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Theodore Haviland for Sandoz – Porcelain Salt Shaker in the Shape of a Frog, Fra
$420
£318.11
€365.34
CA$588.56
A$639.88
CHF 339.27
MX$7,670.54
NOK 4,311.89
SEK 3,950.28
DKK 2,730.45
About the Item
Theodore Haviland for Sandoz – Frog-Shaped Porcelain Salt Shaker, France, ca. 1920–1930
A charming French porcelain salt shaker designed for Sandoz and produced by Theodore Haviland (Limoges). The piece features the iconic frog shape, modeled with soft lines and glazed in shades of pink and gray, with perforations on the front for use as a salt shaker.
The base bears the marks: “Théodore Haviland – Limoges – France – Copyright” and the inscription “Le Rosé,” linked to the decorative series. It also retains its original wooden stopper.
- Creator:Edouard-Marcel Sandoz (Designer)
- Dimensions:Height: 1.78 in (4.5 cm)Width: 2.37 in (6 cm)Depth: 2.17 in (5.5 cm)
- Style:Other (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1920-1930
- Condition:Wear consistent with age and use. Minor losses. Minor structural damages. Minor fading.
- Seller Location:Autonomous City Buenos Aires, AR
- Reference Number:1stDibs: LU7304247822252
Edouard-Marcel Sandoz
Born in Basle, educated in Switzerland, Edouard Marcel Sandoz worked mainly in Paris, where he settled in 1908. A sculptor of men and of animals, he expressed himself in bronze, in ceramic, and through the direct cutting of stone. A painter of flowers and of landscapes, he was also an unflagging producer of sketches and water-colours. His motto : “ In art, one has to love everything : nature, science, one's fellow man… ” His defining characteristics : intellectual curiosity and technical discipline. His freedom of expression was grounded in mastery of classical and traditional techniques, his knowledge of materials, the constant search for new tools, the opening up of new artistic territories, and the study and profound understanding of his subject-matter. His very personal style, developed in the course of a long career, bears the imprint of the Art Nouveau period, in which he was a forceful presence.The predominance of animalism in his sculptural work incited him to found the French Society of Animalists in 1933. His commitment to the service of his fellow artists led him to preside over the Baron Taylor Association for more than thirty years, to found the Charitable Society for Children of Artists, and to contribute to the creation of the Cité des Arts in Paris. In recognition of his talents and achievements, France elected him a Member of the Academy of Fine Arts, and appointed him to the rank of Commander both of the Legion of Honour and of the Order of Arts and Letters.
About the Seller
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