Bauer Co. Green Oil Jar, ca. 1930 s, Made in California, Rarer Smaller Size

This richly colored Bauer Co. oil jar is a great addition to any home. Bauer was in business from the late 1880's until the 1960's. The company moved from Kentucky to California in ...

This lovely little vase is a fine example of the Vienna Secessionist movement. The hand worked copper overlay is all you need to look at to see what I ...

A very fine example of the work of the premier glass maker, Louis Comfort Tiffany. In addition to the wonderful lamps his studio produced, he made many beautiful and exotic glass it...

This very striking double condiment set really caught our attention. Admittedly this is something we rarely buy, but just one look made us buyers. The commitment...

Beautiful large Oil Jar with handles in a light blue / turquoise color , make Pacific in bottom .This is an amazing piece for indoors or outdoors , even ...

Beautiful rounded ginger jar with lid features complex green craquelure glaze; the glaze is fluctuating between forest green and deep celadon green hues, is in high gloss finish, and is smooth to the touch. The inner surfaces are finished with semi-gloss off-white glaze. The jar is in good vintage condition; it is marked and dated on the bottom with one of the earlier, round marks, "N.C. Pisgah Forest West Ashville, Route 19" with the date and potter at the wheel logo (see Kovel's American Art Pottery Marks, p. 149). Inspired by the Arts Crafts Movement, Walter B. Stephen and his mother began their first pottery, Nonconnah, near Memphis, Tennessee about 1904. Without prior experience, they produced slip-decorated pottery of exceptional merit. Stephen moved to Skyland, North Carolina, in 1913, where he established a second Nonconnah Pottery, the first full-time art pottery in the state. In 1926, Stephen began the operation of his third pottery, Pisgah Forest. Here he explored Oriental glazes and forms, pioneered the first crystalline glazes in the South, and developed his cameo wares which resemble English Wedgewood jasperwares. Pisgah Forest and Nonconnah pottery have gained national recognition from numerous museums and private collectors. Major exhibitions of Stephen’s work have been held at the Mint Museum in Charlotte, NC, the Asheville Art Museum, the Memphis Brooks Museum of Art in Tennessee, American Museum of Ceramic Art, Pomona, California, the McKissick Museum in Columbia, SC, North Carolina Museum of History, Raleigh, NC, and Southern Highland Craft Guild, Asheville, NC. Bibliography: Leftwich, Rodney Henderson. Pisgah Forest and Nonconnah: The Potteries of Walter B. Stephen. Bradenton FL...

A mid 20th century hand turned clay lidded jar with a lava glazed finish. Signature marked on the bottom of the jar. This jar is of a slightly egg-like shape. Majority of the body ...

Vintage Contemporary ceramic urn. Beautiful matte glazed finish in a chic sage green color. Drilled for drainage. Part of a collection of urns that are also available on my Chairish ...