Goldscheider Art Déco Twin Dancers Dolly Sisters , by Stephan Dakon, ca 1939

Posing young revue dancer with a pageboy hairstyle, taking a step forward while lifting the bellflower-shaped hem of her short blue dress with a fur collar and colourful stylised flo...

Depiction of a female dancing couple, named Katta Sterna and Maria Solveg, in identical costumes with backless, fitted, black and white patterned top with black neck piece closed hig...

Remarkable Art Déco Goldscheider ceramics figurine of the 1930s Standing young revue dancer with pageboy hairstyle, taking a step forward. At the same time she lifts the bellflower-shaped hem of her short purple dress with a fur collar with both hands. A large tuft of grass supports the figure on the left leg. On a black, diamond-shaped base. This figure also exists as a group of two, as the 'Dolly Sisters...

Elegant dance couple, performing a long dance step to the side: the leading figure with a black hat, red jacket with wide sleeves and matching red breeches hugs the dance partner from behind in a strapless, black and white lace dress...

Pair of Art Deco ceramic bookends depicting two dancers. Stamped under the bottom ROBJ, Paris. Excellent condition. Dimensions: 14 x 5.5 x 20 cm (5.51 x 2.16 x 7.87 in).

Wonderful dancing couple from the 1960s. Decorative, hand-painted figure made of porcelain by the Wallendorfer Porzellanmanufaktur from 1764. Made in Germany.

For you consideration is this large figural group beautiful and rare, dating to the 1930's France porcelain sculpture in polychrome. Features a stylised pair of eighteenth-century no...

Pair of ceramics Sign: Ceramic with enamel : Catherine Barjansky Made in Belgica Boch Ceramic White: Sign: BFK made in Belgium The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy & Boch. The direction of Boch Freres SNC was in 1844 taken by Victor Boch. Production could be started immediately thanks to other Boch family ceramic businesses that sold Victor ready-to-use copperplates. This faience manufacture developed very fast. In 1847 the company won a gold medal at the exhibition of the Belgian industry. In 1855 they already employeed 300 workers in La Louvière (Keramis) and 100 in Tournai (Boch Freres) factory. Around 1860 the production of polychrome pieces was started. In 1904 the first in Europe tunnel kiln was launched. Problems started in 1970s. The company went bankrupt in 1985 and was reactivated as Novoboch and MRL Boch. In 2015 was started Keramis Center, just two rooms showing Royal Boch history. One of the most important designers for Boch Frères Keramis was Charles Catteau. He was French but in 1906 moved to La Louvière. Patterns designed by Catteau were created in following years: The Boch Frères Kéramis factory (Belgium, province of Hainaut, La Louvière) is now well known thanks to the work of the very dynamic Charles Catteau. That of the sculptor Catherine Barjansky is much less so, even if her career is international: Rome, Berlin, New York, Vienna, Paris, Brussels... Catherine is from Odessa, a Ukrainian city located in the Soviet Empire. At the age of twenty, she studied sculpture in Monaco where she met her husband, Alexandre Barjansky, the famous violinist whose name is now inseparable from a Stradivarius! Thanks to her husband's job, she travels a lot. Witnesses to his exchanges with the intellectual milieu of the time, his portraits of personalities dominate his work: a bust of Einstein, kept at the Solvay Institute in Brussels; a bust of Freud; or even Colette, author who prefaced her first exhibition in Brussels. She made a bust of Queen Elisabeth of Belgium...