19th Century Sterling Silver

This is a  stunning Antique pair of Scandavian cast solid silver pheasants with exceptional detailing to the modelling of the birds, each stamped 830 and VIF, circa 1880 in date. Th...

Superb Rare Polished Figured pale Malacca wood crook handled Stick of outstanding quality, enclosing its original polished steel Horse Measure which measures up to 17hh complete with...

An exceptional, fine and impressive, antique Victorian English sterling silver presentation cup; an addition to our Victorian silverware collection. This exceptional antique Victori...

A gilt-silver chalice with fine repoussé foliate decoration and three painted enamel miniatures. Two of the miniatures show scenes of Jesus' life, while the third depicts a saint hol...

Oriental Sterling Silver Box with Figural Engravings, Handcrafted Persian Design, 18th C. An exquisite Antique Qadjar Oriental silver box, delicately hand-engraved with detailed figural and floral scenes, evoking the opulence of West Asian (Persiann) artistry. Crafted in the 19th century, this circular box features a continuous frieze of courtly musicians and noble figures within arabesque cartouches, surrounded by intricate foliate borders that showcase the exceptional skill of traditional silversmiths. Measuring approximately 6 cm in diameter and weighing about 72 grams, the box’s refined decoration reflects themes of celebration, poetry, and love – central motifs in Persian miniature painting and metalwork. The lid, meticulously etched with a symmetrical medallion composition, enhances its aesthetic balance and visual harmony. Likely made for betel, tobacco, or jewellery storage, this piece embodies both functional and artistic elegance. Its time-worn patina and fine repoussé and niello-style detailing suggest careful handwork rather than machine production, typical of mid-19th-century Oriental craftsmanship. Perfect as a collector’s item or a refined gift, this silver box adds timeless charm and cultural depth to any curated display of Eastern decorative arts. Dimensions: 6 cm Weight: 72 g Origin: Middle East or Persia (19th century) Material: Silver (tested) Antique Persian Qajar Engraved...

Sterling Silver Condiment Set with Blue Glass Liners, English Hallmarked An exquisite English sterling silver condiment set, complete with its original fitted presentation case and f...

Antique Silver Butter Dish with Crystal Liner Spoon, Elegant Vintage Tableware This antique silver butter dish is a striking example o...

An exceptional 19th-century English flatware service by Carrington & Co, 130 Regent Street, London — one of the most prestigious silversmiths and jewellers of the Victorian and Edwar...

Charming angel adorned bowl by Gorham Manufacturing Co. circa 1870's-80's, perfect for candy or pot pourri. This bowl was inscribed to Louisa De Hart Phipps who resided in Mo. and ...

Aesthetic Movement Tiffany & Co. Hand-Engraved Sterling Silver Pocket Flask, New York, Circa 1891–1902, 78 Grams A refined late 19th-century sterling silver pocket flask by Tiffany ...

Victorian Period/Aesthetic Movement sterling silver calling card/business card case having a hinged lid and its original chain, Gorham Manufacturing Co., Providence, Rhode Island, Ca...

An elegant antique silver-plated covered serving dish, designed with a revolving dome lid and raised on an ornate stand with finely detailed floral and scrollwork decoration. The pie...

An exceptional, fine and impressive antique George III English cowrie shell and sterling silver vinaigrette; an addition to our collection of desirable antiques. This exceptional an...

A fine, antique Tiffany & Co. covered, small-scale (possibly vegetable) tureen. In sterling silver. In the Richelieu pattern. Wth a twin handled body, conforming lid, solid sterli...

This is a wonderful English antique William IV sterling silver tray, or salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1820 the makers mark of Paul Storr. It is typical of his work with the octafoil shape and the exquisitely detailed reeded rim, and it is raised on four delightful foliate and scroll feet. The centre is engraved with a shield shaped coat of arms which I have had researched. The Marital Arms of Knollis and Hallifax The armorial bearings as engraved upon this George IV Large English Sterling Silver Footed Salver by Paul Storr hallmarked London 1820 are those of the family of Knollis with Hallifax in pretence. These armorial bearings denote the marshalling of a marital coat showing the arms of the husband over the entire surface of the shield, whilst the arms of the wife (as an heraldic heiress) are placed on a small shield (known as an escutcheon of pretence) centrally on the husband’s arms. They may be blazoned as follows: Arms: Quarterly 1st and 4th Azure crusily of cross crosslets a cross moline voided or (for Knollys) 2nd and 3rd Gules on a chevron argent three roses of the field barbed proper (for Knollys) over all an escutcheon of pretence Or on a pile engrailed sable between two fountains barry wavy of six argent and azure three cross crosslets of the first (for Hallifax) Crest: An elephant argent [differenced with a mullet1 ] (for Knollys) Motto: In utrumque paratus [Prepared for either] (for Knollys) These armorial bearings undoubtedly commemorate the marriage of The Honourable and Reverend Francis Knollis2 (baptised 3rd January 1743 died 27th February 1826), 1 The cadency mark for a third son of a family. 2 Francis appears to have preferred this spelling of his family’s surname. It is spelt as it is to be pronounced. of Burford in the County of Oxfordshire and of Eastleach Martin in the County of Gloucestershire and Mary Hallifax (baptised 5th March 1753 buried 18th December 1830). Francis and Mary were married at the Parish Church of St Mary, Ewell in the County of Surrey on the 9th June 1772. Francis was the third son of Charles Knollys (the titular 5th Earl of Banbury) 3 and his wife, Martha Hughes, whilst Mary was the daughter of The Reverend James Hallifax, of Ewell aforesaid and his wife, Elizabeth Chardavoyn. 3 Francis’s father claimed to be the 5th Earl of Banbury. A claim that continued to be pursued by the family until William Knollys, the titular 8th Earl of Banbury (born 1763 died 1834) was forced to discontinue its use by a resolution of the House of Lords which rejected his claim to the earldom in 1813. The crest surmounts a detailed dedication: This piece of plate was presented to the Honourable Rev Knolls by the inhabitants of the town and immediate neighbourhood of Burford on his completing the fiftieth year of his incumbency as the vicar of Burford. In testimony of their high respect 11th April 1821 There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 3 x Width 36 x Depth 36 Weight 1.52 kg Dimensions in inches: Height 1 inch x Width 1 foot, 2 inches x Depth 1 foot, 2 inches Weight 49 troy oz Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

Tiffany & Co. Saratoga pattern sterling silver flatware set. The pattern features a scrolling motif on the handles. The set includes a variety of dining and serving pieces, some cont...

A wonderful collection of 11 English silver thimbles, raging from early nineteenth century to twentieth century. The largest one measuring 1" high and 7/8" in diameter and the smalle...

An exceptional, fine and impressive antique Victorian English sterling silver tray with handles - boxed; an addition to our collection of silver serving trays. This exceptional anti...

A truly fine example of a Scottish solid / sterling silver magnifying glass within it's original presentation case. All original with a "bamboo" handle marked at the top with the Qu...

A very elegant antique 19th century repousse work sterling silver perfume flask, London, 1873. The circular top twists and locks in plac...

This is an exquisite set of two Victorian sterling silver cream jugs with hallmarks for Chester 1868 and the makers mark of the silversmiths Charles Perry & Co., Chester England. Th...

A lovely Antique Victorian Silver Biscuit Box with a classic gadroon pattern border on the base and rim. This Silver Box has a highly polished exterior and a hinged fitter lid. The S...

A beautiful set of 12 sterling silver teaspoons, accompanied by a tea strainer and sugar tongs. The inside of the spoons is gilded (vermeille). The silverwork is done in an incredibl...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

A beautiful Victorian period sterling silver hand mirror and brush, French, circa 1890 with ornamental decoration.

A fine antique Victorian silver napkin ring. In a heavy-gauged sterling silver. With highly detailed engraved butterfly & branch decoration to the center with raised decoration to ...

A very fine and scarce French pair silver Baptismal oil containers in its original leather fitted travelling case dating from 1850. The two cylindrical shaped oil containers are conjoined and both have tight fitting covers mounted with crosses. The oil containers have engraved initials OC and SC probably denoting oil and incense which would have been used in the baptismal ceremony. The identical lids too are similarly marked to ensure that these are not mixed up. The containers appear to have a slightly gilded finish to the interior and the oil containers are engraved to the bases and date 1850. They come in their original leather case with a small brass hook...

A fine & rare antique sterling silver engraved cigar case, with the family crest & motto for the Scottish Clan Kerr, made by Taylor & Perry, Birmingham, 1840. The case is finely & profusely engraved with a scrolling foliate design, the hinged lid closes tightly and with ease, the case having the hallmarks for makers Taylor and Perry...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our items. Beauti...

A remarkable intricately designed, handcrafted silver box, circa 1880s. We were told that this box is sterling silver and that the makers mark "M" is that of "M. Mayer". Maurice MAYER was a very prestigious silversmith. Research shows that he was an "Orfèvre de l'Empereur", Napoleon Bonaparte, 1860-1870. The Minerva hallmarks are not visible, may have been rubbed off from use and cleaning. No documentation. This intricately carved box depicts the romantic poem of Le Roman de la Rose (The Romance of the Rose). Comes with the original lock and key. Le Roman de la Rose, begun by Guillaume de Lorris circa 1230 and completed, in a different style, circa 1270-1280, by Jean de Meun, builds on the concept of courtly love found in the poetry of the troubadours. The authors create a complex allegory of the romance between the Lover and the Rose. In the quest to pick the Rose (to achieve the conquest of love), the flower and its attendants represent the Lady and her sentiments while being wooed. In the first part of the poem, written by de Lorris, the Lover recounts his dream, ending with the winning of a kiss from the Lady. In the dream, the Lover discovers a walled garden and gains entrance thanks to a beautiful young woman. He meets Diversion and dancers who represent courtly values such as Beauty and Generosity. A tour of the garden brings him to a beautiful bed of roses by the Fountain of Love...

Antique Gorham & Co coin silver Mary Todd Lincoln tea and coffee set, 1861. Gorham & Co had made this set and it was gifted to Mary Todd Lincoln dur...

Rare pair of Georgian, sterling silver, parcel-gilt berry spoons, Exeter, England, 1830, William Woodman - maker. Measures: 9" long x 2" wide (at widest point). Vacant cartouche. Bea...

Large English hallmarked sterling silver flask, Birmingham 1888 Deakin and Francis, The flask of plain convex form with detachable pull off drinking Cup, light gilded interior, screw...

Antique silver albany dessert service London 1899 Goldsmiths & Silversmiths Co. Sixteen-piece service (eight forks and 8 knives) plain blades and tines. Length of knives: 8 ¼ inches....

Antique English Silver-Plated Sugar Bowl with Gilded Interior, Ornate Floral Design Description: This antique English silver-plated sugar bowl features an elegant gilded (gold-wash...

Exquisite 19th-Century Spanish Sterling Rococo Revival Style Coffee Pot Hallmark: "VR" hallmark, indicating Spanish silversmith origin An elegant 19th-century Spanish sterling silv...

English Sterling Hand Mirror, Birmingham, 1899 Indulge in the luxurious charm of late 19th century elegance with this beautiful English sterling ...

This is a fine quality Edwardian cut crystal dressing table pot, mounted with a sterling silver lid. The oval crystal body rests on a star-cut base and is exquisitely decorated with ...

A fine mid-19th century Russian tea strainer. In 84 Zolotnik silver. By Carl Gustav Ekqvist of St. Petersburg. The figural bowl in the form of a pear supported by an intertwined '...

Description: Silver crown with a Holy Spirit in relief and a bird on top. Metal: Silver. Origin: Portuguese. Mark: Absent. Weight: 171.25 grams. Dimensions: 14cmx14.5cm. Content: 833...

Victorian Sterling Silver Jester & Ouroboros Snake Sugar Tongs, Birmingham 1887, by Joseph Willmore An extraordinary example of Victorian novelty silver, this figural pair of sterling sugar tongs...

Exquisite Antique Chinese Silver & Copper Decorative Vessel with Dragon and Mythical Beast Motifs – Xuande Mark An outstanding example of antique Chinese silver and copper craftsman...

This is a very good, sterling silver mug or Christening Mug made in the late Georgian, George IVth Regency period, by Joseph Angell 1st of London, in 1825. The mug is handmade and...

Victorian, Continental silver .800, footed tea caddy, Germany, with Hannau marks, circa. 1895, B. Neresheimer and Sohne - makers. Chased with dancing ...

A most unusual late Victorian fine string or twine box made from glass with a star cut base, the base mounted with a sterling silver foot and fitted with a solid silver lid topped wi...

Lot of Two Imperial Russian Silver Vodka Cups Silver vodka cup, tapered cylindrical body with flared lip finely engraved with typical alt...

A fine signed English George III salt cellar or sweetmeat dish. In sterling silver. By Thomas & Joseph Guest and Joseph Cradock, London. Dated for 1807. In the form of a turtle ...

Rare Chinese export sterling silver bowl by Wang Hing & Co. with applied relief cherry blossom flowers on each side of the bowl where it transitions into the feet, casted and styliz...

George Reid Sterling Silver Bread Basket Here we have a wonderful Early Victorian Sterling Silver Mounted Cut Glass Travelling Inkwell. The inkwell is oblong with a hobnail cut bod...

This magnificent Greek Revival sterling silver footed bowl, crafted by the renowned silversmiths Grosjean & Woodward for Tiffany & Co., epitomizes the grandeur of 19th-century Americ...

Antique Irish Silver bowl, Dublin 1834 John Moore. Large two handled circular bombe form with repoussé and embossed foliage decoration on partial stippled background, rich foliage le...

A fine antique Victorian silver napkin ring. In a heavy-gauged sterling silver. With engraved bird & branch decoration to the center with raised decoration to the rims. Engraved i...

Chrysanthemum (c1880) originally called Indian Chrysanthemum .Tiffany's luxurious Chrysanthemum silver was designed in 1880 by Charles Grosjean. With its flowing curves, swirling ve...

An exceptional, fine and impressive, and rare pair of antique Victorian English sterling silver seal peppers; an addition to our 19th century novelty silver cruets/condiments collect...

Mixed metal and sterling silver Turkish style coffeepot made for Gotham Co , marked and date E 40 on bottom.

An exceptional, fine and impressive antique Victorian English cast sterling silver nutmeg grater; an addition to our Victorian silverware collection. This exceptional, fine and impressive antique Victorian cast sterling silver nutmeg grater has been realistically modelled in the form of a clam shell. The cover and body of this antique silver nutmeg grater...

Antique Tiffany & Co. Sterling Silver sugar Sifter. Highly decorative strawberry vine design with a twisted handle. Gold washed blade with some minor wear due to age and use. Wei...

An absolutely stunning large antique Viennese sterling silver pill box made from a hefty gauge of Austrian silver. All sides are decorated with a white guilloche enamel showcasing...

This antique tea strainer is hallmarked by an unknown maker, but originated from France and dates to approximately 1890 and done in a period Victo...

Set of 4 Victorian sterling silver novelty place card holders. Made by Brook & Son in Edinburgh in 1899. Each: A cast open scene with drumming monkey, sticks raised overhead; mounted...