Rozenburg Dutch Art Nouveau Eggshell Pitcher

In this exquisite covered bottle designed by Samuel Schellink for Rozenburg, a dynamic viper is depicted in an aggressive, poised stance. Its head is raised and swaying rhythmically, hissing loudly as it coils tightly, baring its fangs in preparation to strike. The viper’s distinctive zigzag pattern of green and sienna scales serves both as camouflage and a warning to potential threats. Adding to its intrigue, the snake incorporates mythological elements, including a “beard” of two hairs. This bearded serpent motif, rare and symbolic, appears across various Classical contexts and media, including Greek, Etruscan, Roman, and Egyptian art and literature. Interpretations of this motif vary: some see the serpent as male, while others view it as an anthropomorphic deity. The bottle stopper is stylized like a flame, enhancing the dynamic and otherworldly character of the design. The sides of the bottle are adorned with twisted cockscomb flowers, their coral-like blooms characterized by tightly clustered, crinkled, and ridged textures. These flowers hold religious significance, often planted outside temples in India and China. Together, the bottle evokes an exotic image of beauty and danger, conjuring the allure of distant lands and referencing the origins of the fragrance’s ingredients for a Western audience. Item #: YC-21844 Artist: Rozenburg Country: Netherlands Circa: 1900 Dimensions: 8.75" height, 4.125" width, 2.75" depth. Materials: Eggshell Porcelain Signed: printed underglaze Rozenburg den Haag, work order number 1578, date code for 1900, monogram for Samuel Schellink Literature: A vase with similar decoration is pictured in: Rozenburg: 1883-1917: Geschiedenis Van Een Haagse Fabriek, Haags Gemeentemuseum, Hague, 1983, p. 204 (for a related tea set with snake decoration) Macklowe Gallery Curator's Notes: Rozenburg eggshell porcelain...

A French Art Nouveau ceramic vase produced for Bing by George de Feure, Gérard, Dufraisseix and Abbott. The porcelain vase features floral decoration carried out in biscuit, blue enamel, pink and green, white zone. Signed "De Feure ANB Leuconoé." Circa 1901-1902. Pictured in: The Paris Salons 1895-1914, by Alastair Duncan, p. 15, 162. Art Nouveau, Symbolismus und Jugendstil in Franckreich, by Renate Ulmer, p. 141 cat. no. 127. Art and Decoration July 1907, p. 35. Le Modern style, by L.Dresser-Challié, p. 119. Art Nouveau Bing...