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Tiffany Co Sterling Silver Mixed Metal Creamer Designed by, Edward C. Moore

$10,250
£7,805.16
€8,987.43
CA$14,525.15
A$15,623.88
CHF 8,349.85
MX$184,161.02
NOK 105,272.11
SEK 96,238.68
DKK 67,151.29

About the Item

A very scarce and rare American Late 19th Century Sterling Silver Mixed-Metals “Japanese Style” Creamer made by, Tiffany Co. and designed by, Edward C. Moore. One side of the creamer is decorated with Japanese gold bud above a copper gourd and further decorated with a rare mokume butterfly amongst leaf and vine decoration. The other side with copper dragonfly with silver wings further with a handle pierced with crescents. Two similar examples are currently exhibited at two museums. Year: 1880 Signature: marked on base and Tiffany Co./5048-9317/Sterling-Silver Weight: 7 oz 10 dwt (234 grams) Measurements: height: 4 in. x width: 4 in. x depth: 2.5 in. Condition: very good condition Literature: Charles H. Carpenter, Jr., TIffany Silver, fig. 266, p. 168 (2nd ed.). Notes: Similar examples are currently exhibited: Carnegie Museum of Art: Pittsburgh, PA Metropolitan Museum of Art, New York City - Gallery 706 During the second half of the nineteenth century, Tiffany Co. rose to prominence as the leading American silversmithing firm and an influential international trendsetter and tastemaker. The 1870s and 1880s witnessed unprecedented innovation and creativity at the firm. Silver in the Japanese taste was among the most popular and celebrated work produced at Tiffany’s during these years. Indeed, Tiffany Co. won the Grand Prize for silverware at the 1878 Paris Exposition Universelle, with the judges citing the originality and virtuosity of the firm’s Japanesque silver. Edward C. Moore (1827-1891), the head of Tiffany’s silver division, assembled a significant collection of Japanese objects to inspire his designers and craftsmen. The silver they produced did not copy Japanese models but, instead, incorporated Japanese aesthetic sensibilities and techniques into fresh and wholly innovative designs. This tea set’s asymmetrical compositions, whimsical renderings of fish and reptiles, and use of mixed metals to achieve striking contrasts reflect the extent to which Tiffany’s designers and silversmiths had internalized Japanese design principles and techniques.

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