Christofle 1925 Silver Plate Art Deco Tea Service Tray Teapot Sugar Creamer Set

Set of early 1920s Art Déco silver-plated metal articulated asparagus tongs/pliers by Christofle, France, formerly part of Argentine Navy serveware By: Christofle Material: metal, s...

This exquisite silver-plated soup tureen is a refined example of French tableware craftsmanship by the renowned house of Christofle. Marked with the classic Christofle hallmark and s...

I am offering for sale a lot of "MIRA" model cutlery, designed by LUC LANEL and produced since the 1930s by the historic French brand Christofle. Purchased from us in Rome, we think...

1935 Christofle Art Deco silver plate sauceboat or Gravy Boat with Swan ladle combined conforming to the shape of a swan, Gallia Collection, designed by Christian Fjerdingstad for Ch...

Beautifully crafted and endlessly charming, this exceptionally rare silverplate teapot by the prestigious firm of Christofle & Cie. takes the form of a stylized wild hare. It was designed by Emile Reiber, a highly regarded architect, designer and Prix de Rome winner who joined Christofle as head of the workshop of composition and drawing in 1865. The design is after a Meiji-period Japanese bronze from the famed collection of Henri Cernuschi, an Italian banker and savvy collector of the arts of the Far East. Japonism was rising quickly in popularity in France around the time this teapot was created. Japan had opened borders and started trade with Europe in the 1860s, inspiring new ideas among European designers and artists like Reiber as they saw the arts of Japan firsthand for the first time. Cernuschi exhibited his collection at the Palais de l'Industrie at the Orientalist Exhibition in 1873-74, where Reiber spent weeks sketching the bronze artifacts — drawings he then translated into luxurious silverplate objects for Christofle. Based in Paris, Christofle & Cie. has been manufacturing high-quality luxury items since 1830. Christofle silver has graced the tables of European and Asian nobility for decades, and it is the tableware of choice on such luxury transportation as the Orient Express and the Trans-Siberian Railway. Innovative and revolutionary, the Christofle name is synonymous with elegance and style. An identical Christofle teapot...

Silver-plate tea and coffee set, bamboo model by Christofle, France, circa 1890. 1 tray, 1 samovar, 1 teapot, 1 coffeepot, 1 sugar bowl and 1 milk jug. All pieces are signed.

Wonderful Art Deco silverplate bud vase with a trio of stylized bird figures at the base by Christofle. Made in France and is marked with the script logo on the side and with hallmar...

Very rare two-colors Christofle rectangular tray. Made with the "Empreinte" technique, created in the late 19th century by Christofle to capture the beauty of nature, allowing to imp...

A highly sought-after silver plated jug designed by the famous French designers (see below) Louis Süe and André Mare for the Orfèvrerie Gallia / Maison Christofle c.1925. Just back from our silversmith's workshop, it has been professionally cleaned and polished, restoring it to it's former glory; any shading are reflections; minor wear to the interior commensurate with age and use. A magnificent piece of history and as relevant for today's interiors as it was nearly 100 years ago. Excellent condition spanning 7 1/2" handle to spout x 4" x 7" tall. Any black marks seen on the body of the jug / pitcher are shadows not marks. Item: 44016 FREE Worldwide Registered Airmail Directly From the UK Sue et Mare The spirit of collaboration was alive in the age of Art Deco. No duo quite exemplified this ideal more than the one known as Süe et Mare. Taking their knowledge of fine art and their shared experiences in the war with them, Louis Süe and André Mare were able to shape trends in the shift from Art Nouveau to Art Deco and beyond. Their designs, inspired by Cubism, excited the Paris Salon of the time and remain relevant even today. Louis Süe was born in Bordeaux in 1875 to a wine merchant and his wife. Drawn to the arts, Süe abandoned a path which would have led him into the École Polytechnique to attend the École des Beaux-Arts in 1893. There he studied painting as well as architecture design, and in 1902 was able to exhibit with a number of his contemporaries in the Salon des Indépendants and the Salon d’Automne. After working in various Parisian artists’ workshops and spending time in Vienna (where he was introduced to Cubism), Süe joined L’Atelier Français, an interior design firm made up of a number of his contemporaries, and where he first met André Mare. André Mare was born in the Norman town of Argentan in 1885. Feeling stifled by his conventional upbringing, he left in 1904 to enroll in the École des Arts Decoratifs. In 1906, Mare also exhibited at the Salon des Indépendants and the Salon d’Automne, showing his furniture design and setting himself apart as a leader among his cohort. In 1912, along with Marcel Duchamp and others (and concurrent to his involvement with L’Atelier Français) Mare created La Maison Cubiste, a section at that year’s Salon d’Automne dedicated to radical interior design. The outbreak of the First World War briefly interrupted the two men’s collaboration. Süe was drafted into the French Army and served in the Greek campaign. Mare, meanwhile, developed new camouflage techniques for the French, British, and Italian armies using his knowledge of Cubism. But this function did not keep him from the front. In 1916, he was wounded by shrapnel in Picardy while helping establish a lookout post, and in the same year was awarded the Military Cross by George V of England. In 1919, Süe and Mare resumed their professional relationship by cooperating with Gustave Jaulmes on designing the victory celebrations in Paris for the war’s end. The next year the pair founded the Compagnie des arts français, focusing on creating designs for furnishings and interior accessories. While adhering to the Art Deco style, their designs were more conventional, harking back to the Louis XIV and earlier periods, and less focused on geometric intricacy. Highly decorative, their pieces featured flair such as sculpted floral and fruit motifs, scalloped edges, and inlays of ivory and mother of pearl. Working primarily as decorators and furniture designers, Süe and Mare did find time to continue participating in exhibitions, particularly the 1925 Exposition internationale des arts décoratifs et industriels modernes, where they constructed an actual museum of contemporary art. Other projects included the booth for the Ambassade de France and the interiors of the steamship SS Île de France.

Christofle 'Grand Hotel Paris' Silver-Plated Oval Tray, circa 1920s A gleaming relic of French luxury hospitality, this silver-plated oval serving tray by Christofle is engraved Gra...