Wicker Serveware, Ceramics, Silver and Glass

A very cool MCM taverneau wood and wicker handle oblong tray by Arthur Umanoff, circa 1960s. The tray is in good vintage condition and measures 21.25"W x 6"D x 1"H. The piece is m...

Made in Italy, 1960s. It is made in green handblown glass and wicker. This is a vintage item, therefore it might show slight traces of use, but it can be considered as in excellent o...

The patent for the cube teapot was first lodged in November 1916. 'The specifications state that functional considerations were paramount, the absorption o...

This versatile silver-plated placemat can serve as a sophisticated table accessory, a decorative charger under plates, or a stylish base for candles, floral centerpieces, and sculptu...

This versatile metal-plated placemat can serve as a sophisticated table accessory, a decorative charger under plates, or a stylish base for candles, floral centerpieces, and sculptur...

An exceptional, fine and impressive antique Victorian English sterling silver argyle, an addition to our dining silverware collection This exceptional a...

A beautiful vintage triangular cutting board and knife set, designed and made by Carl Auböck in the 1950s. The board is walnut with leather loop that holds the knife. The knife is m...

Midcentury wonderful bottle holder in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s.

Midcentury wonderful rectangular serving tray in lucite, wicker and brass in the style of Christian Dior Home. Made in Italy in the 1970s. This item is a wonderful addition t...

A lined oval wicker picnic basket An attractive basket with 2 lidded sections and big handle, the basket is lined inside This is a lovely pie...

Midcentury beautiful squared serving tray or centerpiece in lucite, wicker and gold plate 24KT in the style of Christian Dior Home. Made in Italy in the 1970s. Great accessor...

Description: A vintage knife and fork set made by the Auböck Workshop, Vienna, circa 1950. The body of the cutlery is made from stainless steel with t...

Vintage basket is lined with canvas sewn to woven wicker wonderful for that long baguette.

A whimsically refined Jugendstil German silver plate coffee and tea service with tray, designed by Albert Mayer for WMF and retailed by Casa Costa, A...

Carl Auböck Cheese Dome, Austria 1960s. The height given applies to the height of the glass cover. The height including the wicker top is 20cm.

Just Andersen (1884-1943), Denmark. Art Deco tin coffee pot with wicker handle. 1940s. Model number 2758. Measures: 20 x 19.5 cm. In excellent condition with patina. Stamped.

English Victorian silver plate faux bamboo design cruet set with woven wicker handle and 6 cut crystal bottles.  

In very good condition, with original wicker, nice original patina on the brass.

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

French wicker & iron bottle holder France, mid century Intricately woven wicker around sculpted iron frame Beautiful display piece that puts the fun in functional Wonderful addition ...

Wonderful Midcentury Italian serving tray. This amazing tray is fabricated in the 70's. It is made of rattan and wicker. Professional packing and worldwide free shipping!

Nodo That’s item is the result of Bottega Intreccio Lab experimentation as atelier research which is grounded within in the territory, with its di...

Antique 19th Century English solid silver & wicker decanter. The decanter features a solid silver collar with a handled basket woven around the glass. Hallmarked English solid silv...

Mawa “A centerpiece draw its inspiration from Nature. Mawa, narrow at the base and wider towards the top, borrows its features from a flower in all its splendor.” This container reinterprets the archetype of the woven basket in a contemporary way, with ample proportions and organic asymmetrical forms. The wicker is enhanced by a leather band at the base that gives the object decorative impact. The piece is difficult to make precisely due to the asymmetrical form. Use and maintenance All the items are made with raw materials and are guaranteed for interiors. If it is necessary, they can also be installed outdoors as long as they are sufficiently protected from atmospheric agents and not directly exposed to the sunlight or water, in spaces like verandas, gazebos, arcades or protected spaces. The raw materials used for weavings could be not extremely homogeneous due to different physical properties and the items could have dimensions a bit different from descriptions listed in this document. The colors could change for the same reasons. Those features are the demonstration of authenticity of each product that is unique and handcrafted in Italy by Mogliano’s masters. Woven wicker is extremely resistant over the years, if it is stored in a dry place and without excessive temperature changes, and it could also change color or nuances due to its sunlight exposure based-on nature. The weaving by the craftsman is performed with soft and wet material, an the material dries naturally with the passage of time losing its elasticity. For this reason, avoid excessive pressures, overloads of heavy weights or impacts. The bases or wooden parts are entirely in solid wood: with the aging they could change in size and present natural micro-cracks. Avoid direct and long exposure to the sun, completely avoid wetting. About the lamp usage, in normal condition the items don’t require special maintenance. Technicals About item technical details and bulbs specifications, please refer to the technical data sheets. Cleaning Use a soft cloth for cleaning. Don’t use any chemicals, acids, scourers or steel brushes. The base in natural wood must be cleaned and dusted using a soft cloth, even slightly damp. Immediately wipe again with a soft, dry cloth. For lamps cleaning, unplug the appliance from electric power...

Shizé L “The centerpiece draw its inspiration from Nature. The irregular shape of Shizè comes from the stones found in rivers.” Like a big rock sitting on furnishings in the ho...

Designed by Brunno Jahara, contemporary Brazilian design, Wicker and Brass. Brazil, 2018. The Fruit tray is made of wicker, in the form of a hat, referring to the Brazilian interior tradition and the frequent use of this accessory by rural workers. Made of brass, the continuous structure forms at the top, a handle and at the bottom, feet suspending the fruit tray above the surface. Paleae Brasilis is a collection of tropical objects and accessories done in partnership with fashion designer Ana Voss, that created together using straw...

Resin and wicker bottle holder that looks great on a table when serving wine. The top is made of resin, but it looks like ceramic because it is so well made.

Shizé S “The centerpiece draw its inspiration from Nature. The irregular shape of Shizè comes from the stones found in rivers.” Like a big rock sitting on furnishings in the home, this container has a soft, organic form. And it plays with the contrast between the ample size of the woven wicker part and the leather-clad plate that rests on the rim of the vessel. Complex in the making due to the asymmetrical form, and for the so called “passatemorte”, passages where the strand does not complete its circuit. Use and maintenance All the items are made with raw materials and are guaranteed for interiors. If it is necessary, they can also be installed outdoors as long as they are sufficiently protected from atmospheric agents and not directly exposed to the sunlight or water, in spaces like verandas, gazebos, arcades or protected spaces. The raw materials used for weavings could be not extremely homogeneous due to different physical properties and the items could have dimensions a bit different from descriptions listed in this document. The colors could change for the same reasons. Those features are the demonstration of authenticity of each product that is unique and handcrafted in Italy by Mogliano’s masters. Woven wicker is extremely resistant over the years, if it is stored in a dry place and without excessive temperature changes, and it could also change color or nuances due to its sunlight exposure based-on nature. The weaving by the craftsman is performed with soft and wet material, and the material dries naturally with the passage of time losing its elasticity. For this reason, avoid excessive pressures, overloads of heavy weights or impacts. The bases or wooden parts are entirely in solid wood: with the aging they could change in size and present natural micro-cracks. Avoid direct and long exposure to the sun, completely avoid wetting. About the lamp usage, in normal condition the items don’t require special maintenance. Technicals About item technical details and bulbs specifications, please refer to the technical data sheets. Cleaning Use a soft cloth for cleaning. Don’t use any chemicals, acids, scourers or steel brushes. The base in natural wood must be cleaned and dusted using a soft cloth, even slightly damp. Immediately wipe again with a soft, dry cloth. For lamps cleaning, unplug the appliance from electric power...