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"Folded" Fruit Bowl of service Bracquemond-Rousseau / Faience Montereau
$1,450
£1,106.28
€1,265.10
CA$2,043.36
A$2,228.06
CHF 1,182.41
MX$26,936.58
NOK 14,964.28
SEK 13,716.84
DKK 9,448.97
About the Item
Rare Japonism "Folded" Fruit Bowl from service "Bracquemond-Rousseau" of Faience Manufacture Creil et Montereau.
This French earthenware Faience piece is part of the world-renowned service (pieces of which are in public collections of Victoria
Albert Museum, Musée d'Orsay, Petit Palais Museum, Metropolitan NY Museum, and Occidental art Tokyo Museum).
Its decoration of animals are after etchings ordered by merchant-publisher François-Eugène Rousseau to artist Félix Bracquemond -inspired by Japanese artist Hokusaï -.
Printing of the drawings in black was placed randomly on French Creil
Montereau faience pieces, and its coloring was hand-done freely by the workers.
Such process , totally new in its time , made each piece unique and of infinite variety.
This particular fruit bowl is decorated with a pheasant, butterflies, birds, and various flowers.
The service was presented at the World's Fair of 1867 and was met with immediate commercial success , and is considered an iconic example of Japonism vogue from the 2nd half of the 19th century.
Note : marks on base "Creil / LM&Cie / Montereau / Modèle Rousseau à Paris".
condition : very good / minor shade of use inside bottom
Reference : similar folded fruit bowl at the French Musée d'Orsay ( OAO-1093).
- Creator:
- Dimensions:Height: 5.15 in (13.09 cm)Diameter: 10.5 in (26.67 cm)
- Style:Aesthetic Movement (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1870 s
- Condition:Wear consistent with age and use. Minor fading. Good condition / minor wear consistent with age and use.
- Seller Location:Greenwich, CT
- Reference Number:Seller: 27691stDibs: LU10228247345802
Félix Bracquemond
Fe´lix Bracquemond was born in Paris. He was trained in early youth as a trade lithographer, until Guichard, a pupil of Ingres, took him to his studio. His portrait of his grandmother, painted by him at the age of nineteen, attracted The´ophile Gautier's attention at the Salon. He applied himself to engraving and etching about 1853, and played a leading and brilliant part in the revival of the etcher's art in France. Altogether he produced over eight hundred plates, comprising portraits, landscapes, scenes of contemporary life, and bird-studies, besides numerous interpretations of other artist's paintings, especially those of Jean-Louis-Ernest Meissonier, Gustave Moreau and Jean-Baptiste-Camille Corot. After having been attached to the Se`vres porcelain factory in 1870, he accepted a post as art manager of the Paris atelier of the firm of Haviland of Limoges. He was connected by a link of firm friendship with E´douard Manet, James McNeill Whistler, and all the other fighters in the impressionist cause, and received all the honors that await the successful artist in France, including the grade of Officer of the Legion of Honor in 1889. Bracquemond was a prominent figure in artistic and literary circles in the second half of the 19th century. He was close to writers such as Edmond de Goncourt and critic Gustave Geffroy, and numbered among his friends Millet and Corot, Henri Fantin-Latour, Degas and the Impressionist circle, and Auguste Rodin. He was one of the more prolific printmakers of his time and he was awarded the grande medaille d'honneur at the Universal Exhibition of 1900. He was also a painter, ceramist, and an innovator in decorative arts. Gabriel Weisberg called him the "molder of artistic taste in his time". Indeed, it was he who recognised the beauty of the Hokusai woodcuts used as packing around a shipment of Japanese china, a discovery which helped change the look of late 19th-century art. He married French Impressionist artist Marie Bracquemond in 1869. He died in Se`vres.
About the Seller
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