Tony Marsh - Perforated Vessel Contents

A sculptural ceramic vessel by Italian designer Guido Gambone (1909-1969) circa 1950s. The stoneware of dove shape is an open vessel in form. The surface is decorated with geometrica...

Waiting for Godot 153934-158716, 2017 (Ceramic, C. 18 in. h x 14.2 in. diam., Object No.: 3537) The inspiration for Bae Sejin’s intriguing ceramic designs is the play Waiting for Godot by the Irish avant-garde novelist Samuel Beckett...

Elegant and expressive, this stylized ceramic bowl-shaped vase flaunts a two-tone finish enriching its design with earthy tones, warm brown on the outside and yellow inside, the latter visible through the wide top opening. Perfect in a modern, neutral-toned interior where it will add a subtle pop of color, this low-profiled vase...

Defined by unadorned sophistication, this exquisite ceramic bowl is brimming with contemporary allure delving into the most authentic nature of forms and materials. The cylindrical s...

This elegant centerpiece in white clay features a base in dark grey supporting a conic body made of concentric steps that are finished in red on the outside and in vivid matte green ...

Big vase 1, 1882 Ltd. with Max lamb. You can never have too many flowers. The question is how big can the vase be? Big vase starts life as a solid block of plaster that is hand carve...

Positive – 1882 Ltd. with Snarkitecture. The idea for the collaboration with 1882 Ltd. was to reveal an otherwise unseen aspect of the process behind creating a bone china piece. Pos...

Tryst – 1882 Ltd. with Amy J Hughes. Industry meets the studio maker head-on in this collaborative project between ceramicist Amy Jayne Hughes, the V&A and 1882 Ltd. Aiming to restore the humble vase to its former status as the Ultimate Accessory, the collection elevates the functional object to a design motif and a symbol of the ancient world… Amy Jayne Hughes was the V&A Ceramics Resident from April – September 2015. Gleaning inspiration from the museum’s comprehensive collections, she married elements of her own practice with traditional hand-decorating techniques and the skills and expertise of Stoke-on-Trent’s finest industry. Her mid-18th century-style porcelain vase is more appealing for today’s consumer. The decoration, taken from sprig moulds carefully cast from museum objects, pays homage to the originals whilst finding a new place in contemporary culture. Designed in London, produced in Stoke, each slip-cast fine bone china vase...

Big vase 2, 1882 Ltd. with Max Lamb. You can never have too many flowers. The question is how big can the vase be? Big vase starts life as a solid block of plaster that is hand carve...

This exclusive ceramic plate is handmade and hand-painted in Italy following the original Renaissance painting technique, unchanged over time, which we observe to the letter: it is d...