Dutch Delft Large Dish with Chinoiserie Dragon Design

Delftware Blue & White Chinoiserie dish, Irish (Dublin) or Liverpool, 1745-65 The rectangular British Delftware underglaze Blue Dish with canted corners and of large size is pai...

Scrolls and Blossoms: A Rare Chinese Export Blue & White Dish This large, attractive Chinese Export Porcelain Dish, dating to Circa 1770, is distinguished by its unusual and rarely ...

Vibrant Prosperity: A Famille Verte 'Flower Basket' Dish from the Kangxi Golden Age This magnificent Chinese Export porcelain dish, dating to the height of the Kangxi Period (c. 1700-1710), is a resplendent example of the famed famille verte (green family) palette. This enameling technique, characterized by its brilliant, translucent greens, yellows, and blues, reached its zenith under the patronage of the Kangxi Emperor, ushering in a golden age of ceramic production at the imperial kilns in Jingdezhen (Guest and Gray). Auspicious Symbolism and Design Mastery The dish is a feast of intricate design and rich symbolism, centered on an openwork beribboned basket of peony and lotus flowers. The flower basket motif is highly auspicious in Chinese art, being one of the attributes of the Daoist Immortal Lan Caihe, and symbolizes longevity and good fortune (Sotheby's, Lot 657, 2015). This meaning is powerfully reinforced by the inclusion of a central shou character (寿) in the basket, the Chinese ideograph for Longevity, a core wish in Chinese culture for a long, healthy, and prosperous life (Metropolitan Museum of Art). The presence of the shou character, often incorporated into designs for Imperial birthday celebrations during this era, underscores the dish's grand and celebratory intent. The radial design radiates outward with petal-shaped reserves in the cavetto, each containing detailed flowering plants issuing from rockwork, all set against a signature pale-green stippled ground (Dizi). The border completes the composition with an ornate pattern of green trellis-work punctuated by iron-red flower heads, alternating with oval panels containing various Precious Objects (Ba Gu), further emphasizing wealth and good fortune. This large dish, at over 14 inches in diameter, was one of the exquisite items commissioned for the European export market, particularly by the Dutch East India Company (VOC), where its vibrant colors and complex iconography were highly prized by wealthy clientele (Guest and Gray). The reverse, painted in underglaze blue with delicate floral sprays, maintains a link to the more traditional Chinese aesthetic. This piece is a tangible embodiment of the technical sophistication and artistic brilliance that made Kangxi famille verte porcelain...

"A Question of Taste": Rare London Delftware Blue & White Sweetmeat or Oyster Dish, Attributed to William Griffith, Circa 1750-60 A rare and distin...

City: Delft Workshop: Unknown Date: Last quarter of the 17th century A large blue and white plate in Wanli / Tianqi style Decorated with a...

Mid 18th century Blue Delftware plate with scalloped rim. Marked H/7 Good quality of painting some damages to the rim and a light hairline (see picture). No restorations.

City: Delft Workshop: De Metaale Pot (attributed) Owner: Lambertus van Eenhoorn Date: 1691 - 1724 An exceptional fine painted plate with chinoiserie decoration. On the left, we...

This 18th century blue and white Delft plate was hand painted circa 1780. The lively scene in the center features flowers, flower buds, and a polka-dotted vase. The border is decorat...