Blue and White Floral Plate Platter Spode England

Probably Kirman, 16th/17th Century, Persia. Of Low rounded profile, on short a foot and with sloping rim, this Kirman blue and white dish with white slip decoration and stylized dens...

Probably Kirman, 16th/17th Century, Persia. Of Low rounded profile, on short a foot and with sloping rim, this Kirman blue dish with white slip decoration and stylized floral pattern...

Probably Kirman, 16th/17th Century, Persia. Of Low rounded profile, on short a foot and with sloping rim, this Kirman blue dish with white slip decoration and stylized floral pattern...

A stunning Delft style vase, late eighteenth century and most likely French faience ware, possibly from the Saint-Omer factory. Beautifully modeled, featuring twin heads of the Roman...

Blue and white ceramic platter with a scalloped rim and a printed pastoral scene at center, framed by dense floral borders, suitable for table display or wall mounting.

A gorgeous antique 19th-Century English Minton flow blue transferware ironstone serving platter, circa 1840. Maker's marks on reverse. This beautiful...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Elegant and refined English octagonal ceramic tray; on the white background, soft and rich blue decorations have been executed using the transferware method; in the center we find the poetic and graceful representation of the Severn River and the town of Bridgnorth (the name of this decoration is "Severn"), while the edges of the tray are adorned with sumptuous and spectacular flower and leaf decorations. The Severn River is the longest river in the United Kingdom (350 km), rising in Wales and flowing into the Bristol Channel; Bridgnorth is an ancient Saxon settlement; observing the view of the river and town from his castle at Bridgnorth King Charles I Stuart (1600-1649) said "the most beautiful sight in all my kingdom". On the back of the tray there are 3 imprinted marks including one with final number 14, then we find in the center a blue mark, these indicate to us exactly that the tray was produced in Stoke-on-Trent by the Copeland-Spode company in 1914 (see mark no.1079 p.172 of "Encyclopaedia of British Pottery and Porcelain Mark). The Spode firm was founded in the heart of the Potteries - Stoke-on-Trent by Josiah Spode in 1770. Josiah Spode is most famous for developing the specific design technique that meant underglaze transfers could be printed on earthenware. Later, focusing on porcelain production, Josiah Spode pioneered the development of a new form of porcelain, originally called "Stoke China...

A lovely antique 18th-Century French faience Delft influenced scalloped floral plate from Nevers. Hand painted with a charming flower pot center surrounded by draped floral garland b...