Red Antique Greek Ware Dishes Eight in a Neoclassical Pattern in Stock

Herculaneum neo-Classical Greek Pattern blue printed dish, Early-19th century The Herculaneum pottery underglaze blue central pattern shows a s...

Spode Neo-classical Greek pattern blue printed hot water dishes, Zeus in his Chariot, A pair, Early 19th century (We have five in all-two pairs and a single) The Spode pottery...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

Herculaneum Neo-classical large Greek pattern blue printed dish, Early-19th century The Herculaneum pottery underglaze blue central pattern shows ase...

Regency Spode neo-Classical Greek pattern blue rectangular dessert dishes, Four figures in battle, Early 19th century The Spode Greek pattern pott...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A lovely antique French majolica floral plate, circa 1890. This beautiful French country style plate has hand painted pink flowers and leaves on a ligh...

A fine pair of 19th century English Spongeware pottery plates. Both plates with green & blue painted decoration that appears to have been dabbed or spread with a sponge, hence the name spongeware. One of the plates has some overpaint and is more brightly decorated than its mate. Simply a great pair of 19th century Staffordshire spongeware plates...

The Liverpool creamware openwork dishes were made at the Herculaneum factory. The charming dishes have an outer band of openwork attached to a bask...

This is a very decorative ironstone pottery Large Dinner Plate produced by the Mason's factory at Lane Delph, Staffordshire, England, circa 1818. The plate is circular with a wavy indented edge & moulded floral detail to the inner rim edge . This Plate is beautifully and elaborately decorated in one of Mason's chinoiserie patterns, called Vase and Rock which is sometimes called Peking Vase and tends to be a rarer pattern. The pattern is very richly hand-painted, over-glaze in brilliant enamels of cobalt blue, burnt orange, green, yellow and puce all in varying shades, over a blue transfer printed...