19th Century French Creil Montereau Hand Painted Aesthetic Movement Charger

This early 18th century tin glazed earthenware platter was made by the Hannong ceramics factory in Strasbourg, France. Hannong was founded in 1721 by Charles-François Hannong and rem...

This outstanding set of Limoges porcelain cabinet plates was made and decorated by the Charles Ahrenfeldt porcelain factory and studio in Limoges, France....

This unusual ceramic centerpiece bowl was made in Italy for American importer Raymor. The piece has an elongated scoop form and has been hand-painted in shades of blue and green. The...

This early 20th century piece of Italian lustreware was made by the renowned Rubboli family pottery in the Umbrian town of Gualdo Tadino, Italy. Italian lustreware Majolica production traces its origins to the Renaissance. The art was revived in Gualdo Tadino during the last quarter of the 19th century, largely due to the efforts of ceramist Paolo Rubboli. Rubboli established his pottery in the region around 1870, and became known for the high quality of his distinctive cobalt, red and gold Neo-Renaissance lustreware. Rubboli's wife Daria and sons Lorenzo and Alberto continued Paolo's efforts after his death in 1890, and joined the newly formed consortium Societa Ceramica Umbria in 1920. Rubboli pieces dating to the period are marked with a blue underglaze "SCU" in a triangle mark along with a conjoined "PR" monogram in homage to Paolo's work. This large ceramic Neo-Renaissance Rubboli double handled compote is finished in cobalt, red and gold lustre. The piece consists of a round bowl at the top with elongated applied handles at either side, all of which rest upon a pedestal base. The bowl features two bas-relief winged mask heads on the exterior which have been depicted with open mouths sprouting handles in the form of serpent-like forked tongues. The exterior is also painted with pairs of imposing gryphons, each of which flank a large urn. The interior of the bowl is also heavily decorated and bears a fantastical winged lion set at the center of a series of scrolling acanthus leaves and urns, best seen in image 8. The remainder of the piece is finished with foliate and geometric motifs. It is of note that a similar piece was included in the traveling exhibit of important Majolica and lusterware entitled 'The Rubboli Collection - Italian lustre pottery in Gualdo Tadino' held in the Chiesa Monumentale di San Francesco between July 17 – October 3, 2010. The compote is in excellent original condition with no restorations or repairs. There are some glaze skips present on the piece as well as minor chips at the base of the pedestal foot which do not detract from the appearance of the compote and are mentioned for accuracy. The underside of the piece bears the blue underglaze Rubboli family Società Ceramica Umbra mark cited above consisting of the letters “SCU” within a triangle along with the entwined Paolo Rubboli 'PR' monogram, which was used from 1920 to 1931. The 3lb 5oz compote stands...

Stunning Antique Montereau B&Cie Faience French Porcelain Hand Painted "Birds" Large Charger Plate with Original Stamp to Reverse. Circa Late 19th Century. Measurements: 2" H x 17.5"...

This is an early 19th century porcelain Plate or desert dish with a molded wavy edge to the rim, made by one of the quality Staffordshire, English potteries and dating from the George 111rd period, circa 1820 to 1830. This piece is unmarked to the base but it is very well hand painted and we believe it is from one of the high quality English makers such as Coalport, Davenport or Samuel Alcock. Either way this piece is a beautifully hand decorated with a striking, bold and very colourful pattern. Overall a beautifully hand painted early English porcelain...

19th Century Majolica Chinoiserie Platter signed Angouleme.

A French porcelain hand-painted plaque by Paul Milet created in the early 20th century. This plaque, created by Sèvres ceramicist Paul Milet in the early...