Italian 19th Century Louis XVI St. Alabastro, Onyx, Coral Centerpiece

A delightful and high quality French 19th century Belle Epoque Period Louis XVI st. Onyx, Verde Antico Marble and Ormolu centerpiece. This stunning centerpiece is raised by four Ormo...

A charming and high quality French 19th century Louis XVI st. Ormolu and Onyx centerpiece. This most elegant centerpiece is raised by four Ormolu scrolled feet supporting a square ba...

A high quality and most elegant French 19th century Louis XVI st. Onyx and Ormolu urn/centerpiece. This beautiful urn is raised by a square Onyx block supported by four Ormolu maiden...

A handsome and high quality French 19th century Renaissance st. Rosso Antico, Black Belgian marble and Ormolu centerpiece. This striking Vide Poche centerpiece is raised by three Orm...

Antique 19th Century French ormolu mounted on onyx centrepiece. Crafted from a single piece of onyx marble, the centrepiece is adorned with ormolu mounted handles on either side, adding an elegant touch. In the middle of the piece is featuring a Chinese cloisonné center...

Attributed To Eugène Cornu, gilded bronze agate Et Onyx d'Algérie, centerpiece A French elegant 19th century gilt bronze agate and onyx cente dish with two gilded bronze cherubs. ...

17th century Italian church vase with fossilized coral, a double crystal point on an agate base. This fragment is from a church in Florence. It was found and saved from the historic...

17th Century Italian church vase decorated with fossil agate coral, red phantom quartz crystals, and chalcedony rosettes on polished agate base. This fragment is from a church in Florence. It was found and saved from the historic flooding of the Arno River in 1966. Fossil agate coral is mounted on top of the artifact. Fossil agate coral is Florida's state stone and is known for its unique formation that can take place over 20 million years. It's a natural gemstone that is created when prehistoric coral is gradually replaced with agate. It is adorned with coordinating red phantom crystals and chalcedony rosettes that resemble the color and texture of the piece. The piece has been naturally distressed from the flood. It has been preserved and transformed by Jean O'Reilly Barlow, the creative director of Interi. The date of manufacture reflects when she created the piece and the period shows that the Italian fragment is originally 17th century. The story and history of this piece and Interi's collection of Florence fragments...