Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Framed Modern Wedgwood Basalt Stoneware Tablet after Stubbs, Frightened Horse

$3,500
£2,670.60
€3,038
CA$4,915.13
A$5,379.02
CHF 2,842.34
MX$64,202.19
NOK 36,271.82
SEK 33,173.53
DKK 22,692.30

About the Item

Barlaston, Staffordshire, 1973, molded, stepped, oval form with bas-relief depiction of a horse cowering from an imposing lion, impressed "WEDGWOOD" recto, "WEDGWOOD/MADE IN ENGLAND/73" verso with viewing hole through mounting, 10 x 17 x 3/4 in., secured to a white silk backing in a parcel-gilt mahogany frame, removable spotlight with in-plug switch, 20 x 26 1/4 x 7 in. From Wedgwood: Today, Stubbs is regarded as the greatest British painter of horses and his renowned ‘Anatomy of a Horse’ was published in 1766. Stubbs investigated the possibility of painting with enamel colours on various media including copper and, by 1775, his search for a ceramic ‘support’ was brought to the attention of Wedgwood’s Ornamental Ware partner, Thomas Bentley. Josiah was extremely enthusiastic about the proposal to produce ceramic tablets or plaques to be used as an artist’s canvas, but the reality was that the production of large sized plaques took several years to accomplish. Stubbs was keen to receive the plaques as soon as possible, causing Wedgwood to write to Bentley that Stubbs ‘shall be gratified, but large tablets are not the work of a day.’ The ceramic medium chosen to produce the plaques was probably a low-fired version of the so-called terracotta body, which was suitable for large sized objects. A thin-light glaze was applied to the surface to seal it and make it suitable for the application of enamel colours. Several notable subjects are known on Wedgwood/Stubbs plaques – including a portrait of Richard Wedgwood, Josiah’s father-in-law. In part payment for the ceramic plaques produced by the factory, Josiah asked Stubbs to work on a portrait of the Wedgwood family and on modelling two bas-relief scenes: ‘The Frightened Horse’ and a companion piece ‘The Fall of Phaeton’. The former subject was modelled at Stubbs’ own suggestion from his own engraving of ‘The Lion and the Horse’. Josiah was greatly surprised at the mastery of the subject produced by Stubbs and his quick adaptation to the use of potters’ tools. On 1 August 1780, clay tablets had been prepared for Stubbs on which to produce his initial model and, by 13 August, the subject of the ‘Frightened Horse’ had been chosen. Wedgwood wrote on that day: ‘…he [Stubbs] is now laying in the horse whilst I am writing a few letters this good Sunday morning.’ By 21 August Stubbs had completed the model and Josiah was writing to Bentley promising a copy ‘…very soon either in blue white [jasper], or to save time in one colour.’ The ‘one colour’ referred to was black basalt. The subject has proved to be enduringly popular and has appeared at regular intervals since the 18th century.
  • Creator:
    Wedgwood (Manufacturer)
  • Style:
    Neoclassical (In the Style Of)
  • Materials and Techniques:
    Stoneware,Fired,Hand-Crafted,Molded,Unglazed
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1973
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Asheville, NC
  • Reference Number:
    1stDibs: LU10245243802092

More From This Seller

View All
Framed Set Fifteen Wedgwood Blue Jasper Ware Horse Medallions after Stubbs
By Wedgwood
Located in Asheville, NC
British and American, 19th/early 20th century, fifteen Wedgwood solid blue jasper ware two inch medallions, each depicting an individual horse in a unique pose, modeled by Edward Bir...
Category

Vintage 1910s English Neoclassical Pottery

Materials

Stoneware

18th Century Wedgwood Four Color Dip Jasper Ware Medallion
By Wedgwood
Located in Asheville, NC
Etruria, Staffordshire, c. 1790, octagonal wafer-thin white jasper with green jasper dip framing, lilac ground boarder with white jasper floral meander, central decoration with blue ...
Category

Antique Late 18th Century English Neoclassical Pottery

Materials

Stoneware

Exhibited Wedgwood Bentley Basalt Ware Four-Handled Vase
By Wedgwood Bentley
Located in Asheville, NC
Etruria, Staffordshire, c.1780, thrown in four parts and bolted to a plinth built of five small slabs, decorated by molded handles with horned returns to high relief goats’ masks with drapery festoons, circular seal at bolt impressed “WEDGWOOD & BENTLEY: ETRURIA,” 18 in. Provenance: Dr. Ellis F. Rubin & Suzanne Borow Rubin. Exhibited at the Mint Museum in Charlotte, NC in 2020 and illustrated in the accompanying literature, “Classic Black: The Basalt Sculptures of Wedgwood...
Category

Antique 1780s English Neoclassical Pottery

Materials

Pottery

18th Century Wedgwood Tricolor Jasper Ware Pegasus Vase
By Wedgwood
Located in Asheville, NC
Wedgwood's Etruria factory, Staffordshire, 1786. Green Jasper dip on solid white Jasper ware ground, with finely tooled, applied white Jasper bas-relief. White figural Pegasus surmou...
Category

Antique 1780s English Neoclassical Pottery

Materials

Stoneware

Pair Modern Wedgwood Black Jasper Ware Ewers, Sacred to Bacchus and Neptune
By Wedgwood
Located in Asheville, NC
Barlaston, Staffordshire, 1988, each solid black jasper moulded body bolted on respective base and plinth, white jasper bas- and haut-relief decoration applied throughout, white jasp...
Category

Vintage 1980s English Neoclassical Pottery

Materials

Stoneware

George III Wedgwood Basalt Ware Acanthus Bowl
By Wedgwood
Located in Asheville, NC
Etruria, Staffordshire, comma marks at base date 1800-1820, sprigged bas-relief decoration alternating bell flowers and acanthus leaves, an oak leaf and acorn wreath around rim, impr...
Category

Antique Early 19th Century English Romantic Pottery

Materials

Stoneware

You May Also Like

Wedgwood Black Basalt Rectangular Plaque of Bacchanalian Triumph , 19th Century
Located in New York, NY
Modeled in relief with a procession of drunken maidens and putti, mounted in a modern wood frame, impressed WEDGWOOD twice. Size of plaque 9 x 20.5 inches.
Category

Antique 19th Century British Decorative Art

Materials

Ceramic

Large Antique Painted Ceramic Equestrian Plaque
Located in London, GB
Large antique painted ceramic equestrian plaque French, 19th Century Plaque: Height 20cm, width 66cm Frame: Height 41cm, width 86cm, depth 6cm This ...
Category

Antique 19th Century French Decorative Art

Materials

Ceramic, Wood

Antique Neo-classical Style Plaster Plaque in Frame
Located in Wormelow, Herefordshire
Antique neo-classical style plaster plaque mounted in a frame. This decorative piece, at nearly 120 years old, has kept the details of its eye-catching classical scene. Unlike others...
Category

Early 20th Century Mounted Objects

Materials

Plaster

Antique 19Th C Neoclassical Stone Lava Cameo Relief Plaque
Located in Long Island City, NY
An antique 19th-century Western European hand-carved lava rock bas-relief plaque. The piece represents Venus on a swan-drawn chariot. Unsigned. Black velvet mat, wooden frame. Collec...
Category

Antique 19th Century European Neoclassical Decorative Art

Materials

Lava

English 19th c. Neo-Classical St. Wedgwood, White Jasperware Giltwood Plaque
By Wedgwood
Located in West Palm Beach, FL
A beautiful and very unique English 19th century Neo-Classical st. Wedgwood and white Jasperware plaque of Apollo, framed within an Italian patinated and Giltwood frame. This action-...
Category

Antique 19th Century English Neoclassical Decorative Art

Materials

Porcelain, Giltwood

Antique Wedgwood Blue Jasperware Neoclassical Plaque
By Wedgwood
Located in Bridgeport, CT
A fine Wedgwood large blue and white jasperware plaque with the company impressed mark on verso. Four of the nine Greek Muses are shown standing in their classical poses with their i...
Category

Antique Late 19th Century English Neoclassical Wall-mounted Sculptures

Materials

Porcelain