20th Century Pitchers

Made in Italy, 1980s. This pitcher vase is made in transparent Murano glass and features gold leaf flakes. It is slightly ribbed. This is a vintage item, therefore it might show sl...

Thermos/decanter/pitcher by the Italian Aldo Tura for Macabo made of colored (red, green and black) wood and copper. The stamp is engraved on the bottom.

A glass pitcher with leather sleeve handle by Carl Auböck II, Vienna, 1950s. A brass handle is attached to the leather sleeve and a drink stirrer in bamboo with four circular holes ...

Beautiful pitcher by the very well known German Designer , Wilhelm T Binder , marked with quarter moon , crown WTB 800 and hand cut crystal bottom .

1960s. This high-quality pitcher / vase is made in transparent crystal. It is a vintage piece, therefore it might show slight traces of use, but it can be considered as in perfect o...

La bouteille en céramique bleue "Porto" de Jean de Lespinasse, réalisée à Vallauris sur la Côte d'Azur, incarne l'élégance du design français des années 1950. Cet objet d'art, aux fo...

Vintage sangria pitcher or carafe in amber glass accompanied by its wooden stopper held by a golden chain. Leather tag. Perfect for iced tea, wate...

Monumental 68 cm. Vieux Biot, France art pottery jug/pitcher. Beautiful glaze, impressive pitcher, to be seen. Marked. Measures: 68 cm.

A fascinating and highly artistic example of late Victorian ceramics, this antique majolica pitcher is a masterpiece of the Aesthetic Movement. The piece is dated by its British Regi...

A very small pitcher or vase in hare's fur blue glaze by Gunnar Nylund for Rorstrand. Impressed on the bottom by both the creator and manufacturer's mark.

Set of two silver plate pitchers. Visual connections to Scandinavia production. Size refers to the tallest piece.

Made in Czechoslovakia Made of Art Glass Re-polished Good Original condition.

Italian Renaissance (Late 19/20th Century) Majolica Sinai.

Made in Czechoslovakia Made of Art Glass Re-polished Good Original condition.

A stoneware pitcher designed by Andersson & Johansson and produced in Höganäs, Sweden, 1940s.

Elegant French Mid-Century Modernist / Art Deco ceramic amphora / pitcher / vase. Signed on bottom.

This is a rare set of matching water large water pitcher and bowl with all-over black chintz decoration with polychrome decoration. The dramatic co...

1947 studio pottery chicken pitcher / decorative object by ceramicist and former art professor, Emily Reinse. Flaxen-yellow glaze with drip-applied dar...

Description: Set of silver jugs with a rounded shape and pearly rim and base. Metal: Silver. Origin: Portuguese. Mark: Standing eagle. Weight: 541.93 grams. Dimensions: 10cm x 14.5cm...

Description: Set of silver jugs with friezes on the structure and two raised handles. Metal: Silver. Origin: Portuguese. Brand: Absent. Weight: 170.32 grams (Set of two jugs). Dimens...

Blown glass pitcher tinted pink, made in the 1970s. The body features regular faceting on the lower section, adding geometric reflections to the material.

Lebkuecher sterling silver pitcher in Art Nouveau style from the late 19th or early 20th century with raised floral motifs and stylized, fluted motifs adorning the body. It measures ...

A brown and black, glazed stoneware pitcher, designed by Gunnar Nylund and produced by Rörstrand, Sweden, 1950s.  

This antique water pitcher was crafted in Northern France, circa 1880. The jug, titled "Cochon au Jambon" (pig with ham), features a pig sculpture with a laurel leaf crown carrying a...

A Mid-Century Hans Hansen sterling silver water pitcher with horn handle, design #501 by Karl Gustav Hansen from 1960. Hans Hansen is one of t...

A fine and impressive, large antique cut-glass and Austro-Hungarian silver mounted lemonade/water jug; an addition to our wine and drink related collection. This exceptional antique Austro-Hungarian silver and cut glass water / lemonade silver jug has a tapering cylindrical form. The neck is fitted with a fine and impressive substantial silver hallmarked mount with the original hallmarked flat hinged cover and plain swept lobed thumb piece. The cover is further embellished with the impressive contemporary engraved initials 'SC' below a coronet. This antique cut glass lemonade jug is fitted with a plain angular S scroll handle with bracketed curved terminals. The large glass body of the jug is ornamented with a dimpled effect in addition to a star cut motif to the underside of the base. The hallmarks struck to the surface of the impressive mount include: Importer/Retailer's mark: Bachruch (Antal Bachruch) Assay mark: P (Pest, Hungary) Silver quality/purity mark: Dianakopf mark (.800, 800/1000) Condition The mount of this antique lemonade jug is a very good gauge of silver, fine quality and in excellent presentation condition. The glass is in perfect condition. The engraved decoration is all very crisp. Full hallmarks struck to the surface of the mount are all very clear. Reflections in photographs may detract from the true representation of this fine example of antique glassware...

Art Nouveau carafe made of clear glass with a conical body on an oval base, cut meadow flower decoration rising from the lower rim, cut ground star,...

Beautiful aluminum Pitcher form by Lurelle Guild for Kensington.  

An exceptional, fine and impressive vintage Elizabeth II English sterling silver claret jug with matching goblets; an addition to our range ...

An exceptional, fine and impressive antique Danish silver water/cordial jug made in the Art Nouveau style; an addition to our range of collectable silverware. This exceptional antique Danish silver jug has a circular rounded form onto a circular spreading foot, all in the Art Nouveau style. The surface of this antique water jug has a subtle planished finish. This impressive piece is fitted with a C-shaped handle, with a bifurcating upper portion and the original carved painted wood hand piece. The spout is embellished with a vase shaped design to the nadir. The underside of the Art Nouveau jug bears the engraved initials 'A.N' and date '1927', in addition to the hallmarks. The hallmarks struck to this silver jug include: Assay mark: Three Tower Mark, 20 (Copenhagen, 1920) Assay Master Mark: CFH (Christian F. Heise) Condition This antique Art Nouveau jug is an exceptional gauge of silver, exceptional quality and in exceptional condition. The jug has been professionally polished and is in presentation condition. Danish hallmarks struck to the underside of the jug are all very clear. Dimensions Length from back of handle to tip of lip 19.5cm/7.7" Width 10.3cm/4.1" Diameter of foot 8.6cm/3.4" Height 18.3cm/7.2" Weight 12.1 troy ounces/375g Maker: Unmarked Date: 1920 Origin: Denmark, Europe Video: Video of this fine piece is available upon request. Reflections in photographs may detract from the true representation of this piece of antique Danish silverware...

Large ceramic pitcher or vase by Roger Capron from the 60s. Enameling in shades of light gray and white. Sober and pure design decorated with a f...

Beautiful matte white and black carafe. Seals well. Very good condition.

This is a turn of the century creamer from Cathy's Restaurant. It's stamped it's made in England. It has a nice aged patina and wear to its finish.

Made in Italy, 1920s. This pitcher vase is made in straw-colored glass. It is a vintage piece, therefore it might show slight traces of use, but it can be considered as in perfect o...

A large, beautiful and very interesting piece of glazed pottery, this pitcher dates from circa 1930s-1950s. It is of great quality and has a very unusual design, with a textured oute...

Jugendstil Pewter pitcher is an original decorative object realized in the first years of the 20th century. Original pewter with braided w...

Royal House Antiques Royal House Antiques is delighted to offer for sale this once in a lifetime opportunity to own this custom made pair of Pitcher Jugs which are part of a suite of Hermes Paris “Farming” Kelly picnic equipment, Barenia Edition, these were custom made to order for Lady Victoria De Rothschild in 2015. This sale is for the pair of pitcher jugs only, I have also listed under my other items the pair of Champagne buckets and pair of Wine coolers Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price These are the only examples in the world of this particular picnic set, they were made to order from Lady Victoria de Rothschild in 2015, purchased by myself at the estate sale after her passing. Each piece is expertly crafted to the finest standard by the genius’s that are Hermes Paris, the wicker has been finely woven and houses perfectly polished chrome cases, the handles are hand stitched and signed Hermes Paris in leather. Each piece of chrome has been professionally restored and polished to the highest standards by Penhaligan Silverwear LTD London in cooperation with Strong and Woodhatch. Dimensions Height:- 21.3cm Width and depth 10cm Please note all measurements are taken at the widest point. Victoria, Lady de Rothschild (1949-2021 Victoria was born and spent her formative years in the sunshine of Florida; the warm rays and the life-style of Palm Beach brought her a freedom of spirit that remained with her throughout her life and informed and shaped her taste. Later the family moved to Manhattan; her mother, Marcia Lou Whitney Schott, was a woman of great poise and style and remained a huge and lasting inspiration to her daughter. After coming to London, as a young adult, to dip her toe into British culture, she went back to the US and gained a degree in economics at Trinity College Hartford. Three years later, through mutual friends she met and married Sir Evelyn de Rothschild. They returned to the UK and made their homes in London and in the Rothschild family house in Buckinghamshire; Victoria bringing to the formal landscape of these two houses a transatlantic chic and her own particular quiet exoticism. The history of collecting in the Rothschild family is meticulously documented and was well known to Victoria, it was music to her ears. She continued the tradition and over a period of 40 years gathered together a remarkable and eclectic collection of furniture, glass, china, silver and jewellery. She bought instinctively and decisively; in later years the collection was curated by her great friend, decorator and dress designer, Tomasz Starzewski. There was nothing that Victoria enjoyed more than entertaining her friends and giving them exquisitely wrapped presents. In her last flat, she had a room entirely set aside for present wrapping. It was here that she kept exotic Japanese tissue papers in graded shades, antique rolls of striped ribbons and haute couture silk ones, ready for when a friend had a birthday. Entertaining remained one of her greatest pleasures, and she did this on two levels: the very large dinners for 200 or 250 people, to the more intimate events for family, friends, children and grandchildren. Whatever the circumstances, like an impresario rising to the challenge, she would set to work, with an awesome attention to detail that seemed effortless; she was brimming full of ideas. I remember in particular one birthday dinner when the ceiling of the dining room was covered with hovering aubergine coloured balloons, echoing the violet napkins below. Her large-scale entertainments were memorable; there was an anniversary dinner at Lords Cricket Ground, where the tablecloths were made of white cricket flannel and boiled brisket was served, so simple, witty, understated, whilst Rory Bremner provided the cabaret. On the occasion of her daughter’s 21st birthday, she transformed the Royal College of Art into a replica of the 20th century nightclub ‘El Morocco’ in New York for the evening, with Manhattan taxis waiting outside to take the guests home. Victoria’s greatest talent however was in creating tablescapes. This was almost like choreography, and there was always an element of the unexpected. The starting point was a textured fabric - her version of a tablecloth - be it a woven Kente from Ghana, a patchwork quilted sari from India, or a gossamer light runner; the variety of texture and colour enthralled her. She would lay the table, instinctively moving glass, silver, porcelain and flowers around, embellishing, intermingling traditional and contemporary, searching for a harmony that lived up to her own perfectionism. At times she would choose her favourite 18th century Chantilly porcelain plates - even when there were children present - with delicate blue sprays, surrounding a centrepiece of fifteen to twenty Chinese tulip vases. There were never side plates or bread knives - it was a pared down aesthetic, not an excessive one. White Murano goblets and Georg Jensen contemporary silver pitchers would add sparkle and freshness; the result looked like a 16th century Dutch still life. At other events, the table would become a playful study in the juxtaposition of colour, using her gently multi coloured 50’s retro plates, Balinese silver rimmed lacquered bowls and glass tutti-frutti tumblers, made by the Rothschilds’ cousins, the Brandolinis, in Venice. The drinks trays in all her houses will stay in my memory for many years to come. Victoria’s signature Baccarat decanters would stand proud; around them a cluster of delicate early 20th century glasses engraved with the Rothschild crest...

An exceptional, fine and impressive, large vintage Italian silver wine ewer and presentation plate, part of our wine and drinks related silverware collection. This exceptional and large antique Italian silver ewer has a rounded ovoid shaped form onto a domed circular foot, in a Classic Victorian style. The waisted neck is encircled with an impressive alternating engraved leaf designs accented with scrolling borders and cast and applied leaf and bead designs. The large rounded body is embellished with a continuation of engraved and applied ornamentation emanating from the upper and lower portions, including a matte background to each panel. The upper rim of the jug is encompassed with an applied moulded border. This exceptional example of Italian silverware is fitted with an impressive cast 800 standard silver leaf decorated handle accented with scrolling leaf ornamentation to the upper opposing scroll and lower terminals. The foot of the jug is encompassed with further matte ornamentation accented with applied scrolling segments above an impressive leaf decorated border. This exceptional and large ewer sits on the original hallmarked Italian silver presentation plate...

Pitcher is Glass or Similar Material. Teak Base and Lid have Makers Sticker as Pictured. Inner Layer of Pitcher can be Used to Fill with Ice to Keep Drinks Cold. Dimensions. 8 Diame...

Solid silver water jug. His body is smooth where the inscription "Water" is hand-engraved surmounted by a sailing ship. The whole was framed with a sc...

Embrace the elegance of pure form with this striking vintage hand-blown glass pitcher. Characterized by its tall, cylindrical silhouette and crystal-clear clarity, this piece embodie...

This TV-Kanna Signatur thermos was designed in 1962 by Carl-Arne Breger for the Swedish manufacturer Husqvarna Borstfabrik. A thermos is made of orange-red plastic with a black bottom. The handle and lid are made of solid teak. The inlet is designed in such a way that a coffee or tea filter can be attached directly. Carl-Arne Breger was born on August 29, 1923 in Trelleborg. He died on January 15, 2009 in Malmö. He was a Swedish industrial designer who became famous for mainly designing plastic items. He was educated at Konstfack in Stockholm in 1943-1948. In 1953 he was hired as a designer for Stig Lindberg at the Gustavsberg porcelain factory. He designed, among others, the best-selling Gustavsberge model 525 sink and many everyday plastic items, such as a square bucket from which it was easy to pour water. In 1960, he won the Best Plastic Product of the 1950s, and Breger himself received the epithet Mr. Plastic. In 1959 he opened his own company Breger Design in Malmö. There he designed many objects that are design classics today that existed and still exist in many Swedish households. His most famous plastic product is a carved styrene water jug, which is a sought-after collector's item today. The Juice Press duo, designed for Gustavsberg in 1967, is another Breger classic purchased by the Museum of Modern Art. Breger called himself a master of versatility and created functional items. He was very pleased with the Diavox phone for LM Ericsson in 1975. It became Televerket's first standard push button telephone and was exported to many countries. Over the years, almost 3,000 products have left the drawing...

Glass Pitcher is a wonderful glass decorative object, realized during the 1970s by Murano masters using pure gold. Very beautiful glass transparent pitcher with handle and with g...

Sterling silver Mid-Century pitcher with ivory handle, design #204 by Svend Weihrauch from 1941. Elegant Mid-Century design, F. Hingelberg was one of the premier silvers makers in Denmark at the time, their hand craftsmanship is of the absolute highest quality. The handle is not cracked, the marks are part of the natural patina from ageing. There is an ebonite ring...

Vintage pair of Glass Jugs. Silver decorations. 22 x 12,5 cm; 21 x 12 cm. Italy 1970s. Very Good condition escept for some yellow spots in one jug.

Art Deco pot is an original decorative object realized between the 1920s and the 1930s. Original silver plated metal. Made in Austria. Realized by Argentor-Werke Rust & Hetzel, Wien. Fair conditions: Some signs of age. This beautiful silver plated pot...

Middle Eastern Egyptian-style (English 1920s) small brown pitcher with sphinx head spout and beige and white classical figures in relief (impressed: DAUL...

This thermal jug was designed by G. Rosendahl for the Swedish Falkenberg manufacture during the 1960s. Thermos flask made of blue and black plastic. The ha...

Discover the exquisite charm of this vintage Boho etched bedside water pitcher and accompanying cup, a delightful set designed to bring both functionality and artistic flair to your ...

Extraordinary multi colored and multi faceted majolica pitcher made by San Polo Venezia, designed by Otello Rosa. Signed and numbered on the bottom.

Add a touch of mid-century charm to your decor with this Vintage MCM Glazed Ceramic Pitcher. Perfect for American-style interiors, this pitcher features a sleek, curved design typica...

This delightful pitcher/vase showcases Guillot's stunning, painterly work as a ceramicist.

This Italian design serveware ceramic set of three pottery items is composed of a jug, a pitcher and a little sweets bowl or tray. The set dating back to 1930s was created by Lenci manufacture, established in Turin in 1919. The matte ivory beige background is enriched with floral patterns throughout both on the body and on handles of these gorgeous vessel group. The flowers' decoration is rendered in a soft palette of colors with different shades of yellow, orange and pink outlined with a black contour line along the flower's decoration edges. The all purpose carafe has a long neck and an awesome Amphora shape, the pot-bellied decanter bottle has a nice molded nozzle while the round shaped tray has a pleasant curly handle. These objects of everyday use have simple clear lines and modernist forms, perfect as a table set for wine or water. The little bowl could be used as a sweet tray, sugar bowl or candleholder. These ceramics are ready to embellish your dining table or to be displayed in a vitrine cabinet or as a centrepiece on a sideboard. Stamped with Lenci made in Italy mark and original manufacturer label. Both the jars and the little tray are in perfect vintage condition, no chippings or cracks. price is for set of three, each item can be sold individually, please send a message for a customized offer. Shipping is complimentary. Measures: Bottles height 22 cm, diameter 18, tray height 12 cm diameter 11 cm. Lenci Manufacturing started with the production of dolls and toys, in 1927 the company decided to expand its production to a line of figurines and objects in enameled ceramic. In 1928, this led to a very rich catalogue of statuettes and objects that immediately became the fashion for Italian middle and upper classes and bourgeoisie. In order to attain this goal, the manufacturing company availed itself of the creative collaboration of important Turin-born artists such as Sandro Vacchetti, Gigi Chessa, Mario Sturani, Abele Jacopi...

Art Nouveau glass claret jug with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Cylindrical with small lip spout and spread base; c-scroll handle in silver col...

Oversized artisan made ceramic pitcher c. 1960. Stamped on bottom.

A Swedish water pitcher or vase with the Gustavsberg mark and an original paper label.

This thermal jug was designed by G. Rosendahl for the Swedish Falkenberg manufacture during the 1960s. Thermos flask made of cream-colored plastic with a b...

This small, thermal jug was designed by Sigvard Bernadotte for the Swedish manufacturer Husqvarna Borstfabrik during the 1960s. The thermos is made of whit...

Norman Bel Geddes copper cocktail, drinks pitcher, with tray and six footed drinks cups, Art Deco.

Small sterling silver Art Deco pitcher, design #896 by Svend Weihrauch from 1938. Beautiful Art Deco design, F. Hingelberg was one of the premier silver makers in Denmark at the time...