Mexican Large Round Serving Tray

This an oval shaped bon bon silver basket. It has a serpentine shaped upper border. Its rim is decorated with a chain of beads. Its sides are adorned with reticulated vertical line a...

This is a sterling 925 rectangular serving tray. It has fluted edge and its border is adorned with a bas-relief garland of leaves. Below the t...

This is a Sterling Silver Set of a total of 24 items. Twelve dessert Plates and Twelve Chargers. It depicts 24 plates with scalloped border and shaped as a fl...

This is a James Dixon & Son Sheffield Silver wide basket. The basket is shaped as a large open flower whose petals border forms ruffles. I...

Fine silver plated serving tray. The company was founded in 1867 by Adrien Céleste Pillon (Ercuis is the name of a little village of the Oise). After his bankruptcy in 1870, the venture was revived by George Maës, a glass cutter in Clichy. The company turns to arts of the table; coffee and tea sets silver plated...

1980s round silver-plated metal tray.

Contemporary round silver metal drinks tray with handles and low walls

Large Kudwig Wolpert sterling silver round tray with pierced Hebraic prayer decoration on rim and a wooden cutting board. Center back is marked 'Wolpert.' The Hebrew words pierced around the tray 'מזון וצידה השביע לנפשינו' mean "with sustenance and provision, He has satisfied our soul." It appears in the Nishmat Kol Chai prayer, recited during Shabbat and holiday services as part of the blessings of praise and gratitude. The prayer expresses thanks to God for His goodness and mercy, highlighting the blessings and kindness He bestows upon the world. Considered one of the greatest Jewish goldsmit and designer, Ludwig Yehuda Wolpert, was born in Germany, 1900-1981. He was born in a small village near Heidelberg, Germany to a poor Religious Orthodox family. During his childhood he suffered from discrimination due to his family's Lithuanian origin and his cleft lip, as well. Following the presentation of the works in the 1930's exhibition "Kult und Form" (Ritual and form") at the Jewish Museum in Berlin, his work became well-known in the German Jewish world. His works show the great influence of Modern design, especially of the Bauhaus movement. Wolpert's works avoid decoration, using clean and geometric shapes. In 1933, following the Nazi rise to power in Germany, he immigrated to the Land of Israel with his family. There, he worked in the "B. Friedland" Workshop where he designed and manufactured silver tableware and ritual articles. Together with Victor Solomon...