Czech Pottery Family by Viktor Vegricht

A good quality Leeds Pottery creamware figure group depicting Bacchus holding a cup and a bunch of grapes and standing alongside a wine barrel believed to date from the latter 19th c...

A good quality Leeds Pottery creamware figure group depicting Venus and Cupid with a large fish believed to date from the latter 19th century. The molded figure group stands raised on a square shaped base and is well modelled with nice detail with Venus dressed...

Newcastle Prattware Pottery model of a horse, Attributed to St. Anthony Pottery, Newcastle upon Tyne, circa 1800-1810. The horse with cropped ta...

Brutalist Art Pottery, Studio Ceramic by Brenda Williams. Northern California artist. Dramatic form, technique, wonderful glaze and color.  

Newcastle Prattware Pottery model of a horse, St. Anthony Pottery, Newcastle upon Tyne, circa 1800-1820. The fun, folky horse has a cropped tail s...

Galileo Chini for S. Lorenzo Mugello Floence, Italy 1920s "PAX ET BONUM" glazed earthware Excellent condiction Measures: H 30 cm.

A wonderful three hooped ‘Pagoda Pot’ by Alan Ashpool, tiered forms made from a mixture of thrown and slipcast sections joined together, in an ecru / pale green colourway, with three matt green slip stripes. In very good condition with no chips or cracks. Alan Ashpool backstamp to the base. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

A wonderful stoneware pottery model of a Monkey designed by Knud Khyn for Royal Copenhagen. Knud Khyn (1880-1969) was a Danish sculptor and painter. He was an important, long-term...

A stunning three hooped ‘Pagoda Pot’ by Dorset potter Alan Ashpool, with a flared bowl to the top, tiered forms made from a mixture of thrown and slipcast sections joined together, culminating in a bell shaped base. Predominantly in an ecru colourway, followed by a dark grey glaze, then a turquoise/blue glaze, culminating in a stunning bronze manganese glaze. There are also beautiful blue flecks in the ecru finish, which were created in the firing process. A wonderfully impressive and tactile piece measuring 40cm in height, in very good condition with no chips or cracks. Alan Ashpool backstamp to the base alongside the original address label. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

A small 12.5cm., 5" high biomorphic pottery sculpture of a mother in a reclining pose holding two children. brown glaze. The bottom stamped 'art pot...