1860s Dinner Plates

A set of six porcelain Fruit still life themed plates, made in Thuringia, Germany, circa 1860s. Central images show a hand painted still life pattern of brightly colored fruits, en...

A fine example of Japanese Imari porcelain, this plate likely dates to the Meiji period and reflects the artistry and craftsmanship that made Imari ware so prized worldwide. Originating in the kilns of Arita and shipped through the port of Imari, these porcelains became synonymous with elegance, rich design, and cultural exchange between Japan and the West. Design: This plate features a scalloped edge and is richly decorated in cobalt blue and white with a detailed tableau of peacocks, birds, flowering trees, and foliage—motifs deeply symbolic in Japanese art, representing beauty, longevity, and renewal. The balance of naturalistic detail and decorative flourish is characteristic of Imari porcelain of the late 19th century. Era: Given its style and subject matter, this piece can be attributed to the late 19th to early 20th century, during Japan’s Meiji era, a period when traditional craftsmanship flourished alongside modernization. Why Collectors Value It: Exemplifies the refined artistry of Japanese porcelain during a culturally transformative period. Features timeless natural motifs that resonate with both collectors and decorators. A versatile piece—equally striking as a display plate, wall mount, or part of a larger Imari collection...

Set of 12 English porcelain botanical plates. Impressed Worcester with crown.

Set of 12 Sèvres porcelain plates with hand-painted pastoral scenes French, c. 1864 Plates: Height 3cm, diameter 23cm Case: Height 10cm, width 76cm, depth 52cm Originating from the...

A rare and exceptional 19th century Minton dessert service featuring hand painted ornithological subjects hand painted in the neoclassical perio...

Pair of two Minton plates, circa 1862. These superb quality Minton plates are from a dessert service shown at the International Exhibition of 1862 in London. The plates testify to the enduring influence of 18th Century Sèvres on the tastes of Victorian high society. The designs are far from being mere copies, however; while there are recognisable Sèvres elements, they are arranged in entirely new and delightful ways. On the rim are four imitation cameo heads of classical deities en grisaille on a red-brown ground, within oval reserves wreathed in laurel. The profiles are individually painted; compare, for instance, the winged helmeted heads of Hermes/Mercury and you will spot subtle differences. The cameo devices, used here for the first time by Minton, derive from the celebrated Sèvres dinner...

A fabulous and pristine set of twelve neoclassical style 19th century Meissen Porcelain plates hand painted with putti, fruit, garland, and heavenly scenes. The center of each plate ...