Pair of English Delftware Polychrome Decorated Chargers of Exceptional Quality

A large charger plate made of Redware pottery, all hand decorated in the Sgraffito Slip Decorated technique, with a stylized floral pattern. Thi...

Abstract glaze design on this large hand crafted plate.

A fantastic and rare ceramic charger by Eugenio Pattarino. Vibrant red color and Classic Italian Mid-Century style is represented very well in this piece. Eugenio Pattarino was born in 1885 and passed away in 1971. He was a master sculptor and model maker and taught in art schools in both Venice and Frankfort, Germany. In the late 1940s he opened his own studio in Florence. His factory used both “EPF” and “CAPEF” (Artistic Ceramics Professor Eugene Pattarino) to mark his pieces. His studio is best known for its large religious statutes, many of which reside in a number of churches in Italy and the U.S. In the 1950s Pattarino had more than fifty artists working for him and some among them were considered the best ceramists in Italy. At this time Eugenio was joined by his son, Ranier, and the company began concentrating on more eclectic themes. These pieces, when new, were quite expensive when they were purchased but almost never garner anywhere near their original cost at today's auctions. The factory claimed that the Vatican used Pattarino’s ceramics as gifts to famous visitors, including President John Kennedy, Andre Gide and Paul Sartre. Unfortunately there is no proof to back these claims. As a matter of fact I have discovered that the Pattarino name is almost generally unknown in Italy and even lesser known in Florence. His name is, however, recognized here in the United States and most of the factory’s output can be found in the U.S. where it was imported. In November 1966 the Arno River flooded its bank and inundated most of Florence. Work to restore damaged art...

A blackware charger decorated with a repeating feather motif. The charger is signed on the base Maria and Santana, circa 1943-1954.

Imposing antique vase in Italian majolica, Mid-19th century. With very fine hand painted classic scenes and grotesque faces embossed to the sides on each handle. Similar vases are ke...

An antique Italian hand painted Savona tin glazed syrup jar inscribed AQUA DE PIANTAGNE dating from the early 18th century, the rounded earthenware jar stand...

Pair of George Jones Majolica Cornucopia Vases, English, circa 1875, each modeled as a white wicker ground cornucopia, with trailing green glazed leafy vines and simulated mossy twig...

Outstanding quality pair of antique Japanese imari chargers, having a outstanding pair of quality antique Japanese imari chargers with scallop shaped edges, decorated with a basket o...

Pair of Mettlach vases by Villeroy & Boch, circa 1900, stoneware with ornamental decor. In very good condition. The vases will ship from Germany. Shippin...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pretty and refined pair of small serving tureens; they have a well-proportioned, square design typical of Art Deco, graceful and pleasing floral decorations on the lid and body help to lighten the rigidity of the form; the rim and knob are ornamented in pure gold. On the bottom, we find the maker's mark: the famous Arthur J. Wilkinson Firm located on Newport Lane in Burslem, near Stoke on Trent, Staffordshire County, an ancient locality famous for the production of pottery and porcelain. From the mark, we can accurately identify the year of production of the two soup tureens: 1947. In 1881 the old Central factories in Burslem passed into the hands of Wilkinson & Hulme; in 1885 Hulme retired from the business and Arthur J. Wilkinson continued alone, AJ Wilkinson...