Louis Philippe Centerpieces

Hallmarked in London in 1931 by William Bruford & Son, this very handsome, Sterling Silver Trophy, is in the Art Deco taste, with striking handles, and a...

French Ceramic “Bouillabaisse” Fish or Shellfish Tureen by Paulette Bailet, Saint-Jean-du-Désert, Marseille, Late 1940s A rare and beautifully crafted French ceramic tureen titled “...

Auguste Ledru (French, 1860-1902) Naïade Bronze Centerpiece circa 1895 Figural bronze Centerpiece Representing a nude woman resting on a rock and surmounting two trays designed as ...

Antique French Rococo Shell Design Porcelain Centerpiece, Circa 1865-1875. This is a charming centerpiece, with three cherubs supporting the shell and the...

A large 1930s French Art Deco centrepiece in silverplate, with a wide dish sitting above three spheres and a stepped base, bearing the hallmark of Francois Frionnet, one of the maste...

Ver large and impressive antique silver plate trophy cup, "Liberty Cartridge Company's Trophy Longest Straight Run, 1913, Western Connecticut T...

Elegant centerpiece in finely chiseled vermeil. Composed of a Baccarat cut-crystal cup from which emerge four sinuous light-arms. The whole rests on a scalloped mirrored tray adorned with foliage, with a molded contour of wrapped rushes and ending with four openwork feet. The two French goldsmiths George Boin and his son-in-law Emile Taburet created circa 1875 in Paris the company Boin-Taburet. They made many silver pieces inspired by the beautiful services of the eighteenth century. At the Paris Universal Exhibition of 1878, Georges Boin presented a “service de toilette” inspired by the work of François-Thomas Germain (1726-1791), and then at the Universal Exhibition of 1889, several epergnes, including one of them executed after drawings by the famous artist Juste-Aurèle Meissonier (1695-1750), as well as tea sets of Louis XIV, Louis XV and Louis XVI styles. Boin-Taburet firm also exhibited a tureen and platter after Pierre Germain...

An exquisite Napoleon III French ormolu figural basket centerpiece, Circa 1880, Attributed to Alfred Emmanuel Louis Beurdeley. Depicting four mercury-gilded bronze ormolu cherubs holding a basket, the base with trophies and scrolling. This monumental centerpiece...

An elegant French 19th century Louis XVI st. ormolu and Baccarat crystal centerpiece. The centerpiece is raised by a square bas...

Pair of 19th century Meissen Porcelain compote centerpieces with cupids running after each other around a tree with filigree baskets on top with raised...

This superb large surtout de table was made in France circa 1900. Consisting of three separate parts that can be joined together or used individually - have a look at all our picture...

A Rare and Historic 1859 Elkington Silvered Bronze Victorian Centerpiece with Cut-Glass Bowl. Presenting a magnificent Victorian silvered bronze centerpiece of unmatched rarity and importance, crafted by the renowned Elkington Mason Co., Birmingham, in 1859. This exceptional work, complete with its original cut-glass bowl, epitomizes 19th-century British craftsmanship and artistry. Hallmarked to the base, this centerpiece showcases intricate sculptural details, embodying a high level of technical prowess and aesthetic refinement characteristic of Elkington's celebrated works. The centerpiece's striking design features three meticulously rendered figures—a young hunter, a friar, and a fishmonger—each embodying elements of Victorian life and industry. At their feet, a loyal spaniel and various game highlight the naturalistic approach to the composition, enhanced by the masterful chasing and dynamic form. This sculptural ensemble rests on an elaborately decorated base, exuding both grandeur and narrative depth. Adding profound historical value are two engraved plaques. The first, dated “January 28, 1859,” reads: “Presented to William Johnson Esq. as a token of respect esteem by the workpeople in the employ of Messrs Richard Johnson Brother, Manchester.” The second, an inscription from 1941, states: “Worshipful Company of Tin Plate Workers, Alias Wire Workers of the City of London, Presented by Arthur Laurence Johnson M.A., Grandson of William Johnson, both Wire Workers, with his Daughter Eleanor Morton Johnson, a Freeman of the Company, to commemorate his Mastership 1941-42.” These inscriptions chart a rich lineage, connecting the Johnson family to pivotal moments in industrial history. William Johnson, alongside his brother Richard, assumed leadership of a wire-drawing firm in 1838, which would later become Richard Johnson Nephew Ltd. Their contributions included providing galvanized armored wire for the historic 1857 transatlantic telegraph cable...