Sign by Jan Jansz Van Der Laen, Late-17th-century, Faience Delft Round Dish

Rare second half 17th century Blue Delftware platter with Chinese kraak style decoration of a garden with 3 Chinese persons. Border decoration in panels. Flower vines in four small p...

Dutch Delft blue and white large plate, small charger, 18th century. The central reserve shows a vase of flowers, enclosed within a wide border of alternating floral and geometric pa...

Dutch Delft large underglaze blue chinoiserie dish, circa 1660-1680. The large circular Dutch Delft chinoiserie dish, after the Chinese tra...

A fine 18th Century French blue and white Delft style decorative plate or charger, Signed C.V. This beautiful antique plate is hand-crafted, hand-painted faience from Moustier (Fra...

Dutch Delftware pouring jug with soft blue decoration of a chinoiserie landscape with persons. The neck with two stylised flowers above a lambrequin border at the neck, the handle wi...

A late 17th-century Dutch Delftware calabash-shaped bottle vase in tin-glazed Delft earthenware, painted in underglaze cobalt blue. The octagonal body features a continuous Chinoise...

18th Century Dutch delft charger in blue and white having a diaper and squiggle lozenge border, the center with flowering urn surmounted with ...

Octagonal kalbas shape vase (soliflore), decorated in the Chinese transition style depicting birds perched on flowering branches, with detailed peonies and chrysanthemums. Provenanc...

These colorful antique plates and matching serving platter were created in France circa 1920, by the Saint Clement factory. The hand painted Majolica service features 6 round plates and one charger, all having oyster shaped and lemon wedge motifs. Every piece is marked underfoot "St Clement France". The set is in excellent condition with rich colors in the green and yellow palette. The faience factory of Saint-Clement, 12 kms from Lunéville, was established in 1758 by Jacques Chambrette, who already owned another one in Lunéville. With this second factory he aimed at the higher segment of the market with prestigious objects. The factory received because of this a label as Royal Suplier for Marie-Antoinette's Trianon. After Jacques died in 1758, his son Gabriel became the new owner. Between 1759 and 1763 the factory was managed by Charles Loyal, Jacques Chambrette's son-in-law, Paul Louis Cyfflé and the architect Richard Mique, who owned half the factory in 1786. In the 18th century Saint-Clément produced domestic objects of ordinary earthenware, luxurious objects and decorative objects of fine earthenware (so-called "terre de pipe"). Between the first quarter of the 19th century and 1892 both current utensils of ordinary earthenware and fine earthenware are produced and decorative objects of grand and petit feu (Emile Gallé). In the second half of the 19th century the factory reproduced Louis XIV objects, among them objects with very unnatural forms, where they attempted to imitate the multicolored decorations of Strasbourg faience...

Three Delft faience tiles with cobalt under glaze blue figures in an inscribed circle. The tiles have been mounted in limed wood easel frames. Holland, 17th century.