Saint-Clement Mid-century Art Ceramic Oyster Set, 1960s

French Art Ceramic Oyster Set by Sarreguemines, France, c. 1970. A stunning French art ceramic oyster set by Sarreguemines, France, circa 1970. This exceptional set includes a cerami...

French Mid-century aperitive or donner set by ACCOLAY, France, 1950s. 4 dishes. Large dish : 15.75x8.15x3.15 in. - 40x20.7x8 cm. Medium dish : 12.6x6.5x3.15 in. - 32x16.5x8 cm. Small...

A set of 7 pcs. French majolica glazed oyster plates from the faience factory of Saint-Clément, circa 1950. The set includes 6 pcs. oyster plates and 1 pc. large round oyster serving...

These colorful antique plates and matching serving platter were created in France circa 1920, by the Saint Clement factory. The hand painted Majolica service features 6 round plates and one charger, all having oyster shaped and lemon wedge motifs. Every piece is marked underfoot "St Clement France". The set is in excellent condition with rich colors in the green and yellow palette. The faience factory of Saint-Clement, 12 kms from Lunéville, was established in 1758 by Jacques Chambrette, who already owned another one in Lunéville. With this second factory he aimed at the higher segment of the market with prestigious objects. The factory received because of this a label as Royal Suplier for Marie-Antoinette's Trianon. After Jacques died in 1758, his son Gabriel became the new owner. Between 1759 and 1763 the factory was managed by Charles Loyal, Jacques Chambrette's son-in-law, Paul Louis Cyfflé and the architect Richard Mique, who owned half the factory in 1786. In the 18th century Saint-Clément produced domestic objects of ordinary earthenware, luxurious objects and decorative objects of fine earthenware (so-called "terre de pipe"). Between the first quarter of the 19th century and 1892 both current utensils of ordinary earthenware and fine earthenware are produced and decorative objects of grand and petit feu (Emile Gallé). In the second half of the 19th century the factory reproduced Louis XIV objects, among them objects with very unnatural forms, where they attempted to imitate the multicolored decorations of Strasbourg faience...