13th century Ilkhanid Figural Pottery Tile

An Iznik pottery dish made in the first half of the 17th century and decorated with chrysanthemums and tulips. The rim features the rock and wave pattern. Under the direction of O...

This is a beautiful stoneware vase by S. Hublet, made in Belgium. It has a granite like beige, pink and black surface accented by freeform chevrons on the top and the bottom. The center of this magnificent oversized art pottery tea pot...

A timeless, Classic French 18th century provincial pottery / ceramic urn or pitcher with beautiful, natural time worn patina and a stunning form featuring three dramatic handles and ...

A fine and quality antique French Majolica plate with a pheasant set within a wooded landscape signed Hippolyte Choisy le Roi and dating ...

A large charger plate made of Redware pottery, all hand decorated in the Sgraffito Slip Decorated technique, with a stylized floral pattern. Thi...

Longwy tile plaque in heavy cast brass footed frame, or trivet. Original condition, free of damage. Tile alone without frame 5.75 x 5.75 inch.

An unusual sculptural segmented teapot and remarkable piece of ceramic art, captivating with its unique design and artistic expression. Crafted from beige glazed ceramic, the teapot ...

Large ceramic vase made in Germany by Cartens in the 1960s with a very beautiful Bamboo design. Carstens only produced copies in limited amounts of each design. Stamped underneath ...

A rare and unusual Turkish Cannakale glazed pottery cadogan jug dating from the 19th century. This unusual jug has a small domed foot with teardrop shaped rounded body with a pointed...

A great Italian Post Modern art pottery bowl by noted artist , Pino Castagna . Signed. Biography: Pino Castagna was born in Castelgomberto, Italy, in 1932, and studied in the schools of fine arts of Verona and Venice. Together with Scottish sculptor Michael Noble and his wife, Ida Borleti, from 1957 and 1963 he designed a creative skill stimulation programme for the mental patients of the Verona psychiatric hospital, as well as directed a ceramics school and workshop in Garda. His growing interest in sculpture was encouraged by frequent visits to Paris and Milan. In 1969, he moved his workshop to Costermano del Garda, Italy, where he currently lives and works. Since then, Castagna’s work has been characterised by constant experimentation with new techniques and materials as diverse as ceramics, aluminium, stone, wood, concrete, strings or tree branches. Each of these offers a new and original expressive possibility, which the artist explores by testing the materials’ plastic potential and pushing their endurance limits. In addition to his practice as sculptor, Castagna’s oeuvre encompasses painting and design, as well as public art, fully revealing the architectural and environmental vocation of his work. Remarkable examples of this vocation may be found in Cespo veneziano [Venetian Basket...