Aritaware Porcelain Vase, Fukagawa, Japan, 20th Century

Handblown art glass vase, 20th century. Beautiful matte blue glass. Sculptural shape. Etched signature on bottom.

Vintage Italian "Faux Bois" ceramic vase, Bellini, 20th Century. Hand-turned, classic form vase with a beautiful glaze, simulating wood grain.

Murano glass vase, signed Barbini, 20th Century, Italy. Cylinder shape vase with dynamic swirl pattern. A discontinued, contemporary design, signed A. Barbini. Alfredo Barbini (1912-...

Vintage Glass Vase, Timo Sarpeneva, Finland. Heavy, blown glass vase with internal bubbles. An iconic design by renown Scandinavian designer, Timo Sarpeneva. Etched signature on bottom.

A finely decorated and glazed Japanese porcelain vase by Makuzu Kozan (1842-1916) circa 1900s Meiji Period. The vase is of a classic bottle form with baluster body and short neck. It was decorated with underglaze white magnolia blossom on a pleasant celadon background. The stamens of the flower were artistically rendered in a low relief, giving the design a realistic appeal with the dimension. Miyagawa Kozan...

This porcelain vase, created by Inoue Haruo, embodies the elegance and finesse of Kyoto ceramics. Its spherical shape softened by harmonious curves, is topped with a slightly flared ...

A rare porcelain vase by Makuzu Kozan (1842-1916) circa 1870-81 (late Meiji period). The vase is dated to the earlier work from Kozan's studio during his early period (Takauki-ware p...

A striking blue and white vase from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Of a relatively large size, this vase is decorated with underglaze cobalt blue using the novel technique developed by Kozan called Fuki-e (the blow painting). As a result, the bamboos appear took on a three-dimensional quality as if appearing in a mist. Known as one of the most creative ceramists, circa 1887, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze. New colors allowed him to create underglaze design that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama Taikan...