Beads Ceramics

Birger Kaipiainen saw the world through a surreal and symbolic filter that made it more joyful, flowerful, and certainly more colourful. However, during times of grief, as when he lost his wife Maggi in 1966, he turned to blues, blacks and violets. Another such period was when Kaipiainen lost his dear friend, the Marimekko's founder and designer, Armi Ratia in 1979. Birger and Armi used to spend a lot of time at her legendary Bökars Mansion that had a wonderful veranda adorned with columns and chandeliers. Armi's loss was reflected in a few of Kaipiainen's works from that period. In those works (see last pics of dishes from the book Kaipiainen by Maria Berg) his interpretation of the duality of life and death was obvious. Also the symbolism bridging the two was present (reflection, bridges, boats, flowing waters). We can also see pansy flowers that he frequently used after the loss of his wife. In this unique dish, Kaipiainen used a lot of the above colours and elements, and just as Armi was the soul of their legendary parties, he introduced the golden harp...

We are pleased to offer this Art Nouveau work of art inspired by the Folk Art "Tree of Life" design. As in this picture, Art Nouveau works were inspired by the organic, natural forms...

An Art Nouveau ceramic beadwork on board made of thousands of circular colored beads. This naive work is possibly inspired by the Folk Art Tree of Life design. Art Nouveau works wer...