Ceramic Ceramics

This is a very decorative, Imperial Stone China (ironstone), large deep plate or soup bowl by John Ridgway, dating to the William IV period of the...

Late 19th century English majolica plate. The six well plate has a brown pebbled background with the wells being an alternating green and pink. They are connected by seaweed and a co...

Ceramic tureen from the Yvon Roy Montgolfier workshop in Durtal. Glazed ceramic in blue, bronze and green colours, decorated with a beautiful bird design and geometrical motifs of tr...

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of y...

This is an antique piece produced in Tuscany at the end of the 18th Century following the Rustic style. The expression of the antique craftmenships of the Tuscany artisans is well s...

RIDGWAY - 'Hawthornden' - Antique ceramic serving platter - large size - transfer decorated in blue on a cream ground - elaborate flora...

Wonderful vase produced at Ekeby and designed by Vicke Lindstand in the 1940s. Its streamline shape makes it perfectly adapted to the modern home. Drilled hole on the top. We also ha...

Beautiful porcelain plate "Millefleur". Polychrome jug plate decorated with millefleurs, Asian ceramic. Many coloured flowers on a black background. Details of fine golden lines. Fl...

1960’s Scheurich Keramik West German Ceramic ‘Inka’ Vase Numbered on Base: W. Germany 416-26. Vibrant green glaze with the 'Inka' patter...

Decorative mask in grey clay , handmade by French ceramicists Dalo. One of a kind, signed by Dalo 2025        

A Mid-Century French ceramic set consisting of a milk jug, a creamer, two cups and two stemmed 'glasses' by master ceramicist, Roger Capron (circa 1960s). Signed under the base with ...

Pierre Culot Citroën model ceramic vase, circa 1970, Belgium. Delicate brown and beige shades. Stamped C. Enamelled sandstone. Dimensions: 15 cm H, 14 cm W, 8 cm D. Good condition. A...

In the style of Jean Besnard Pair of two ceramic vases realised circa 1940 Original perfect condition White and brown ceramic colors Height 23 cm Large 14 cm.

Scandinavian Midcentury Ceramic vase by Lisa Larson (1931-2024) Signed on back Lisa L and with the gustavsberg hand mark, Sweden 1960s One of a kind , abstract decor , Nice conditio...

Maiolica pitcher Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 8.66 x 8.66 x 4.33 in (22 x 22 x 11 ...

A very attractive group of four 18th century Chinese export porcelain botanical plates apparently made for the French market, circa 1775. Each plate having a scalloped rim banded wit...

Large pair of Moroccan glazed polychrome ceramic water jug with handle. Hand painted ceramic handcrafted by skilled Moroccan artisans in Fez Morocco...

- Handbuilt terracotta ceramic wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by the potte...

A beautiful beige ceramic vase with handles in shape of a classical roman urn, the vase is designed by Harald Östergren at Upsala Ekeby between 1937-1938. It is 21 cm (8.4") tall and...

Lovely and charming French Majolica plate with rabbits family eaten cabbage signed Choisy le Roi, circa 1880. (Plates made for Higgins and Seiter Ne...

Art Nouveau double gourd studio pottery vase - featuring multi-color splashed glazes with an iridescent finish - all on a cream ceramic ground - wheel thrown - unsigned - inscribed C...

Le mani in porcellana della collezione Anatomica, creata da Vito Nesta per il suo brand Grand Tour, sono un oggetto di design intramontabile e di grande valore decorativo. La produzione di queste porcellane è affidata a Fratelli Majello che dal 1867 sono maestri delle lavorazioni di Capodimonte. Ogni mano è decorata con estro e fantasia, ben 20 decori sono infatti disponibili, avendo la possibilità di integrarsi alla perfezione in qualsiasi ambiente, che sia una camera da letto, un mobile ingresso...

Exhibited: Salon de la société nationale des beaux-arts, 1894. For the original vase by Edmond Lachenal. Bibliography: - Revue des arts décoratifs, 15th year, 1894-1895. The origina...

Pair of antique Victorian Staffordshire dogs having matching brown and white coats, collars & padlocks. Both of these charming seated Spani...

French Art Deco ceramic sculpture of a black bear by Desbarbieux and produced at Saint-Clément, France, 1920s. This piece captures the iconic style of the era, featuring intricate de...

Assortment of 4 dishes with braided rim Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: 14 x 10 in (35.5 x 25.5 cm); 12.2 x 8.39 in (31 x 21.3 cm); 10.4 x 9.65 in (26.5 x 24.5 cm); 10.8 x 9.61 in (27.5 x 24.4 cm). Weight: 4.4 lb (1.998 kg) State of conservation: some chips due to use on the edges and on the parts in relief. The four different dishes have a foot with a low lip from which extends a wide, flat, slanted rim resembling a basket weave. The small handles are painted green: they resemble wickerwork in the two oval dishes and take the form of a sinuous branch in the round ones. The third fire decoration is inspired by the naturalistic floral botanical patterns on the ceramics produced by the Hannong family in Strasbourg. Here the pattern is defined by the rapidity and subtlety of the brushstrokes and the result is particularly tasteful, characterized by compositional intelligence and pictorial expertise. A main corolla, either a wild or garden rose, is set slightly off center in each well. From this extends a thin stem holding a small secondary bud and there are small field florets dotting the composition to lend volume to the delicate bunch of flowers. On the brim, small polychrome flowers add color to the weave, accompanied by lanceolate leaves of a very intense green. There exist few and very rare examples for comparison with this morphology: a round plate - entirely consistent with those in question - has been dated to around 1775 (S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, tav. 200). Two other dishes with a basket rim, but with parallel striped brim decoration, were exhibited in the 1995 exhibition on Lodi ceramics; the attribution to the Lombard town near Milan is therefore almost exclusively derived from the decoration called "alla rosa contornata" or "alla vecchia Lodi" and constitutes one of the most popular decorations during the eighteenth century. (M. L. Gelmini, in Maioliche lodigiane del '700 (cat. mostra Lodi), Milano 1995, pp. 31 p. 162-163 nn. 181-182). This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their Maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the Maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Fluted stoneware bowl with beautiful speckled turquoise glazing made by Danish artist Arne Bang at his own studio in Copenhagen the 1930s. Signed with monogram "AB" and model no. "120".

A stunning wall relief in glazed ceramic designed by Rut Bryk and manufactured by Arabia, in Finland in the 1950s. A beautiful work of art featuring a mother playing with her childre...

Pleasant Company- A pair of Folk Art Friends A serene tall antique handmade and hand painted pair (2) of hand bag carrying women named EMA - a fri...

Imposing antique vase in Italian majolica, Mid-19th century. With very fine hand painted classic scenes and grotesque faces embossed to the sides on each handle. Similar vases are ke...

This is an Isla del Sol Set of Six Stoneware Glasses. They depict six human wrinkled faces and are hand painted green beige with a marble appearance. At the base they are hallmarked ...

A glazed ceramic large fish platter in brown and toffee colors manufactured by Secla ceramics factory. Portugal, 1960s. A very interesting piece du...

A finely made Art Deco Carlton Ware pottery Rouge Royal Mikado pattern lidded ginger jar dating between 1935 and 1955. The jar stands on a narrow...

A delightful collection of three vintage United Artists Pink Panther resting figures produced under license in Japan and dating from around 1982. The figures are licensed by the Unit...

Large hand painted and glazed ceramic ram head made in Italy in the 1950s great as accent piece or center piece.

This is a very good stone China (Ironstone) coffee can hand painted in the tobacco leaf pattern, number 2061, made by the Spode factory in the early 19th century, English Georgian pe...

- Handbuilt terracotta ceramic corner wall light - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Houda. - co-created by th...

Exhibited: Salon de la société nationale des beaux-arts, 1894. For the original vase by Edmond Lachenal. Bibliography: - Revue des arts décoratifs, 15th year, 1894-1895. The origina...

Wilhelm Kåge (1889–1960) stands as a central figure in the history of 20th-century Swedish ceramic design. Widely regarded as a pioneer of Swedish modernism, Kåge played a crucial ro...

Largest collection of Portuguese tiles in the world 18th century Portuguese " Angels " Measures: 364 cm x 252 cm 439 tiles Important note: This panel is with the tiles restored 18...

Very beautiful black enameled terracotta pot signed Jean Marais in Vallauris. Made in Vallauris (south of France) around 1975, by the multiple artist Jean Marais and with the influe...

A Samuel Alcock Majolica Pitcher, the body molded as a tree trunk with ferns, oak leaves, acorns, and ivy, entwined by a high relief-molded and ...

Largest collection of Portuguese tiles in the world 18th Century Portuguese "Saint Antony" Measures: 252 cm x 294 cm Important note: This panel is with the tiles restored 18th ce...

We have curated a group of 4 stunning pieces of ceramics made in Sweden during the 1950s. These pieces have been gathered and put together by us, carefully sorted and now ready to be...

Beautiful vintage midcentury West German vessel or vase by Carstens Tonnieshof made post war circa 1950s with a turquoise blue and black glaze with gold details and white lines of dr...

If you’re only buying one piece for the table, it’s got to be one of these. Perfect for salads or pasta, our large splatter bowl looks lovely next to different collections of ceramic...

This stunning French Art Deco ceramic sculpture, crafted by the renowned artist François Levallois at the prestigious Faïencerie des Sainte-Radegonde, features a graceful naked woman...

Beautiful quality antique Victorian Carlton Ware biscuit barrel, decorated with a pretty blue floral pattern on a white ground, above a raised lattice band with small bead detailing,...

Large glazed ceramic vase in shades of green by Jacques Blin from the 1950s. The entire vase is decorated with stylized animals. Beautiful vintage condition, with slight traces of ag...

Mexican hand-painted Tonala Pottery 2-arm candelabra, signed. Offered for sale is a Mexican Tonala pottery two-arm candelabra depicting a wom...

Antique Art Deco Monumental hand-painted pottery Bizarre Ware wall charger by Clarice Cliff, circa 1930. This very large pottery charger at 18.5"...

Antique French faience handled platter coat of arms wth dogs and floral pattern, circa 1900.

A vintage Palissy ware plate decorated with a central lobster figure which is surrounded by oyster and clam shells protruding from the edges. Measures: 12.375" w x 2.5" h

Dive into a nostalgic journey with this rare and unique large set of Michelin Man tiles, crafted by an unknown manufacturer in Spain circa 1960. The set comprises the iconic Michelin...

A beautiful black and green ceramic vase with yellow handles in a classic Art Deco shape, the vase is designed at Upsala Ekeby between 1932-1938. It is 16 cm (6.4") tall and about 14...

This original vintage ceramic bowl element was designed and produced in the 1970s in Lombardia, Italy. It is made in Sommerso Technique and has a fantastic faceted form. The vibrant ...

Large Spanish glazed terracotta Granada "Lebrillo" earthenware bowl.     

Vintage European monumental bottle pitcher shaped stoneware midcentury floor vase. Handcrafted in rustic chamotte clay with bright shiny red from...

Aldo Londi Bitossi Kwan Yin, Ceramic, Buddha Bust, Blue. Beautiful and calming female Buddha glazed in a vibrant dark reflex blue. According to one legend, Kwan Yin was an Indian Princess...

This is a very attractive Mason's Ironstone large Dish made during the mid-19th century, when Mason's was owned by Ashworth Brothers, circa 1865. The dish has a good Chinoiserie pat...