerpiece by F. Barbedienne. The three graces . The finest gilt bronze casting. M...